The Vine Witch: Integration of Magic

I recently finished listening to The Vine Witch on Audible. It was a great listen and a wonderfully written fantasy novel. This is the first fantasy novel I’ve reviewed on here that wasn’t by request too, actually. As always, I’ll start with the reader’s review and then go into the writer’s review. Don’t read the writer’s review if you want to avoid spoilers!

The Vine Witch – Reader’s Review

This book was a great listen! I got it from Audible and wasn’t at all disappointed. The characterization, imagination, and craft behind the story creates quite a bewitching tale. The only fault I had with it was that I didn’t like the way they brought actual words in for the spells here and there. They didn’t always do so, but I’m not fond of magic systems that use spoken incantations. While I don’t necessarily get too upset over being told a character chanted an incantation or spell, I dislike when actual words are used since I have no way to know what’s actually being said if it’s in a foreign language, which it sometimes was here.

The author clearly did her research on the darker side of the arcane arts, but I was pleased that she kept it clear that blood magic, demonic activity, and arcane/dark magic were considered evil and not to be meddled with. Whatever problems I had with the way she handled spells, this clear delineation between a magic that allows for things like crafting superb wine or creating pastries that allow one to realize the validity of love towards another and magic that kills, consorts with demons, and delves into darkness was something I greatly appreciated.

The other thing that I’ll note is that it’s fairly clean. No sex scenes, barely any heated kissing, and little that would cause me to say the book wouldn’t be okay for a younger audience. The only thing that might cause some parents to prevent their children from reading it would be the dealings with the darker, Satanic type of magic. I wouldn’t recommend the book for young children because of it, but it’s probably okay for thirteen and up.

The Vine Witch – Writer’s Review

As the sub-title of this post notes, we’re going to be looking at the integration of magic into the world within The Vine Witch. We’ve talked about magic in previous posts on Saturday Setups, with the most recent being on the consequences of it. Weaving it into the world can be difficult. However, Smith did a good job, and we can learn a lot from her techniques. So what were her techniques?

Spoken Spells

As I mentioned in the reader’s review, I didn’t like the use of spoken spells. Smith didn’t use them every time you turned around, which was good, but it still bothered me. That said, it did lend a certain sense of realism to the piece. Why do I say that? Well, not every type of magic that Smith had used spoken spells. Some did, but often, the spells used by the vine witches in the vineyards had more to do with remedies and unspoken communication with nature than it did spoken words.

Still, other kinds of witches, especially those dealing in hexes or curses, do use spoken spells. One interesting thing about how Smith chose to weave this into the story is that she uses rhymes. While some of the words used to activate spells weren’t English (And who knows what language they were. They didn’t sound familiar to me.), many of them were actually rhymes.

That part was quite interesting. Many of the spells the main character used were nursery rhymes she’d learned as a child. That isn’t something I’ve seen done much, but it gave the magic a unique flavor and served to blend it into the world more clearly.

Making Magic Indispensable

Worth noting is that this book is set in the real world somewhere in France (I believe). So while Smith didn’t have to create a new world, she did have to find a way to spin a tale where magic could fit in. In the case of The Vine Witch, people are actually quite open about the use of witches.

Everyone in the Chateau valley where the vine witches work knows about the witches who work the vineyards. In fact, the witches are revered because no one makes good wine without them. In this way, Smith makes magic an indispensable part of life. Usually, magic used on an Earth setting for a book tends to be less relied upon. Smith didn’t choose that path. She wove a tale where magic and life couldn’t be separated.

In fact, that was proved many times over in The Vine Witch because when the male lead tried to force the use of magic out of his vineyard, the vineyard constantly failed. He didn’t make good wine, and everything kept going downhill until he was willing to open up to a world he couldn’t see.

Differing Views on Magic

The other thing that Smith uses to bring the world to life is the difference in views on magic. Some view it as purely evil while others have a more complicated view of it. Even the witches themselves have areas of magic that they believe are absolutely foul and should never be touched (such as blood magic). The main character initially falls into the camp that magic is superstition at best and evil at worst.

He finally is able to reconcile magic with reason when one of the monks at the local church talks to him about it. The monk tells him that once upon a time, the ideas of bacteria, pasteurization, and cars would have all seemed like magic too.

Why? Because they were beyond the realm of human imagination and senses at the time. The monk notes that the vine witches are able to see a part of the world that normal human senses can’t but that being able to do so doesn’t necessarily make them evil. Magic, like any other tool, can be used for good or for evil.

I don’t necessarily condone that perspective of things as some of the magic used in the book is undeniably evil. The author doesn’t try to make it seem good either, but in moments like this, there is cause to question whether she really believes it’s evil in every case.

As a Christian speculative fiction author, I prefer more clarity here. However, each author and reader has to make that choice for themselves. My personal convictions won’t match everyone’s, and that’s fine. As I said earlier, there were things that bothered me about the book. However, it was a good read overall with a lot that authors can take away from it.

Conclusion

As both a reader and a writer, I found The Vine Witch to be an engaging and interesting read. I was pulled in to the story and kept enthralled until the very end. It had twists and turns I didn’t expect and characters I could relate to and bond with emotionally. I’d recommend this book to anyone who loves fantasy with the caution that if you’re staunchly against any kind of spell-based or spoken-word magic, you may want to steer clear.