Sunday Sub-Genres: Weird Fantasy

Introduction

This week, we’re going to talk about weird fantasy. Weird fantasy is a little bit more of an odd genre, but it’s no less popular for it. People who like fantasy and horror will likely find that they enjoy weird fantasy. So let’s take a look.

Defining Weird Fantasy

Weird fantasy is a sub-genre of speculative fiction that started with H.P. Lovecraft. Pinning down exactly what the genre is can be a bit difficult since it’s a mix of several things. Generally speaking, weird fantasy is a blend between horror, paranormal, and fantasy genres. However, it isn’t uncommon for the genre to include strange, nontraditional aliens, so science fiction can be blended in as well.

The genre typically avoids the typical players in the paranormal scene, such as vampires, werewolves, and ghosts, or vastly reinvents them for the purposes of the genre. So if you’re looking for these features in the genre, you won’t find them. At least, not as you may have expected to.

It should be noted that weird fantasy is neither horror or Gothic fantasy but is instead something entirely different that cannot be classified in either genre. This is likely owing to the blending of horror, paranormal, fantasy, and sci-fi.

Writing Weird Fantasy

Weird fantasy can describe a lot of things, but let’s take a look at how you can write any type of weird fiction by using the main elements and moods of weird fiction.

Main Elements of Every Weird Fantasy

Before we jump into the four types of weird fiction or fantasy, let’s cover the basic elements that are present in all of them. First, every weird fantasy must contain some aspect of underlying horror or abnormality, usually in the form of some object or entity. Second, it should contain the general effects of horror. Third, it needs an object to focus or embody the horror or abnormality with. Fourth, it should contain the appropriate fear responses to the horror. And fifth and finally, it should contain the effects of the horror on the given situation.

Mood and Focus #1

The first type is one where the mood and focus is one how the marvel or horror relates to some event, condition, or phenomenon. Usually, these types of weird fantasy work well with a mood focused on a general situation, condition, legend, or intellectual subject. It can also work well with a mood that expresses a pictorial concept.

Mood and Focus #2

The second type focuses on the actions of people in response to the marvel or phenomenon. This one works better with a mood expressing a specific feeling or a mood that expresses a specific dramatic situation or climax.

Pivotal Points of Weird Fantasy

No matter what, weird fantasy should always have a focus on the effects of the weird on the world. The truly weird cannot fail to have an impact, and if people in your novel treat it as though it doesn’t or as if it is commonplace, it ceases to be weird and becomes poorly written as a result.

Conclusion

Weird fantasy is definitely a bit of a strange genre within speculative fiction and fantasy. However, for those who enjoy clear horror aspects blended with fantasy, paranormal, and sci-fi, weird fantasy is a great genre to write. If you’re thinking about experimenting with it, the aspects discussed above should be a good starting place for you to do so. So now, all that remains is to go do it.

Further Reading and Resources

Disclaimer: I don’t really read much in the way of weird fantasy, so none of the books below are ones I’m going to suggest for children since weird fantasy can get pretty dark and I haven’t read any of them.

