Thursday Technicalities: Secondary Characters

Publishing Advice

Introduction

Last week, we talked about character dimensions or aspects, and this week, we’re moving on to talking about secondary characters. Secondary characters are often ignored or not given the focus they should be given simply because they are secondary, but good fiction will develop these characters too. Let’s talk about what part your secondary characters play and why they’re so important that they too need as much development as the main characters.

Roles of Secondary Characters

When it comes to secondary characters, we often view them as supporting cast members to our lead roles, the main characters. While it is true that they’re going to be supporting characters, if they’re going to do their jobs to the best of their abilities, their roles need to be defined and their characters developed.

So what are their roles? Well, secondary characters predominantly provide either support or opposition to our protagonists and antagonists. But if they’re going to do that, they’re also going to need to take on more specific roles in the story. The ones who show up for any length of time should be fulfilling multiple purposes or roles along the way in helping or hindering the protagonist and antagonists. And, interestingly enough, it isn’t always necessary that these secondary characters be intentionally working to help or hinder. Some secondary characters may do both at different times simply in the process of living their own lives and pursuing their own goals.

Developing Secondary Characters

As you work with your secondary characters, my recommendation to you is that you develop them the same way you develop your protagonists or antagonists. Take the time to carefully craft them and to give them their own goals, internal conflicts, and dreams. Some writers avoid this because they’re worried the secondary characters will steal the show. This is rarely the case. If this is starting to occur, it’s usually due to having chosen the wrong protagonist/antagonist or having underdeveloped either of those two. But if those two issues aren’t present, then usually a well-developed secondary character can help rather than hinder your plot’s advancement and richness.

So when you’re developing the secondary characters, the key things to focus on are internal conflict, motivations, and storylines. They should have their own development in all of the areas just as the protagonist and antagonist do. In order for their storylines to add to the conflict in the main storyline, their subplots cannot be undeveloped. The things they want and the story arcs they’re going to travel through will all impact the main story if you’ve woven the two together well.

How to Weave the Storylines Together

But now you might be asking… How do I weave the two together so that they flow into each other properly? This one is a little bit difficult to achieve at times, but here’s one really great way to do it. Take the characters you have, list out a few locations, and write down the key plot points for the main plot and any subplots that will impact that plot. Then start connecting a character with a plot point and a location. Sometimes, the connections will make zero sense, but if something is working, make notes on how they all interconnect. I think you’ll start to find that your subplots for secondary characters intersect and enhance the main plot in ways you never would’ve imagined. Try to find at least three or four ways that your secondary characters can interact with the main plot while following the arc of their sub plot.

Too Many Cast Members

The last thing I’ll note here is that you can have an issue with too many secondary characters. Usually, a story doesn’t require twenty secondary characters. Even in my most complex series where I have two plot lines going on at the same time, I have maybe five to seven secondary characters who play any significant role in the story. The rest show up only as needed. Those that show up when needed are given the illusion of being real, but not much development is done with them because they’re only there for a scene.

The problems that usually lead to too many cast members are not using your characters to their fullest, having too many directions, or giving screen time to those who don’t need it. Most of the time, the issue is that an author hasn’t used their characters to the fullest of their potential. For example, in Trader Prince of Aleshtain (my current WIP), I initially had the MC’s best friend separate from the MC’s mentor figure/voice of reason. But the mentor figure only showed up in one or two scenes, and after he departed the stage, another supporting character takes on that role. I only needed the mentor figure to give good advice toward the beginning of the book. So in the newer version of the draft, that mentor figure has been blended with the best friend. Now, the best friend offers the needed sage advice while also encouraging the MC to do what he knows is right. I didn’t need that second character to act as a mentor figure at all because I had the MC’s best friend and could easily combine the roles.

Additionally, pulling in too many directions can weaken your use of character and your story by extension. If you give so much screen time to a character meant to be a supporting cast member that they end up hijacking the main character and the plot line, your story can end up pulled in too many directions. The best solution for this is to remind yourself of the story’s focus then go back and trim out any scenes with that secondary character that aren’t useful to advancing the main plot, helping one of the main characters, or hindering their journey. While a secondary character should be as developed as a main character, they don’t get the same amount of screen time as a main character. Instead, their development is shown in more concise ways during interactions that the reader has with them while they are in some way advancing or hindering another character or heightening the conflict.

Conclusion

Developing your secondary characters is extremely important. Failing to do so means that you have failed to use them to their greatest potential in building your story and your plot. Don’t lose the richness and the additional complexity that a well-developed secondary character can bring to your tale. Be careful to keep their time on the stage balanced so they don’t steal the spotlight, but don’t be afraid to give them their own goals, hopes, and dreams. Let them live and breathe on the page too.

Thursday Technicalities: Acting out of Character

Publishing Journey

Introduction

First off, I apologize this wasn’t out last Thursday! I was having a bit of a hectic week, and I wasn’t able to get around to the post. Hopefully that won’t become a regular thing. Now, last time on Thursday Technicalities, we talked about the idea of internal conflict in a character. Today, we’re going to discuss what Donald Maas calls “character dimensions” and what I’d simply call aspects of a character that make them feel real. Maas used less words than I did, obviously, but initially, when reading through the exercise on this, I struggled with his terminology because I didn’t quite grasp what a “dimension” was. But this is a very important piece of developing your character, so let’s go ahead and dive into it!

What are character dimensions?

Character dimensions, simply put, are the various aspects of your character that make them who they are. For example, if your character is characterized by kindness and warmth, then those are character aspects or dimensions. Dimensions of your character make them multi-faceted and more realistic to the reader. They give us as readers some baseline for what a character will do or not do.

Why it’s important to establish these in your novel

Aside from just making a character feel well-rounded, character dimensions actually give you opportunities for growth, character arcs, and conflict. For example, say I have a character who’s generally non-violent. Let’s just say that they’re a healer and can’t stand the idea of harming another person. If I throw that character into a situation where they have no choice but to fight or die, that’s going to create a whole lot of internal conflict. We need these dimensions or aspects in our characters, regardless of who they are or what they stand for, because without them, we lose the richness our writing can have. But it’s also going to force them to act out of character, and this goes into the next important discussion point.

Acting out of character

Now we get to the portion of this discussion that I pulled the title from. If your character always acts exactly in accordance with their usual dimensions/aspects, they’re going to get boring fast, and they won’t seem like real people. All of us, when pushed to a certain point, will do things that would ordinarily go against the our grain. Sometimes that’s good. Sometimes it’s not, and it creates more trouble for us.

Your characters should be no different. While they may have some aspects that they’ll never compromise on (for example, someone who has an aspect to them where they will die for what they believe probably isn’t going to suddenly wake up one day and realize they no longer believe that thing or are no longer willing to die for it), they’re always going to have something that will push them out of their comfort zone in a way that results in doing something that isn’t in line with their usual character aspects.

This doesn’t have to be anything highly important all the time either. I have a character I’m working with in my current WIP that is used to being good at everything and avoids anything he knows he’s not good at unless it’s necessary to do those things. There’s a scene where he sits down to paint with the girl he’s protecting. That’s extremely unusual for him. He’s bad at it, and he goes further by admitting he’s no good at it even though he’s not fond of admitting weakness or ineptitude. But his decision to do it anyway, even when he doesn’t need to, leads to a bonding moment between the two. In and of itself, the decision to sit down and paint seems like no big deal, but it’s what’s behind the action that goes against his grain that makes it a big deal.

Adding points to your novel that force your character to do something that’s opposite of their usual defining traits brings this kind of life and realism to even the most fantastical of stories. This is why people are able to say of some fantasy books that they’re more realistic than some realistic fiction out there. It’s because the characters feel like real people experiencing real world struggles even though they’re on some other planet, have green skin, and use a lot of strange expressions. There’s an element of humanity and depth to them that resonates with us as readers, and an author who does the work to incorporate this will have a book that can do that.

Conclusion

Hopefully you’ve already got a few ideas going for areas to utilize this tool in your toolbox. If not, I encourage you to sit down and really start thinking about this. Jot down some defining traits or characteristics of at least your main character(s), and then find the opposite of that and see if you can’t come up with some points in your novel where that character might have to act in accordance with the opposite trait, not their defining ones.

The War of Independence and the Civil War: Parallels

Ariel Paiement

Introduction

The topic of the American Revolution, the Civil War, and rebellion have all become rapidly circulated issues in today’s culture with everything going on. People would like us to believe that the American Revolution and the Civil War are miles apart, that rebellion is a good thing, and that the only reason the Civil War happened was because slavery. But are any these things true? That’s what we’re going to explore today as we dive deep into history and take a look at the facts on both the major wars fought on our soil, the parallels between the two, and the issues surrounding both.

The Matter of Jurisdiction and Rebellion

Before we can get into the parallels between the two wars and the issues pointed out in the introduction, we have to go over the topic of jurisdiction and authority and define rebellion. Too many Americans (and people in general) don’t understand this, but if you don’t understand these issues, then you can’t really understand anything that’s going to follow in this discussion, nor are you fully able to comprehend the intent of the Founding Fathers or our Constitution.

Hence, we see a breakdown of American ideals and society, and we see an increase in the numbers of people who want to liken seizure of city blocks by a mob to the American Revolution. We hear more and more comparisons of riots to our country’s founding or to the Civil War, and while there may be some argument for this on the grounds of the second war in that we haven’t in all the time that has passed managed to improve our attitudes since it occurred, the argument for the first is baseless due to these principles.

So what is jurisdiction? Jurisdiction is the realm of authority afforded to each sphere of life. The spheres of life are family, government, and church. (I know many non-Christians would argue me on this point, but I can get into why the Christian viewpoint is the one that we must reason from on matters of morality–which rebellion is–in order to have any validity at some other point. This is not the point or the forum for it.) Within those spheres of life, certain realms of authority have been given by the Creator, who is above all earthly authorities.

For example, the government has no authority to regulate how you teach or raise your children (with the exception of certain scenarios such as clear abuse of a child, which requires a higher authority to step in and help). They overstep these bounds all the time in modern day society, but the Bible is clear that within the home, it is the responsibility of the parents to teach, raise, and train children in the way they should go. They are wards of the parents, not the states.

