Thursday Technicalities: Acting out of Character

Introduction

First off, I apologize this wasn’t out last Thursday! I was having a bit of a hectic week, and I wasn’t able to get around to the post. Hopefully that won’t become a regular thing. Now, last time on Thursday Technicalities, we talked about the idea of internal conflict in a character. Today, we’re going to discuss what Donald Maas calls “character dimensions” and what I’d simply call aspects of a character that make them feel real. Maas used less words than I did, obviously, but initially, when reading through the exercise on this, I struggled with his terminology because I didn’t quite grasp what a “dimension” was. But this is a very important piece of developing your character, so let’s go ahead and dive into it!

What are character dimensions?

Character dimensions, simply put, are the various aspects of your character that make them who they are. For example, if your character is characterized by kindness and warmth, then those are character aspects or dimensions. Dimensions of your character make them multi-faceted and more realistic to the reader. They give us as readers some baseline for what a character will do or not do.

Why it’s important to establish these in your novel

Aside from just making a character feel well-rounded, character dimensions actually give you opportunities for growth, character arcs, and conflict. For example, say I have a character who’s generally non-violent. Let’s just say that they’re a healer and can’t stand the idea of harming another person. If I throw that character into a situation where they have no choice but to fight or die, that’s going to create a whole lot of internal conflict. We need these dimensions or aspects in our characters, regardless of who they are or what they stand for, because without them, we lose the richness our writing can have. But it’s also going to force them to act out of character, and this goes into the next important discussion point.

Acting out of character

Now we get to the portion of this discussion that I pulled the title from. If your character always acts exactly in accordance with their usual dimensions/aspects, they’re going to get boring fast, and they won’t seem like real people. All of us, when pushed to a certain point, will do things that would ordinarily go against the our grain. Sometimes that’s good. Sometimes it’s not, and it creates more trouble for us.

Your characters should be no different. While they may have some aspects that they’ll never compromise on (for example, someone who has an aspect to them where they will die for what they believe probably isn’t going to suddenly wake up one day and realize they no longer believe that thing or are no longer willing to die for it), they’re always going to have something that will push them out of their comfort zone in a way that results in doing something that isn’t in line with their usual character aspects.

This doesn’t have to be anything highly important all the time either. I have a character I’m working with in my current WIP that is used to being good at everything and avoids anything he knows he’s not good at unless it’s necessary to do those things. There’s a scene where he sits down to paint with the girl he’s protecting. That’s extremely unusual for him. He’s bad at it, and he goes further by admitting he’s no good at it even though he’s not fond of admitting weakness or ineptitude. But his decision to do it anyway, even when he doesn’t need to, leads to a bonding moment between the two. In and of itself, the decision to sit down and paint seems like no big deal, but it’s what’s behind the action that goes against his grain that makes it a big deal.

Adding points to your novel that force your character to do something that’s opposite of their usual defining traits brings this kind of life and realism to even the most fantastical of stories. This is why people are able to say of some fantasy books that they’re more realistic than some realistic fiction out there. It’s because the characters feel like real people experiencing real world struggles even though they’re on some other planet, have green skin, and use a lot of strange expressions. There’s an element of humanity and depth to them that resonates with us as readers, and an author who does the work to incorporate this will have a book that can do that.

Conclusion

Hopefully you’ve already got a few ideas going for areas to utilize this tool in your toolbox. If not, I encourage you to sit down and really start thinking about this. Jot down some defining traits or characteristics of at least your main character(s), and then find the opposite of that and see if you can’t come up with some points in your novel where that character might have to act in accordance with the opposite trait, not their defining ones.