Likewise, the church has no authority to tell the government to run the country, and the government has no God-given authority to force the church to worship or not worship in a prescribed way. Oh, they can arrest those who choose to worship in a way that goes against state wishes, as they do in China, but they have no authority to tell Christians not to worship God because we answer to a higher authority, that being God, and we are to obey God’s laws rather than man’s if there is a conflict between the two. So while there will be persecution and consequences for doing the right thing, we do it anyway because the highest authority of all, from whom all other authorities derive their power, commands our loyalty.

Why does this matter? Because there are clear dictates to jurisdiction. In many cultures, authority figures have chosen not to bind themselves by their own laws. Western civilization is unique in this regards because there is a contract between us and our rulers that states our rulers must abide by our laws just as much as we must. This gives us recourse when they break their end of the contract. Understanding this is essential if you’re going to understand either the American Revolution or the Civil War. But we’ll get to that in a few.

Western Civilization and the Contract of Authority

As I said earlier, Western civilization is unique because there is a stated contract between our rulers and we the people that they will do A, B, and C in exchange for us doing D, E, and F. That’s the whole basis of our Constitution. It is an agreement by our rulers with us that all of us will abide by the rules, whatever those may be, and that no one is above those laws. When a ruler steps outside of the bounds of authority established in that contract, they are in violation of the agreement and are no longer exercising rightful authority.

In the case of a country without this sort of contract, then whatever the authorities do, with the exception of choosing to try to stamp out God’s church and His worship, is rightful authority as they have given no such promise to their people to abide by any given set of rules. Therefore, though they may do many, many heinous things, any uprising on the part of their people would be, in fact, a rebellion and therefore unacceptable on the part of any Christian who is following the Scripture. This doesn’t mean Christians won’t disobey a law if it requires them to break God’s laws, which are higher than any civil law on Earth, but it does mean they will have no part in fighting a war against the authorities and will accept whatever punishment accompanies their decision to obey God rather than man.

So how are the American Revolution and the Civil War not rebellions? Because of two very important documents and what they said. Let’s start with the document that gave the American Revolution the status of a war of self-defense, not a war of rebellion.

The Magna Carta

The Magna Carta was a document that laid the foundation for the entire system of British law. It was agreed to in June of 1215 and was an agreement between King John of England and the nobles representing the English people, who were at the time revolting, at least in some areas. It established some basic liberties and the agreement that not even the king was above the English law.

This important document along with the individual charters that colonies had with England formed the backbone of the American Revolution. During the years leading up to the American Revolution, the king was ignoring both the Magna Carta and the individual charters established with the colonies. Had the colonists been in England, their rights as English citizens would never have been so blatantly disregarded, and so they wrote letter after letter and sent representatives to plead with the king and Parliament to hold their part of the deal in all cases, not just in the instances where it benefited them.

King George III and Adding Fuel to Fire

Instead of addressing the concerns, which would have kept the peace and kept the colonies as part of Britain, the king and Parliament ignored them. They continued to pick and choose when to follow their own laws, thereby invalidating the contract by which they held authority. Since they wouldn’t honor their own agreement, it became invalid, and the colonies sent the Declaration of Independence. In a nutshell, that declaration was saying, “You won’t follow your own laws, you won’t treat us like citizens, and so we declare that we do not recognize your wrongful authority nor are we going to continue behaving as if we are citizens when you do not view us as such.” Obviously, the language was much prettier when Jefferson wrote it, but the point was the same.

Essentially, as King George III continued to add fuel to the fire, the colonies finally seceded from Britain. We like to think of it as a grand rebellion for freedom, but it wasn’t. We declared our independence with no violence. After doing so, we appointed our own leaders as any new country would and we kicked out the ones who had invalidated their authority. Most of that was still not violent unless soldiers from Britain wouldn’t leave colonists’ homes, in which case the colonists defended themselves. But that was still self-defense, not rebellion, because Britain had invalidated its own authority and jurisdiction.

The war began when Britain decided to treat the colonies as rebels instead of ex-citizens. They attacked the newly formed coalition of colonies, and the forming country defended itself.

The Constitution

This document formed the backbone for the Civil War in more ways than one. The finalized and superior form of law after the Articles of Confederation we first tried failed, this important document regulated what could and could not be done legally in America. We continue to use it today, though more and more lawmakers try to twist it and often get away with doing so. But in the days leading up to the start of the Civil War, this had not yet begun.

Granted, there was major hypocrisy in how we applied the terms of the Constitution and the Declaration of Independence’s statement on the matter of liberties for all men. We as a country had the ugly issue of slavery to deal with if we were to address the issue of hypocrisy that had become so ingrained in our nation by the time of the Civil War. Some illogical (and, if the Constitution were fully followed, illegal) compromises were made to deal with the tension between the two segments of the country–North and South–on this issue. But nonetheless, we had the Constitution, and it governed our laws underneath its umbrella.

Secession and the Constitution

How did this come into play during the Civil War? Prior to any shots being physically fired, segments of the South had already chosen to secede if Lincoln were elected. He won the election with not a single Southern state supporting him. While the hot button issue was slavery, it is worth noting that some states had a secessionist attitude over anything they felt stepped on their toes, not just slavery.

North Carolina, in particular, had been an issue for past Presidents even when no violations to the contract (the Constitution) between states. But regardless of the issues they were arguing over, the fact of it is that secession at that point remained an option. The Constitution did not forbid this right to the States, and so, even if their reasons for doing it were to preserve slavery, which they perceived as absolutely necessary to their existence, the South had the right to leave.

This in no way means that they were right for wanting to keep their slaves. That was a dark blot on the promises the Constitution made. It was inexcusable, wicked, and disgusting. It never should’ve happened, and the Founders had planned for it to fade out. When it didn’t, we ended up with a lot of unexpected problems, and sadly, our leaders on both sides didn’t deal with it in a way that was morally correct. Had they done so, they would’ve freed the slaves (indentured servants included in this since most were treated just as badly, sometimes worse, than slaves) and made sure that those individuals went through the process to become citizens like anyone else or were sent back to their countries of origin. Instead, they went to war over it before we even fired a shot in the Civil War, and the South developed a siege mindset long before a true war even erupted.

But, despite the poor decision-making, wrongful behavior on the parts of many individuals, and a sickening practice of enslaving fellow human beings, the States all had the right at that time to leave the Union. Legally, they should have been allowed to go.

Lincoln and Adding Fuel to the Fire

Lincoln’s election, through no fault of his own, added fuel to the fire. If he had stopped at that being the only thing he did to add fuel to the fire, then he would be blameless in this whole affair. Instead, he blatantly stated in his inaugural address that he was treating the newly-seceded states, which were to form the first part of the Confederation, as rebels. They were not, according to our Constitution, rebels. Thus, after Lincoln declared the Union would force them to return to and stay a part of the Union, the seceded states began preparing for war. They organized further militia forces beyond what was normal the individual States to maintain and prepared to be forced to defend their land and their choice to secede. More states joined them and the fledgling country as the months led up to the Civil War and Lincoln continued to throw fuel on the fire.

He refused to meet with any representatives of the new coalition of states, much like King George III had done, because he wouldn’t recognize them as their own country. He utterly refused to acknowledge their right to leave, regardless of the reason, and insisted on treating them as rebels as opposed to a new country trying to work out the issues between themselves and the neighboring country. Then he further added insult to injury by sending supply ships to a Union Fort in the middle of their territory without asking permission to pass through their borders. Had it been any other country or circumstance, this would have been considered unacceptable, and firing on the ship and fort would’ve been acceptable since the ship wasn’t declared or given permission to pass borders. Instead, Lincoln thought it was fine because he viewed them as rebellious states still in the Union, not as another nation. Why shouldn’t he be able to send his ship anywhere he pleased in his country, right?

To be fair, there were miscommunications on both sides in the issue of Fort Sumter, and those misunderstandings led to many of the issues that resulted in the fort being fired on, but Lincoln’s antagonistic, dismissive behaviors led to the boiling point, and the war began.

To be fair, there were miscommunications on both sides in the issue of Fort Sumter, and those misunderstandings led to many of the issues that resulted in the fort being fired on, but Lincoln’s antagonistic, dismissive behaviors led to the boiling point, and the war began.

Similarities between the American Revolution and the Civil War

Some of the similarities should already be readily apparent from our earlier discussion on jurisdiction, authority, and rebellion. But let’s go over them more clearly and state a few additional similarities that I have come across in the research I’ve done on the two wars.

Rebellions?

First off, neither was a rebellion. In fact, I would call both wars of self-defense, even if, in the case of the Civil War, the first shot fired was over a miscommunication. If you look at how both wars were fought, both were fought on the soil of the newly-independent country, predominantly or entirely. Neither of these wars’ defendants were interested in seizing territory from the other side as a policy. They simply wanted to leave quietly and be left alone to govern their own affairs.

Fought on the Defendant’s Soil

Most of the war in the case of the Civil War was fought in border states that had been split in half between North and South or in Southern territory. The Confederate States were utterly destroyed by the war and Lincoln’s determination to overrun them, run roughshod over their choice to leave, and force them to return to the Union. In the end, he succeeded, but he cost both countries enormous losses of life and cost the Confederacy a great deal of the infrastructure they did have. The war only further entrenched the siege mentality the Confederate States had and confirmed their worst fears that they wouldn’t be allowed to leave.

In the case of the American Revolution, it was fought entirely on American soil, and we fought, just as the Southerners did, to defend home and family. While the American Revolution didn’t have the cause of slavery added into the mix to make the war appear “unrighteous” on the part of those who seceded, it and the Civil War are similar in that the war only started when the new countries were threatened or outright attacked by the countries they seceded from.

Given this is the case, the American Revolution would be more accurately termed the American War of Self-Defense, and the Civil War would be more accurately termed the Confederate War of Self-Defense. After all, the American Revolution was not a revolution in the true definition of the word, nor was the Civil War a Civil War because it was between two countries, not one that was split. You can’t have a civil war if the war isn’t between citizens of the same country, and no matter how much Lincoln wanted to ignore the Constitution’s terms, the South had legally left and declared themselves no longer citizens of the Union, so it wasn’t a situation of citizens of the same country fighting.

Struggles Against Wrongful Authority

Since both wars were fought between countries who operated with the Western form of government, which involves contracts that both parties most follow to have authority or to be governed, both the colonies and the Confederate States were fighting against wrongful authority. As mentioned earlier, the colonies were fighting against a government that was not following its own contract and laws. The Confederate States ended up fighting a war against the Union because its leader and government chose not to honor their contract, which allowed the Confederate States to do what they had done and secede. In both cases, the governments that had previously governed them violated their contracts and therefore were exercising wrongful authority when the wars erupted. This directly leads back to the reasons why neither were, in fact, in rebellion.

Conclusion

To round out this history discussion, let’s go back to the beginning. The issues I proposed as questions were that the American Revolution and the Civil War are miles apart, that rebellion is a good thing, and that the Civil War was about slavery alone or predominantly. So looking over what we discussed, here are the facts.

  1. The American Revolution and the Civil War were in fact vastly similar. Both were wars of defense against wrongful authority, and both were fought in a mainly defensive manner, supporting their claims that they just wanted to leave in peace.
  2. Rebellion is never acceptable from a Christian worldview. Those who promote it are wrong to do so, and a Christian espousing a rebellion is doing so in direct violation of myriad commands to respect authority.
  3. The Civil War itself was not about slavery. The South seceded over slavery, but the war happened because the North broke away from the Constitution and treated them as rebels for leaving. Their cause for leaving? Entirely unjust, but legally allowable. Their cause for fighting the war? Entirely justified because the North had no right to disregard the usual courtesies expected for passage between nations and the parleys that would occur between both. So while there were certainly problems and hypocrisies in that time of our nation, the war itself was neither a civil war nor was it acceptable for Lincoln to decide to get us into a war because he wanted to force them to stay. That was the move of a dictator, just as King George III’s behavior was, not that of a ruler abiding by the laws he and the rest of his government agreed to be bound by through a contract with those around them. Had he treated them as an opposing country and tried to conquer them like Germany did to France or other countries through history have, he might’ve been given some leeway, but he didn’t, and so, while he might not have been a bad man personally, he was nonetheless a dictator who chose to ignore the rules he was required to operate under by law.

I know many people would argue with these conclusions, but facts are facts. While no situation is every fully black and white, particularly with wars, the facts that lead to us being able to declare something a rebellion or a war of self-defense are not. Those distinctions lie solely in facts and definitions, whether we like it or not. Though we shouldn’t disregard or marginalize the uglier sides of history or try to pretend they were justified, let us also avoid declaring those on the losing side entirely unjust in their defense of themselves or in declaring the winners justified simply because they have won. This is what we have done when it comes to our country’s history, and while it is commonly understood that the winners write the history books, we cannot be a people who disregards truth or fact in favor of emotion and perception simply because the latter is more favorable. To do so is to destroy our very foundations and ourselves, and this is exactly what we have chosen to do in modern society.

We have not improved or moved away from the very same attitudes that inspired the Civil War in modern society. There is still a desire on various sides of the issue to ignore history, ignore our country’s founding principles in favor of whichever flavor of hypocrisy we prefer, and to demonize the other side simply to support our own. If we wish to have another war where we split into two countries, this is the path to follow. But if we want to learn from history, avoid its same mistakes in present day, and finally move past what was done in the past, then we’re going to have to be honest about the facts. I hope today’s exploration into the background on these two wars has been informative and beneficial.

Thursday Technicalities: Internal Conflict

internal conflict

Introduction

With our discussions regarding publishing concluded for now, we’ll turn now to discussing some of the key elements of crafting fiction that you can use to improve your writing, both with a completed manuscript and with one you’re still writing. I’ve recently been working through Donald Maas’s Writing the Breakout Novel, and I’ve found that these areas are ones that can prove challenging but are going to really take your work to the next level.

So, I’m going to go through some of the sections I found to be most useful and important with my own take on them based on things I’ve seen work out well in fiction. Today’s topic is going to deal with conflict within the character, otherwise known as internal conflict. This is an important part of fiction and really brings characters to life, so it’s not something we can overlook as writers. Let’s get started!

What Is Internal Conflict?

Internal conflict is when the character is conflicted within themselves regarding any given situation or decision. This differs from the major conflict that drives your plot (at least in many cases) in that the conflict driving the plot is usually some sort of external conflict that puts pressure on the character and may even exacerbate their internal conflict. In some cases, the internal conflict may be the driving conflict in the story and may create the external conflict due to a character’s actions in response to the conflict internally.

On a more basic level, internal conflict is when a character wants two opposing things at the same time. This simpler definition usually makes it a little easier for us to think about what our characters’ internal conflicts might be. Regardless of what the internal conflict is and whether or not it is the result of external pressures or the leading cause of those external issues, this is a tool in writing that cannot be ignored if you want a character that feels real and alive.

Keys for Internal Conflict

First and foremost, an internal conflict for a character must include two fundamentally opposed desires. This sounds really straightforward, but here’s the thing… You have to figure out how and why your characters could or would want those opposing things. We as people have issues with this in our own lives all the time. For example, consider someone who wants to eventually have a family but also doesn’t want their freedom to hop from partner to partner taken away. Those are two opposing desires. They can’t have both, and they’re eventually going to have to decide which one matters more. We all run into these kinds of ultimatums, and we all eventually go with one or the other when it becomes apparent we can’t have both.

The second key is to make the two options mutually exclusive. We all feel conflicted about things from time to time, but if we can find a way to make both work, then we often do. Furthermore, the options facing a character need to be ones they strongly care about. For example, in my book Bane of Ashkarith, the male lead has a strong desire to uncover the truth and to share that truth–whatever it may be–with the world. But he also has a strong desire to stay alive, and the truth is likely to get him killed if he goes ahead with telling it. He can’t have it both ways. He either tells the truth or he doesn’t. And he has strong reasons and motivations to choose either option, so it isn’t a situation where he can simply decide one choice doesn’t matter that much and just go with the other. No, he has to fight through the internal conflict to make a decision on what to do.

What if my character is too black and white to really struggle in the obvious ways?

You want to ensure that you set your characters up with a similarly stark set of options that lead to internal conflict. Sometimes, however, you find a character that is simply too morally upright and black and white to struggle with some of the more common issues. I’ve run into this recently with my male lead in a novel I’m working on. S is a trainer for an intergalactic organization whose sole goal is to sow dissent, chaos, and evil throughout the galaxy. They are directly opposed to God and anything that could be considered good, though they don’t really care what form evil and darkness takes so long as it does in fact drown out what is good and right. S doesn’t agree with them or their standards, but his situation is such that he must play along.

At first glance, it doesn’t seem like S necessarily is conflicted between two choices. At the beginning of the novel, he’s offered a way out. In order to get out, he has to play the long game and be patient, but there’s no question in his mind or that of the individual who offered him an out that he’s going to take it. He isn’t conflicted about it, and he isn’t conflicted about waiting it out so he can get himself and the girl who offered her help out safely.

So at this point, I’m faced with an issue. S is the protector, the dominant/alpha male who makes sure everyone under his care is safe even if it costs him everything to achieve that. He doesn’t dither over whether he’s willing to make the sacrifice to protect Gwen or others directly under his care. He already knows he will. He also doesn’t question the choice to leave because he refuses to be a part of the organization’s wickedness any longer than absolutely necessary.

“Growing” the internal conflict

In this case, S is a character that starts out with no internal conflict in his mind and must end up “growing” one. The way I chose to handle this? As Gwen begins to change his outlook on the situation and his approach to those around him, he begins to feel responsible for helping and protecting not just Gwen, who is directly under his protection, but also the other trainees whose trainers hurt or even kill them. He comes to a point where he is no longer certain that he can in good conscience abandon it all to run and never look back. Instead, he has a turning point that leads to his internal conflict: leave or find a way to fight back for the freedom of those who, like him, never had the chance to speak up and walk away from the horrors inflicted on them.

Gwen herself is put into a similar position, but she comes to it much sooner and sees it far quicker than S does. Her nature is not the protector so much as it is the outspoken voice for what’s right. That gets her and S into plenty of trouble in a culture that despises the truth and anyone who stands for it, but she stands firm anyway. Her internal conflict then, takes on a slightly different flavor than S’s, but the nature of the two is still similar in that the conflict is not in-built but must instead develop as their viewpoints and goals gradually begin to shift.

What if I just can’t think of anything?

Sometimes, characters make it very difficult to figure out what their internal conflict is or to determine how to push them into one. This might happen because the character doesn’t know what they want or is generally a somewhat weak type of person. I ran into this with Sebastian, a character from an allegorical sci-fi novella I’m working on revising. He falls into the category of “I don’t really know what I want or what I believe”. His problem was that he didn’t believe the popular narrative and was suspicious of the government’s claims, but he didn’t know what he believed if not that. He develops through the book, but I still have the issue that he doesn’t seem to really have much of an internal conflict at the start.

The solution to this? Start thinking about what they really want. If push came to shove, what is it that they’d fight for? Maybe the push might have to be really extreme, but what is the one thing that they couldn’t bear to lose, not accomplish, or fail at? Now take that thing and figure out what the opposite of it is.

For example, with Sebastian, the one thing he really can’t stand to lose is Vivian, the female lead. The opposite of that, to my mind, would be to lose her or let go of her. That gives me an internal conflict right there if I can find a way to set it up through the story such that he wants (or at least has to seriously consider) both paths.

Something else that I also found for Sebastian is that he is fiercely loyal to those he cares about. He can’t stand to lose the people he cares about or to walk away from them. So another conflict I can give him is having to decide between fighting for the people he cares about or walking away. With this character, however, there is no question in his mind, at least in the first novella, on which one he will choose for either of these. So in order to create any kind of internal conflict with him, I have to force him into situations where he can’t choose what he wants to choose. I have to make it so that he does have to walk away from his loved ones or so that he has to give up Vivian.

Sometimes, characters are like this. There should be conflict, but it might not always be clearly caused by the character wanting two different things. Sometimes it might be caused by a character wanting one thing but knowing the opposite is best and choosing the one thing they don’t want to do. This is a trickier one to pull off, and I would recommend you make sure you have at least one main character whose conflict is driven by two opposing options that they want to pursue.

Conclusion

That’s it for this discussion, everyone! I hope this was helpful for you. Next week, we’ll be talking about points of decision. We’ll go over why you need them, how to build up to them, and how they play into your character’s arc as well as the story itself. Until next time, happy writing!

Discussing Racism and Division in Light of American History

Introduction

First, let me say up front that this is from an American perspective on America. It isn’t written with other countries in mind because their history is different, and I’m not as familiar with the global history of racism and division as I am with the history of it in the States. Second, let me also state this: my opinion probably won’t be popular, but it is based on all of the reading I’ve done on the topics, research into what those who were involved in the events I’m going to highlight had to say, and the trends I see that have started back toward our country’s beginning and have continued to come to light.

Having an Opinion on the Matter

If you listen to some people today (including both colored and white people), non-colored people are not allowed to have an opinion or pass judgment on anything that half of our country is doing simply because of skin color. This contains a fundamental flaw in my opinion.

What is that flaw? The idea that somehow skin color makes us different. Oh, I know people say we’re all the same even if we have different skin coloring, but all evidence stands to the contrary in so many cases. Our country as a whole says one thing and does another. But what they’re saying is in fact the truth! Both white and colored are human beings, and we are all affected by what the other group does because we live in the same country, the same neighborhoods at times, and face varying difficulties based on how the other group responds to us. If we believed this in practice, not just in what we said, then we wouldn’t have the issues we do, or at least, not in the same way as we do.

Historically, black, Hispanic, and Asian communities have faced unjust and in some cases illegal persecution. The white community has affected them in this way, and it is without a doubt wrong. However, with all of the rioting going on, which has not only been aimed toward the police and a corrupt system but also toward stores, business owners, and individuals who had nothing to do with the issue people are supposedly protesting, white communities also live with fear and despair now. Further complicating the issue is that the rioters are only a small piece of the black community or, in the worst cases, aren’t POCs at all but are trying to give them a bad name. This has resulted in an enormous amount of fear incorrectly leveled at an entire group of people who often have done nothing wrong, don’t agree with the violence, and only want their voices heard.

Some would argue that it’s a sort of poetic justice that whites now have to live in fear because of what some small segment of the black community (or those looking to make the black community look bad) is doing in response to years of oppression and mistreatment. I would argue it only compounds the problem because it only breeds more hurt, fear, and resentment, and it solves nothing. But more on that and why I’m saying that later.

Why I Believe Everyone Should Have An Opinion

In the end, I believe every one should have an opinion on this matter, no matter what color they are. We’re all part of the human race, and we should get very angry when another part of the human race is unduly punished or persecuted simply because of color. To say that half of our country shouldn’t be allowed a voice (whether white or black) simply because they are not the other color is inherently flawed because we’re all going to affect one another in how we act. Only a self-centric view of yourself and those around you would lead you to believe that someone who is a different color than you cannot have an opinion on your actions simply because they are a different color. Let’s not do that to anyone.

Friends who are of color? You guys have every right to be angry and devastated over what has been happening to you. It’s wrong, and I’m so sorry you have had to live with the injustice, persecution, and fear that has been inflicted on you. But white friends? You guys can have an opinion too. If you’re sitting there saying that everything that’s happening is fine and you don’t understand why anyone would need to protest, even peacefully… Well… That’s your opinion. It’s one that’s, politely, very head-in-the-sand and very inaccurate, but it is your opinion. For those of you who, like me, agree change needs to happen but denounce the violent rioting going on, you are also entitled to an opinion.

But let’s make sure that while we have our opinions, we’re doing our best to support those who need our support right now. Everyone is going to suffer if the violence continues, most of all our black communities because the violence is only going to lead to further fear and brutality in response from our police departments. If we’re not all working together to bring change, to speak out against what’s going on where we’re able, and to shape the next generation to think differently than our own has, then we are part of the problem no matter what color our skin is.

Let’s Talk History – The Revolutionary War

To start off with, we need a brief discussion of the Revolutionary War. Why is this relevant? Because so few people actually know anything about our history, if discussions going around on social media are anything to judge by. People have been comparing the riots and protests to the Revolutionary War. While I do see some parallels, they’re flipped from what people are claiming, which is that the riots on the part of the black community (not the protests, per se, but riots specifically) are just like the colonies fighting for independence from Britain.

This is a misconception on several levels. First, the Revolutionary War was a war of self-defense, not independence. Yup. You heard me right. The war didn’t start until they’d already declared their freedom and had gone so far as to kick out the British governors in favor of appointing their own. The Declaration of Independence was a notice to England/Britain that we as the colonies were opting out of citizenship and as such did not recognize their authority to govern us. It was a peaceful declaration, and war wasn’t implied or suggested by the colonies.

English Law and the Magna Carta

Now, what was the basis for this declaration of independence? The colonies were, up to that point, considered citizens of Britain, but they had specific restrictions as well as liberties given to them because of the charters they had with previous kings prior to King George III. Furthermore, they and every citizen of Britain had specific rights and duties under the agreement made between the nobles (House of Lords), the king, and the people and first signed on June 15th, 1215. This agreement was the Magna Carta, and it was a huge part of English law. Why was it so important? Because it stated that no one, not even the king himself, was above the law. Therefore, King George III was required to treat the colonies as English citizens properly by following the laws and the charters they had.

But King George wasn’t doing this. He decided to do his own thing, and though many appeals were made to point out that what he was doing was in fact a violation of English law and wouldn’t be tolerated if the people of the colonies were living in England itself, he continued to grow worse and worse. The colonies were treated as citizens only when it benefited England but were denied their rights under English law when it didn’t.

So the colonies wrote the Declaration of Independence to, in a nutshell, say “You won’t treat us like citizens unless it suits you, so we’re declaring we aren’t citizens as you’ve ignored every legal appeal made to this point.” And at that point, Britain’s leadership should have said one of two things. Either, they should’ve said, “You’re right. We’re going to fix this,” or “You’re right. We’ll let you go.” They did neither. At this point, they declared a war and decided to treat them like rebellious citizens, though by then the colonies were not in fact citizens anymore. They had made the decision Britain wouldn’t between citizenship and non-citizenship, and Britain forced them to it.

So What?

Why is this important to what’s going on today or to the rest of this article? Because we’re going to talk about the Civil War, where something very similar happened but ended up splitting a nation in two. But it’s also important because people are paralleling the rioting with this event incorrectly. The American Revolution wasn’t started by the colonists protesting. Even events like the Boston Tea Party were not violent. This isn’t to say that they never did anything the wrong way. They were human just as we are, and certainly once the war actually started, individuals made poor choices. But in general, it was peaceful up until Britain decided to attack us. Then it became a war of self-defense (maybe now the comment I made about that at the beginning makes more sense?).

The riots, on the other hand, are not at all peaceful, nor have they been even close to discriminatory in who they drag into the mess. Business owners, cops who did nothing wrong, civilians who happened to be in the path of the violence. Businesses are burned, fires started on playgrounds that were for children of all ages, colors, and abilities, buildings defaced, rocks thrown at fire fighters’ equipment when the men and women manning them are putting their lives on the line to stop fires rioters started.

The parallel I would draw between the American Revolution and the riots is not that the rioters are the colonies rising up against injustice but that they are Britain making a moment of injustice worse. They aren’t defending themselves from a point in time when police brutality is occurring to them or their families. The police haven’t come into their homes or businesses and first attacked them, nor have they done so on the streets.

That has happened, yes, and those who defend themselves from it are right to do so. Those who step in to help to defend others from a current instance of that sort of brutality are also right to do so. When injustice is happening and people speak up against it to say, this is wrong, unjust, and in some cases, illegal, they are acting in true American spirit like our founders did. But when they choose to do so violently, they are no longer the protesters but the aggressors, and we saw with the American Revolution, this exploded into violence, more lives lost than necessary, and a war that never needed to happen.

The Civil War

I know this is getting long, but we’ve got one more important stop to make here, and this one has everything to do with where we’ve ended up as a country today. Now, we’ve all been taught that the Civil War was about slavery and how the blacks were being treated. This is the accepted view, at least in the North. In the South, if you go visit many of their monuments and Civil War national parks, you will see an entirely different picture of what happened, and that’s what we’re going to talk about here.

As a Northerner, I’ve been told many times Lincoln is the best president we’ve ever had and that he was amazing because he freed the slaves. I’m sorry to say to those of you that hold this view that history does not support such a viewpoint or high regard for Lincoln, as I hope will become clear as we begin to examine what really happened in the Civil War. While the South and the North both made mistakes, no doubt, the South was in the right for what they chose to do, though not on the issue that most believe was the reason for the war and their secession.

What was the Civil War About?

The Civil War, while it did in part have to do with slavery issues, was not predominantly about that. Lincoln’s primary motivation was focused on something entirely different, in fact. Now, before you get mad and accuse me of trying to somehow warp history or marginalize the issue of slavery, I’m not saying it wasn’t an issue on the table. But what I am about to share with you is the reason we still have such a strong divide both between North and South and between black and white. Lincoln and the Civil War are the reason. (Yes, I know… He’s one of our best presidents. How can I say such a thing? Well, hear me out.)

Before the Civil War started, the North and the South had been going back and forth on a lot of issues. It wasn’t just slaves. On the issue of slavery, the South objected because their entire infrastructure was based on agriculture, and if they just did away with slaves entirely right away as the North wanted them to, they would collapse. The entire economy would be ruined. Lives would be ruined. And it wasn’t just that the plantation owners stood to lose. Everyone did.

Part of the issue in question was what to do with all of the slaves once they were freed. Should they be shipped back to Africa to an environment where warring tribes very often sold those they’d captured from a rival tribe to the slavers? Or should they stay in America? If they stayed in America, what would be done to take care of them? They didn’t have any trades, they weren’t educated, and the system couldn’t handle the strain of trying to support all of them. In fact, the situation was such that many freed slaves with masters who treated them well chose to remain on the plantation to work as they had in exchange for food and board because their entire life was on that plantation. Is it right that the system was such? No, of course not! But the situation was complex and multi-layered, and the North tried to act as if it was not in many cases.

Where was the North coming from? Well… You know how we say whites who have an opinion against violent protests on black rights are coming from a place of white privilege? The North was coming from a place of privilege in this case. While they were right to say that the slaves should be freed, they stood to lose nothing at all if the slaves were freed. In fact, in some ways they stood to gain. The North was mostly industrial with little to no agriculture. They didn’t rely on slaves to keep their plantations going, and they were more than happy to hire freed blacks to work in their industrial sites for cheap wages. So if all slaves were freed all at once, the South could go down and the North wouldn’t suffer.

Bigger than just one issue?

But the issues that led to the Civil War were greater than just one issue, however awful that one issue might have been. The North had begun to completely cut the South out of the equation. The abolitionist movement was gaining sway in the North, and they were trying to enforce their laws and regulations on the South slowly but surely. Every new state that joined the Union was a battle between not just slave and free but industrial vs agricultural. The South was justifiably worried that if the North won most of the States and also allowed the blacks to vote, they would lose any and all say in what was going on. The fear ran deeper than just the surface matter of slaves to what would happen if the North gained enough force to push whatever issues they pleased.

Then the North wanted them to start paying every slave they owned to work? They couldn’t afford to pay their slaves in addition to housing, feeding, and clothing them too, something most already were doing to one degree or another (some better than others, sadly). The anger just burned hotter and hotter as their every concern was dismissed or they were accused of trying to encroach on Northern state rights in the process of protesting the slow walk toward the death of their own.

The South was angry. They tried many times to appeal what was being done. Granted, the majority of the surface fighting was about whether or not the North would return slaves to their owners, something the two sides both agreed was required by the Constitution. But it ran so much deeper than that. It was predominantly a fight between class: rich, upper class against middle class against slave. And it wasn’t just the South dealing with this. It was the North too.

The loudest voices in the South were those of rich plantation owners, all of whom stood to lose a great deal. The smaller plantation owners who grew most of the food supplies often didn’t own slaves, but they still chose to side with the South on the issue, though not all did. A huge mess was brewing on all sides, and it would erupt into a civil war when the people had had enough. The South was afraid that the rising distaste for slavery, something their society really wasn’t able to function well without, would result in an extreme disadvantage for them all the way around. If slavery were to be removed, it would have to be gradual to avoid a full infrastructure collapse, which is what both sides had initially agreed would be the case. The North, however, changed its mind as its landscape and its own issues began to change the situation.

But Congress and the leadership wouldn’t listen to the South. Compromise was a thing of the past, but it would not be a part of the future it seemed. They favored the North, who had more people, more voices, and more pull. And the South got fed up with it. (Sound familiar… Kind of sounds like the colonists who weren’t being given their rights by England.) Essentially, the North was bullying the South and only acknowledging them when it was convenient. They were taking advantage of their own countrymen, and the South eventually snapped when Abe Lincoln showed up on the scene.

Why Was Lincoln the Gas to the Fire?

Lincoln was a staunch Whig and definitely was not in favor of the South. When he was elected, the South saw the death of their hopes. They felt that, with Lincoln as president, they would lose any semblance of a voice they still had. And they were right.

December 20th, 1860, seven of the Southern states seceded in the Lower South. Sick of the tyranny and hostility of the North toward them, afraid of losing everything (not just their slaves) if it continued, and looking for independence, they declared themselves to be the Confederate States of America and set up their own government in Montgomery, Alabama. This wasn’t a war over state rights, just as many have said, but it also wasn’t a war against state rights. It was one group of people fed up with the attitude and treatment displayed toward them walking away, which was at the time an option the Constitution neither affirmed nor denied. At this point, there hadn’t been a war and had been no overt violence, just as had been the case with the American Revolution.

Lincoln had the same choice that George III had: let them go, make amends and treat them appropriately, or start a war. Once again, our country faced a situation where a war of self-defense would be fought. The Southern states had declared their independence, which was, according to the Constitution we had, their right to do. They hadn’t done anything illegal in doing so. They should have been allowed to go.

Instead, the North began a war. Between December 20, 1860 and June 8th of the next year, more Southern states would join the Confederacy until a total of eleven states had joined. On April 12th, 1861 the Civil War began with the Confederate bombardment of a Union fort (Fort Sumter) that was in Confederate territory. This was the result of Lincoln’s decision to send supplies to the fort soldiers, who were running low. His move, to the Confederates, appeared to be one of war. The US President was stocking up the fort and fortifying it, and since it was in their territory, they viewed it as an act of aggression.

Why Would the South See It As An Act of Aggression?

Previous to this point, Lincoln, who had been elected without the vote or approval of a single Southern state, had in his inaugural address made it very clear how he felt about their secession and their “rebellion”. Lincoln himself admits that “Apprehension seems to exist among the people of the Southern States that by the accession of a Republican Administration their property and their peace and personal security are to be endangered,” in his address. His statement to those who wanted to leave? “If the United States be not a government proper, but an association of States in the nature of contract merely, can it, as a contract, be peaceably unmade by less than all the parties who made it? One party to a contract may violate it–break it, so to speak–but does it not require all to lawfully rescind it?” In other words? The North refuses to let you go.

At the time, to Lincoln’s own admission, there was nothing in the Constitution that said they couldn’t depart. But he stated that it was implied that the Union was to continue into perpetuity simply because no other government established at that time operated with any other intent (until, of course, there was a Revolution and people set up a new government, but Lincoln conveniently ignored that). He argued that the intent behind the Articles of Confederation in 1788 (which predated the Constitution) and the Declaration of Independence was perpetuity and that, if the goal of the Constitution was “in order to form a more perfect Union” as it had been stated, then perpetuity must be the legal expectation of all involved parties as it wouldn’t be better than the Articles of Confederation or the Declaration of Independence if not.

The Flaws in Lincoln’s Argument

The flaw with this of course is how one defines “more perfect”. If by more perfect you mean that you give no legal recourse for abused parties to declare their independence, just as England had tried to do to the colonies, then yes, Lincoln’s assumption would have been correct. Unfortunately, our Founding Fathers and those who drafted the Constitution fully understood that abuse of power by a central government was all too common and easy. They had seen it first hand, and they did all they could to avoid it. Each draft of the Articles and later the Constitution were revised to do everything possible to keep a strong central government from abusing some or all of its people.

That was the goal, not an afterthought, and so Lincoln’s argument went against what the Founding Fathers themselves had done and their goals in drafting our Constitution. They would have supported the South in declaring non-citizenship in the Union as the South wasn’t being treated like a full citizen by the time of the secession. The South followed in the footsteps of the colonies, who declared non-citizenship in response to England’s repeated ill-treatment of them.

So when Lincoln sent the ship to stock Fort Sumter without asking permission to travel into the territory of what had become another country, that country’s citizens, who had already been sent a clear message that Lincoln would use whatever force necessary to keep them in the Union against their will, retaliated against what was to them a clear sign of aggression. After firing on the ship and chasing it off, they chose to also fire on the Fort and so began the Civil War. But without Lincoln’s inflammatory remarks, clear disregard of the South’s decision to leave a Union which had mistreated it time and again, and choice to ignore the diplomacy that would be required to supply a military station in a hostile country this event that began one of the most horrific wars this country has faced might never have occurred.

Was the South Right to Fight the War?

From all that I have learned about both sides, I would say that neither side was fully in the right. On the one hand, the obviously right thing to do would’ve been to free the slaves, just as the North was saying. But on the other hand, the North had no right to force the South to stay and under the Constitution, they had no right to abolish slavery in the South against the will of the South.

What makes the Civil War such a nasty event is that it really brought out all of the issues facing our nation, and I don’t mean just the racism that was going on. The South, as I said earlier, was divided between four groups, roughly. Rich plantation owners who only grew what would make money and ran roughshod over regular, middle class farmers, middle class farmers who sided with the Union, middle class farmers who sided with the Confederates, and slaves who were being used by both sides as a tool (more on that in a minute). Many families were split because some of their men chose to defend their families and their homes as the Union overran the South, which was fighting a primarily defensive war strategy wise, while others of their men chose to join the Union. This was scene most predominantly in border states where father turned on son and brother on brother when the war really got under way.

But the North was equally full of issues. They were less apparent in their racism, and when the war was made about slavery in the last half, they appeared to be the righteous party. They were not. Their divides were between upper class businessmen, blue-collar and union workers, minorities, free blacks who were afraid of violence from the whites, and whites who were afraid they’d go hungry and jobless because of the influx of freed or runaway slaves taking up jobs faster than they became available. To top it all off, the North was already flooded with immigrants before all of this happened, so adding the new people taxed their economy further since they couldn’t send them back to the South to work on plantations.

Food became scarce as the crops in the South were destroyed, and people on both sides who didn’t have money went hungry. The fears that the South had of what would happen if all the slaves were freed and how they would find work, be cared for, and paid? The concerns that had been raised surrounding how the economy could survive an abrupt freeing of the slaves were all coming to fruition in the North, but they still wanted to push the South into a similar situation and even force the issue when the South seceded.

How the War Added to Our Racial Tensions

Prior to the war, there was a definite argument over the way slaves were treated, whether they should be freed or not, and how the matter should be handled in the first place. Both sides were fired up about it, but there was one group that was relatively left out on the matter if they were included at all: the blacks themselves, both free and slave. Some were writing books (such as Harriet Beecher Stowe’s Uncle Tom’s Cabin, which highlighted the moral wrong of slavery but also showed slavery in all forms) that spoke out against it. Some were speaking up. But their voices were mostly unheard.

Most slaves and freed slaves working on plantations didn’t have an education. They weren’t included in what was going on. And yet those around them held a view of them that was a mix of fear and prejudice in so many cases, both in the North and the South. The situation wasn’t good, but it wasn’t nearly as bad as it was when the war started and then afterwards. Why is that?

Well, when the Civil War started, both sides used the black community and the slaves of it as chips in the dispute. On the Southern side, there were rules about the draft that allowed wealthy slave owners to avoid the draft if they owned a certain number of slaves. On the Northern side, they were not enslaving blacks, but they also didn’t give blacks citizenship in many cases and viewed them with suspicion and mistrust.

Then, when the North was losing the war and many Northerners wanted to just let the South go, Lincoln was seriously concerned he was going to lose the next election. So he came along with his Emancipation Proclamation which did nothing to help any of the official slaves because all of them were in the South, and until the North won the war, there was no way to enforce such a proclamation. Nonetheless, his proclamation changed the tenor of the entire war. It was no longer about the Union and preserving it, as Lincoln himself said it was in the beginning. It became about freeing the slaves. And when the North’s general, Ulysses S Grant, won several major victories for the North, they were revitalized in their holy fervor that the war should be fought to end slavery now. As the victors write the history books, the North was immortalized in their version of events as the ones who freed the slaves.

Where did it really lead?

The Civil War ended with the South devastated. Much like World War I would later leave Germany devastated and lead to the rise of Hitler, the Civil War and the way the North treated the South afterwards led to intense hatred between North and South and, worse still, led the outraged, hurting white communities who had been mistreated by the elites and the rich plantation owners in both the North and the South, turning their anger on the newly-freed slaves who would now compete with them for jobs in a failed economy. The North made it still worse by essentially leaving the South to fix its own problems. But when it became clear the South was going to implode with the hostilities between blacks, whites, rich, and poor, the North came in and forced everything to straighten out.

Only they didn’t actually make anything better. In both the North and the South, racial tensions continued to rise. Black communities were mistreated (at best) and slaughtered and oppressed in most cases. The fear, hatred, and blame left in the wake of a war that is widely known as America’s deadliest war compounded into rioting, looting, straight up murder of blacks because the South couldn’t punish the ones they blamed most of all, and tensions that still exist today between both North and South and black and white.

Why Does any of this Matter?

This matters because if we don’t understand and know our own history and that of the world around us, we are bound to repeat it! And that is what we are doing. Only this time, instead of rioting from oppressed laboring classes and poor farmers during the Civil War, we have segments of the black community rioting. Unfortunately, the way things are going, we have the brewing of round two of the Civil War happening. It will be no less deadly than the first, and lives of all colors will be lost. They already are being lost. Good people on both sides will die. We can’t stop it by rioting any more than those who rioted during the Civil War and after it fixed racial and class tensions or stopped brother from fighting brother.

If we want to stop it, the solution is solidarity. It was the one thing that those involved in the Civil War did not have. At every turn, there was only dispute, dissent, and fury. Had both sides come together and found a solution that prized both what was right and what was best for all parties involved, the war could have been averted. Instead, Lincoln further polarized the issues between the two sides, the people on all sides fought between themselves, and no one truly presented a united front.

In the end, while the solution will require all of us to work together as the people to send a clear message to our leaders and those in power that we will no longer tolerate this, violence does not send that message. It did not during the Civil War era, and it will not now when we are dealing with many of the same issues our ancestors did. Just as the violence and war created a stronger problem with racism, suspicion of immigrants and freed slaves, and class segregation, another war now will do the same. Perhaps it might reverse the roles. Who knows? But whether it reverses roles or not, our country will be worse for it, not better.

If we want to avoid repeating history, we all need to do our part, however small it might seem, to put an end to injustice in ways that are legal, non-violent (unless it’s a clear issue of self-defense, in which case, it’s clearly okay to fight back), and we need to promote the understanding that at the end of the day, we are all human. It doesn’t matter what color our skin is, and if people are trying to segregate and separate based on that, we should correct that behavior, but we should do it in love. If we correct the opposing side’s wrong views of other people in an insensitive, unkind, and unloving manner, we’re only going to further entrench them in their wrong views. Instead, we must confront them with a reality that is consistently different than what they think it is. Love, kindness, and consistency go much further than rioting, looting, and killing, which only serve to confirm opinions on the black community that are harsh, unfair to most people in the community, and extremely prejudiced.

Further Resources

These are some of the sites and sources I used to look into the Civil War and the issues behind it. I quoted directly from Abraham Lincoln’s Inaugural Address, which you can find here.

History.com

Battlefields.org

Essentialcivilwarcurriculum.com (Discusses the class conflicts and racial divisions. While I don’t agree with all of the things they’ve said about the Civil War being predominantly about slaves or it being a war against State Rights on the part of the South, I do believe they’ve done an excellent job explaining the tensions in both sides before the war even got started. Those tensions only further deepened and exploded during and after the war.)

Thursday Technicalities: Dealing With Rejection

Publishing Journey

Introduction

I said I was done with my publishing series here, but what discussion on publishing would be complete without a discussion of rejections? While it isn’t on my publishing checklist because it isn’t something you actively need to do, it is something we need to cover. So while it isn’t technically part of the publishing series I finished up last week, it still is in that it deals with publishers, agents, and your work.

Personal Experience Dealing with Rejection

Hi Ariel, I am put in the horrible position of having to write you a rejection for the bootcamp program. You were a strong contender for me, but ultimately there were people more suitable for where I wanted to go. Your work is strong, and I think you know that. You’ve got some great social media presence, and amazon sales and everything, so you are definitely on the path to make a great career out of it. Where I think I might be able to inject some constructive criticism is in the vibrancy and excitement of your writing. There’s something about it that’s a little slow, and for something like a Watty, you need to really blast forward with your stuff; slim down overly descriptive passages and really lean on dialogue to fire the story. If ultimately I had chosen you on the program, that would have been my initial drive; to get you to speed things up – grab your reader and don’t let them go. I read the first few chapters of your book, and could really see a lot of great stuff in it, but it just didn’t grab me. I was able to put it down and look at something else, and, as an author, you never want that to be the case. Honestly, I think you’re going to do well as an author and I think self-publishing on Amazon could well lead you to relative riches, but I don’t think this book in its current state is going to win a Watty. Fantasy is REALLY hard to convince people to pick up for awards like this, and epic fantasy even more so. You need to find something that hooks in the reader and just doesn’t let go, and what you have is a descriptive book that is very good and nice but works better in paper form, where the reader is more invested and has the time to sit in their chair and dedicate an hour or more to it.

I’d love to speak more with you generally. I think your work is promising and genuinely believe you are going to go far. You have the drive and passion (and the words) for success and I can see myself in the future saying to someone ‘oh yeah, I passed her up once for a mentorship program’ and them going ‘what?!?’! 🙂 Good luck with it all!

Crispin O’Toole-Bateman, Author of A Very English Necromancer and 2020 Wattys Bootcamp Mentor

Hi! I just wanted to drop by and say that I really enjoyed Pathway of the Moon, and I’m sorry I wasn’t able to take you on as a mentee. I’m honored you chose to submit to me though. Your first chapter started off great. I was swooning over Leo from the get go. I hope to be able to send you feedback on the chapter that you sent me. If this is something you are interested in, please let me know.

Mikaela Bender, Author of Expiration Date and 2020 Wattys Bootcamp Mentor

I received these from two out of three of the mentors I applied to be mentored by for a writing bootcamp on Wattpad. For those who don’t use Wattpad, it’s a writing platform I frequently use to interact with writers and readers, and I have some of my stuff up for free. I am looking to enter the major contest that Wattpad HQ–the people actually running the organization and website–do, called the Wattys. It’s a big deal on Wattpad and can lead to publishing deals or other connections for winners. These two have already succeeded as Wattpad Stars and/or former Wattys winners, so they’re strong writers and know a thing or two about what it takes to succeed in those areas. These two were really helpful and kind in their rejection letters, and the point of including them is to show you that rejections aren’t really all that scary even if they’re disappointing to us as recipients.

The writing/mentoring bootcamp is separate from the contest and is run by former winners or individuals who are part of paid Wattpad programs, which requires some serious talent and skill to achieve. The quotes above? My rejection “letters” sent via PM from two of the three mentors I applied to. Ultimately, I wasn’t accepted into the program, so I’ll be revising without the help of a mentor.

But this is a good lead in for what we’re talking about. How did I handle this? How should we all as authors deal with rejection, and what’s the best method for dealing with this tough area? People deal with it in lots of ways, some better than others, and that’s why we’re going to discuss it.

Dealing With Rejection is Tough

Let’s just be honest. None of us enjoy being rejected! Whether we get that dreaded rejection letter from the agent we were hoping would take our work on or just waited and waited but never heard back from a publisher, rejection leaves us feeling a bit dejected and very disappointed. I mean, sometimes it stings so bad we want to sit there and cry or down a tub of ice cream.

Now, both rejection letters I got from the mentors I applied to were very kindly worded. Neither said my work was complete trash or even hinted as much. And for the most part, you’re not going to run into that when dealing with rejection. I’ve heard a few stories about things publishers or agents have told authors, but on the whole, usually it’s a very polite no if you get any response at all. However, both of mine were special because they took the time to actually offer feedback! This was my first experience with rejection letters since I’ve done mostly self-publishing or worked with groups I was already established with, but having read a lot from various authors, agents, and others in publishing, this doesn’t happen all that often. You may get a polite letter telling you they aren’t able to take on your work or aren’t interested in it at this time, but feedback is rare and extremely valuable. While the two mentors who responded back with friendly rejections via private messaging aren’t publishers, they’re busy too, and they didn’t have to take the time to offer any constructive feedback. I very much appreciate their doing so.

While I’m obviously disappointed that I didn’t get into the program because I know it would’ve been an awesome learning experience for me and would’ve been very good for the book, I got some direction on where I might want to focus my editing efforts, and I know how to fix the problems pointed out because I’ve got the practical knowledge to do so and have fixed this very problem for other authors. (Funny how we can fix things for other people and be blind to the same issues in our own work!)

What If I Don’t Know How To Fix It?

If you’re not an experienced author dealing with rejection letters, you’re very likely to run into this issue. Either you were given feedback and don’t know what to do with it or you have no feedback and still don’t know why it was rejected. Even experienced authors may run into this as they may not see the problems others do. There are a few ways to deal with this. First of all, quitting is not one of those ways, okay? Quitting means you actually failed. So keep writing, but really put your focus and attention on learning how to improve. One book I very highly recommend that I’ve used to improve my current WIP is Donald Maas’s Writing the Breakout Novel Workbook (there’s a companion book too that I haven’t started, but if it’s anything like the workbook, it’s going to be gold).

How is this work book going to help?

Why do I recommend this? Because Donald Maas was a literary agent for a very long time before he moved to independently publishing his own writing guides. He’s seen thousands of manuscripts in his years as a literary agent, and he knows exactly what the common issues are that result in the rejection of a manuscript. Wouldn’t it be awesome if you could fix those issues before an agent or publisher ever sees your book?

Now, I promise what he offers will help. But it’s also a ton of work! Anyone can do and understand the exercises, but they’re hard. Some of them really force you to think, and many of the exercises have not only changed my perspective on my manuscript and my own characters but have also changed the story’s arc. Expect to make a lot of revisions, add a lot, and maybe remove just as much. But expect that if you do the work, you’ll have a book you can be proud of putting into readers’ hands.

Other Appropriate Responses

Second way of dealing with it? Take it to an avid reader friend. If you don’t have one, try asking some other writers who are more experienced than you. You should already have a connection with whoever you choose to ask, just to clarify, but ask. They might not have time, but you never know! They’ll probably see things you didn’t and might be able to pinpoint the reasons your manuscript is getting rejected.

Final recommendation for dealing with rejection is this… Get an editor if you haven’t already. Seriously. This might sound like a plug for myself and other editors since I’m a freelance editor myself, but we’re not recommending this because we get paid for it. We’re recommending it because it’s indispensable. Authors who have their own personal editors are often first in line to corroborate this. It’s important, so don’t ignore it. If you don’t have the money for it, see if you can at least get a critique partner who’s got strong skills in areas of writing where you know you struggle.

What if I’m Still Rejected After All That?

But Ariel, you might say, I’ve done the work and even had an editor take a look, but the book’s still being rejected. Well, there are of course any number of reasons this might happen, but if you’ve got a really strong, well-crafted story, chances are high you’re just not a good fit for that individual or that publisher. It’s still tough to take the rejection, but don’t give up. Someone out there will want the story, and if they don’t, self-publishing is always an option. Plenty of big name authors started out that way and ended up with publishing deals later, so don’t lose heart. Accept the situation with grace and keep working at it.

Conclusion

My hope here is that you’ve realized that rejection isn’t as scary as it seems. Yes, it’s disappointing and sometimes hurts a bit. But it only means you have more work to do or that your piece wasn’t a good fit for that individual or publisher. We’re not all well-matched with every person we meet, and we shouldn’t expect our stories to be any different. What one publisher thinks is trash and rejects could end up being a best seller with another publisher.

Keep a positive attitude, use the feedback you get if you’re lucky enough to receive that from whoever you submitted work to, and keep working at it. No one promised this would be easy or that you wouldn’t fail. No one promised your work would be ready for publication as soon as you thought it was ready to go and mailed it out. No one promised everyone would want it. But I can promise you this. If you respond to it properly and with a good attitude, your work and you yourself will be better for it.

So when you get those rejection letters, put a smile on your face, keep that letter to remind you of where you’ve been, and turn your face to the future where you will be better than you were the day you got that letter. That makes the difference between a successful learning experience and a failure, not whether or not the publisher or agent accepted you.

Thursday Technicalities: Traditional Publishing

Introduction

This will be the final section in the publishing series I’ve been doing. Next week, we’ll be moving on to another topic. Last week was on indie publishing, and this week, we’re going to discuss traditional publishing. This will be a slightly shorter post since the application process and package is often not all that different from indie publishing packages. But the rules for submitting that same material are a little different, usually. So let’s get into it!

Rules for Submitting Manuscripts

For most traditional publishers, they won’t accept unsolicited manuscripts. This just means that, unless they’re running a special period for you to send in your manuscript directly, you’ll need an agent. Some indie presses may also want you to go through an agent, but they’re not as particular about this all the time, which makes it important to read through their website and find out if they actually accept manuscripts unsolicited.

But with a traditional publisher, expect to need an agent unless there’s a note that they’ll accept unsolicited manuscripts. If you don’t do this, your manuscript will be consigned to the trash pile. They’ve got too many manuscripts as it is without spending time on people who won’t follow guidelines. If their website doesn’t say either way and you really, really want to take a shot with them, your best bet is to look to see if there’s a way to contact them and ask what they expect for submissions. Politely inquire if there is a way you can submit your manuscript or if you need an agent to do so. Some of the smaller publishing companies might be open to it. Bigger ones like Tor or Random House? Probably not. But those bigger companies are usually clearer on what they expect.

Don’t Be Cute or Fancy

Rule two? Don’t try to be cute or fancy. This is like applying for a job in some respects. Sending your cover letter or other documents on hand-designed stationary or any of the other weird things people have done with cover letters or other application papers is a no. Just don’t do it. It does not make you look good, it will make them laugh (but not in a nice way), and you will most likely be rejected. Tasteful and professional is the way to go. Let your manuscript speak for itself and don’t give them a bad impression before they even read the piece.

Reasons to Choose Traditional Publishing

There’s no doubt about it that traditional publishing, if you can establish yourself, goes a long way. You get editors, cover designers, and marketing plus royalties (or an advance, depending on how they pay). Plus, even though indie and self-publishing are perfectly valid ways of publishing, people still give traditionally published authors more weight. That last reason to choose this route has gradually been shifting with the success authors have had going it alone with self-publishing, but there’s still a bit of a stigma among those who don’t know much or anything about publishing or the writing industry, so there’s a chance the readers you want to reach are more likely to pick a book up if it’s in Barnes and Noble, not just Amazon. While there are ways to achieve that if you’re a self-published or indie author, being traditionally published is definitely easier.

Reasons Traditional Publishing Might Not Be Your Best Option

One trend in traditional publishing that tends to be a bit of an issue at times is the lack of proper editing. The quality of editors has gone drastically downhill, partially because the demand for them has been higher than the number of editors who learned from other seasoned editors. When it comes to editing, you learn by doing and by working with editors who know the craft well, whether through self-paced classes or books from those editors or by actually working side-by-side with them. Unfortunately, when you don’t have enough editors who do that, then you have an issue with quality of edits performed on books.

The other problem that I’ve heard traditionally published authors complain about is that editors don’t really give their book the attention it needs for one reason or another. Many end up getting a freelance editor to go through it before they even submit to a publisher because they want it to be ready for print before the publisher even works on it.

Why? Because while some authors get really great editors, a trend that has become an issue in traditional publishing is looking to see if the manuscript can be published as is. If it can, they put it to print with minimal editing or with sub-par edits. If it can’t, it often gets tossed unless the author is already established. This isn’t true of every publisher that’s traditional, but it’s a disturbing trend, and more disturbing when you start reading that even some established authors are finding this happening in their work.

Issues with Control and Involvement in the Process

So be aware of that issue. The other reason it might not be for you is that you have very little control over the process with a publisher. With indie and small publishers, you may find you have some control over things or that they’re more open to your suggestions. Not so much with big publishers and traditional publishing in general. You’ll get paid royalties or an advance, but until you’re well established, you won’t get paid big sums of money for the book, typically, because the publisher won’t invest if they’re not sure it can sell. This may also mean that marketing for your book isn’t as strong as it could be.

Conclusion

As with anything, traditional publishing has its pros and cons. Nothing is ever completely perfect, so you have to evaluate which options available will work best for you. Once you find that option, go for it! Expect to be rejected a lot with traditional publishing, but don’t give up on it. If they give you any feedback in their rejection letter, then use it to improve. Otherwise, keep your chin up and keep trying. In the meantime, don’t stop writing while you wait! Writing is one of those skills where you can only improve by doing, so keep learning and practicing no matter how many rejection letters you get.

If you really want to make a career out of it, it is possible, but you’re going to have to really work to stand out head and shoulders above every other hopeful, author wanabee. While the odds aren’t as low as people sometimes act like they are, they still aren’t high for you making it. So never stop learning and improving and honing your craft. That’s your best shot at making this work.

Author’s Spotlight: K.M Jenkins

Hi all! Today, I’ve got a special for you. It’s been a while since we’ve done an author’s spotlight or interview here on the blog, but today, I’ve got Katie Jenkins (K.M. Jenkins) with me for her blog tour on her new release, Tales of Ferrês! It’s on pre-order on Amazon right now, so go head on over and check that out! I’ll be putting up a book spotlight page for the first time. Since I haven’t read the book yet, I can’t really write a review, but I can spotlight the book, so you can see that here. Let’s get started on the interview!

First, tell us a little bit about yourself, Katie.

I am an International Bestselling Speculative Fiction author. My works consist of fantasy and paranormal romance. One day in the future I plan to add horror to my list of genres, but right now these two fit perfectly for me. I am the proud mama of twin boys that are only two-years old. They keep me busy on most days. I work a normal day job part-time and write in my freetime.

Very neat! I also work a normal day job and write in my free time, so I know it gets busy, but doing that on top of parenting? Definitely a challenge! So, tell us… What kind of fantasy do you write, and what got you into it?

I write High Fantasy and Paranormal Romance. Everything I write is either for the YA crowd or the New Adult crowd. I got into writing High Fantasy because I started creating a world that revolves around several kingdoms with different species. I love world building and making things from nothing. So, it just fits me. My paranormal romance kind of chose me after I read several werewolf love stories. Mine are more geared towards the younger crowd so they are clean reads that anyone over the age of 15 can read.

That’s great. I’m a huge fan of world-building myself, so I can understand the pull toward high fantasy because of that! Now, what genres do you read, and do you write the same ones?

I read just about everything. I have been stuck in a rut where I have been craving dark romance books. I also read fantasy and paranormal romance. Those tend to inspire my own stories. The dark romance books are more for my enjoyment.

I’ll admit I like dark romances myself. I’d never write them myself, but I do enjoy them sometimes. So, what are some of the things you like to do to relax?

My top favorite thing to do on a free day is to curl up with a good book. Sometimes I will watch a show on Netflix, but I really have to be in the mood to watch TV. My other favorite thing to do is to sit in a dark room and listen to music. It is like meditating and helps me calm down from a stressful day.

All good options, for sure! Can you tell us about your current work-in-progress?

I will be starting on my next series of short stories here this coming August. I plan to introduce the next kingdom in my Tarzinëa world. This kingdom is Tarza and I will be doing a lot more romance stories this time around. There will be a few characters making a reappearance in this series while I will be introducing several more.

My other work-in-progress is my Vortex Series. I actually release a new chapter each month from book 1 to my newsletter subscribers. The book is about a young cop named Cassie that finds out she has supernatural powers. Not only that she goes from living a normal life to being thrown into a world of supernatural creatures. She has to find her true place within this bizarre world, all while a war is on the verge of breaking out. 

They sound really exciting. Speaking of things you’re working on, let’s switch gears a bit to talk about the publishing side of things. If you’ve published (self-published or traditionally published), can you tell us a little about the experience?

I’ve self-published pretty much my entire journey so far. It is a trying process and has its ups and downs. I’m making more of a push now to get my name out there and to keep my content flowing through my Facebook and blog accounts. It can get pretty overwhelming when you do mostly everything yourself. I wouldn’t have it any other way though, because I love being able to control everything that is mine.

I’m the same way, to be honest, though I have worked with a publisher and liked that experience too. So, what were your inspirations for writing?

I love writing. The big inspirations for my writing are books, movies and meeting new people. They tend to create characters in my head that eventually create worlds. Then they drive me nuts until I have to write their story.

My characters are the same way! Of course, they don’t shut up even after I write their story, but that just leads to more books, so I’m not complaining. So tell us… Who got you into writing when you first started?

I started writing when I was a kid. I always loved getting creative writing projects in school. I didn’t get a lot of support from my teachers though. They didn’t understand why I enjoyed writing fantasy stories. That is why I didn’t really give it a go until I was in college. I started writing one day and just couldn’t stop. Then after a few years I finally decided to take the leap and publish my own stuff for everyone to see. I am still learning and look at all the reviews I get to help better my craft.

Seeing the reviews, both good and bad are definitely a really helpful tool. There’s always something you can learn, even from harsher feedback. Speaking of learning and feedback, was there anyone who came alongside you at any point when you were struggling in your writing journey and made a real difference? If so, who and why?

I would have to say the biggest person who helped me the most was my editor Allison Reker. She is an Christian Fantasy author that I PA for also. She is like my best friend of all my author buddies. We partnered up several years ago and have been working together ever since. She helps me keep motivated by being my writing partner. She also is the main reason why my stories turn out as good as they do. I wouldn’t be the writer I am today without her.

That’s great! Now that you’ve been doing this for a bit, what advice would you give to aspiring authors and writers just starting on the writing journey?

I would say do your research and build your author platform months before you release your first book or story. If you want to find readers you have to put in a lot of leg work in order to find them. I am still struggling with my platform but I have gotten several loyal readers so far and want to keep it growing.

So true! The power a well-built platform like that has can’t be understated. On the same theme of writing advice, what is one thing you wish someone had told you before you started writing?

How to efficiently write content for my blog. I would love to say I succeed at this but alas I don’t. I’m still working on it and trying to get better at it. Your blog is one of your key features to have for building your author platform.

That’s excellent advice. I often tell those asking me for advice the same thing! Next, what’s your favorite book, and who’s your favorite literary character? Why?

My favorite book of all time would be Sword Sworn by Mercedes Lackey. The main character is Kerowyn (Kero) and she is a strong female lead that shows the strength of a woman in a man’s world. I loved this character so much I found my own main character in my Tarzinëa series come to life. I loved the name too.

Alright, everyone! It’s been great having Katie with us today. I hope you all enjoyed and will check out her book. If you don’t use Amazon as your main reading platform, you can access the list of available platforms here.

If you want to connect with K.M. Jenkins, you can do so at any of the following places:

Website

Blog

Facebook

Street Team

Twitter

Dragon Ryder VIP Readers List

Instagram

Amazon

Bookbub

Goodreads

Author’s Interview: Joanna White – Glimpses of Time and Magic

Alright, everyone! Today I have a video interview with Joanna White, my co-compiler for Glimpses of Time and Magic: A Historical Fantasy Anthology. If you’re interested in some behind the scenes info, join us for the interview. We did our best with video quality, but this was recorded via Skype, and I did have a few issues with internet. But most of it should be fine. 🙂

Thursday Technicalities: Indie Publishing

Publishing Journey

Introduction

Indie publishing is the next topic in the discussion of the final step in publishing. Last time, we discussed publishing with Amazon and focused mainly on self-publishing. Indie publishing is a little bit different. It’s often used to refer to both publishing with a small independent press and publishing yourself with Amazon. But for our purposes, we’re only talking about publishing with a small independent press here. There are some important things to consider if you want to go this route, so let’s go over the key points.

Indie Publishing – The Query

With indie publishing, you now start getting into dealing with gatekeepers. Gatekeepers are the ones who will read through your query package and, usually only if they find that promising, your manuscript to decide if your work is good enough and fits well with what they’re looking for at that company. Both traditional and indie publishers do this, and it makes your query very important.

Generally, queries will include some sort of query letter, which has the hook (why they would want your story specifically as opposed to any of the thousands of others vying for the same place in their catalog) and information regarding the book. I may get into writing a query letter and other querying steps at a later date, but a lot of information is available regarding this process. The key things you need to remember are to research and make sure you submit to the people who would be most likely to want your book, to remain professional while also providing unique content that will make them take notice, and to be genuine.

Agents and publishers have far more query letters and manuscripts than they can possibly go through, so you want to avoid giving them an excuse to chuck yours in the trash. Putting it on flashy stationary or doing similarly unprofessional things will not help your cause. Think of it like you would a resume and a cover letter. You don’t use flashy, ornate paper. You focus on the content and give them a good reason to want to talk to you. This is the exact same idea. The only thing that changes is the content and the precise way you choose to present it in your letter.

Indie Publishing – Precautionary Tales

One major thing you need to understand about indie publishing is how easy it is to accidentally get stuck with the wrong kind of publisher. By this, I mean that it’s easy for newbies and even established authors who are newer to indie publishers to accidentally end up with a vanity press.

At best, a vanity press will publish your work for you, but they charge you hefty up front fees and do very little to help you with the book or sales. My recommendation? If a publishing company is asking you for money up front, you should be running the other way. That said, there are a few reasons why it would be acceptable for a company you’re working with to ask you to pay them for a book that will go into their catalog.

One major reason is that they’re not technically going to publish the book. For example, I’m currently part of a group of authors who are writing for the Children of Chaos series hosted by Indie/pendent Book Services. They aren’t technically a publishing company, but the books, though published by the individual who wrote them, are all in their website’s catalog of books for the CoC series. This means that I as an author get extra exposure from both the company’s promotion of their hosted series on the website and from the marketing efforts of other authors in the series. They required us to pay a $20 upfront fee for each book publishing slot we claimed for paying the cover designer to do the covers for each book. This was reasonable not only because that’s an extremely low price for a well-designed cover but also because they’re not making any money off the royalties on each individual book and have no rights to the book beyond the right to have the author keep it published indefinitely.

Anthologies are another one where I’ve seen small indie presses ask authors to contribute some small amount toward the costs of the book. It all depends on the press. But if they’re asking you for anything more than $100, I would be questioning why, particularly if they’re going to end up with rights or money from the sales the book makes. Essentially, be extremely wary of any publisher that asks you for money.

As I said earlier, best case scenario? They charge you a lot and produce the book but don’t do much to help you get it out there. Worst case scenario? They charge you and never deliver at all. Either way, it’s a scam, and it’s going to cost you a lot for no reason at all. Just don’t do it no matter how excited you are that someone accepted you and your manuscript. Con artists and scammers are more than happy to prey on your desire to be a successful, published author.

Indie Publishing Advantages

The advantages to indie publishing, of course, are fairly obvious. You get an editor, a cover designer, and help with the marketing. Depending on the company, you’ll get more or less of this, but it’s nice to have someone else on your team. Why go it alone if you can get a team to help?

But besides the obvious, another advantage of indie publishing is that you may have more reach than you would alone and you also get practice pitching your work to editors and agents. That will prove invaluable if you want to later take another series or book to a traditional publisher. Learning here is a good place to do it.

The other major advantage is that, if you find the right fit for you, it can come to feel more like a support network than just a publisher. I know authors working with small publishers and indie presses who have said their group feels more like family than just agents, editors, and publishing staff. Your book also may get more focus and attention from your editors and publishing staff than it would at a bigger company. This isn’t guaranteed, and the quality of the editors still has to be factored in, but the likelihood of getting closer attention to detail and polishing is still higher.

Indie Publishing Disadvantages

Besides the possibility of cons, the most prominent disadvantage with indie publishing or traditional publishing is the control you give up. Of course, chances are, if you’re looking for a publisher after going it alone with self-publishing you’re more than happy to give up control of every little detail in order to gain the advantages a publisher can offer. But if you’re new to the process of publishing, know that you will give up a lot of the control you have over it.

The publisher will dictate how you can use the book outside the publishing contract, they can typically make pricing changes without asking first (though some will ask anyway), and your royalties will be negotiated differently than they would if you did things directly through Amazon. What that looks like really depends on the publisher, though. Furthermore, they are the ones who do the cover design, often control marketing efforts (though most will expect you to pitch in on the promotion of the book), and handle many other areas of the publishing process. What your publisher decides to do depends strongly on the contract that the two of you negotiated.

Bottom line? Read your contract very, very carefully. Pay attention to what rights you’re giving them and make an informed decision before signing with any given indie publisher. You don’t want to regret the decision later after all the work you’ll put into the book.

Conclusion

In the end, what you choose to do with your book is your decision. There are advantages and disadvantages regardless of which you choose to go with, and you need to know what those are before you decide. Read the contract, make an informed decision, and go for it. Expect to be rejected as the norm, not the exception, because smaller presses only have a set number of people they can publish within their budget, just as big name publishers do, and their selection is typically smaller. But if indie publishing is the direction you want to head, don’t give up! Keep submitting and use the feedback you get from one publisher (if any) to improve for the next one you choose to query.