H.P Lovecraft’s Call of Cthulu and Other Weird Stories

Arthur Machen’s The White People

Laird Barron’s The Imago Sequence

Flash Fiction Fridays: Stirring Up Trouble

This week, on Flash Fiction Friday, we get a glimpse at the event that caused Yuldha, from Warrior Queen on a previous Flash Fiction Friday, to have to defend her city from invasion.

~~~

He should have known she wouldn’t agree. How could he be dumb enough to believe she’d say yes when her people had left his kingdom long ago, back when it was better than it was now? Since Elventar had been established by previous citizens of Aleshtain, they’d watched in abject horror as the countries just over the mountains that separated them from the world struggled to fend off the attacks of Aleshtain. The country they’d chosen to break off from so forcefully had become more and more aggressive as it became increasingly depraved.

She regarded King Myranor of Aleshtain with a neutral look. No smile, but also no frown. Let him think of it what he would. Once he’d made the request officially and taken the guessing out of it, she’d formally ensure that he understood exactly what she thought of his proposal.

He opened his puffy lips, a sly glint in his eye. “Lady Yuldha.”

She gritted her teeth, refused to answer such a rude greeting. If he wanted to be that way, two could play. She’d be rude too, as childish as it seemed. But she wasn’t in the mood to humor him in his idiotic games. He could either act as the diplomat he was supposed to be on this envoy, or he could leave her hall before he’d even had a chance to speak.

“My Lady…” Myranor cleared his throat. “I have come to make a proposal that I feel would be beneficial for both of us.”

For him, maybe. Not for her. Being shackled to a man who would never treat her as an equal, much less human, would never do. She wasn’t a woman who insisted upon trying to do all that a man could do or even one who insisted that men let her try. It simply wasn’t sensible to her. She knew her limits, knew there were things she couldn’t do. But she did demand respect and equality. Just because she couldn’t some things did not mean she couldn’t do others men could not. And it certainly didn’t mean she was inferior. “I haven’t got all day, Myranor.”

“Yes, well… I came to ask if you would do me the honor of giving me your hand in marriage.”

“No.”

He blinked. “I beg your pardon?”

Perhaps he was deaf as well as stupid. “No.”

“You do realize that a marriage between us—”

“Would be insufferable? Yes, I do. That’s why it’s a no.” She rose from her throne with a thin smile.

“I think you’re being a bit premature about this. You wouldn’t want to make a hasty decision and land yourself in a war, would you?” Myranor crossed his arms.

“Is that a threat, Sire? Because if it is, I think it is you who ought not to be premature. Do you forget who you are dealing with?” She lifted her chin. “If you have, I can remind you. I believe I was the one who sent your fool of a son packing when he tried to take advantage of one of my Maidens. That’s another count against you too, I’m afraid. Too many wives. And I don’t want to share.”

“Pity.” His upper lip curled, all pretense of being nice gone.

“Not really. I’m just glad if it helps you understand how vastly unsuited we are.”

“Is it your habit to be this undiplomatic with all suitors who visit you, madam?”

She laughed. “Certainly not. I only act this way when I’m disrespected in my own household and then asked to sell myself off like chattel. How would you like me to respond, sir?”

He narrowed his eyes then turned to go. “Mark my words, Yuldha. You will regret this.”

“Maybe. But maybe not. It was lovely seeing you again, Myranor. Don’t let the door hit you in the rump on the way out, would you?” She knew she shouldn’t goad him like this, but some part of her couldn’t help adding, “I wouldn’t want my nicely polished doors soiled. I’m fairly sure the oily stench of scum would never wash out.”

He shot her a nasty glare over his shoulder, his face mottled red, but he let his adviser hustle him out the door. As soon as it slammed shut behind him, she slumped back down in her throne with a sigh. War would definitely follow on the heels of this meeting. Too bad. She hadn’t intended for it to go so badly, had even intended to be somewhat gentle in  her letdown. But Myranor hadn’t allowed for it. So now they were in a quandry. Lovely. Well, she’d just have to find a way to win, she supposed. Knowing Myranor, that could prove to be a challenge.

~~~

That’s it for this week! I hope you all enjoyed. If you have something you’d like to see on Flash Fiction Fridays, feel free to leave the idea in the comments below or send me an email!

Flash Fiction Fridays – Her Greatest Joy

This particular piece is about Leo’s mother Anne. She shows up on and off in Pathway of the Moon and will be mentioned in the following books in the series. Today’s piece is about the first time she ever saw her son.

~~~

Anne pressed her head back against the pillow with a ragged scream. The midwife pressed a cool palm against her hot thigh and told her to push harder. She could tell the baby was almost here, and she wondered, briefly, if it would be a boy or a girl. The midwife here didn’t have the ability to tell like some did. She was only able to tell that the baby was happy and healthy. Many times, Anne had conjectured on the baby’s gender.

If it was a boy, Caladhor would be happy. He’d likely ruin the boy though. Just like every father in this cursed place, he’d warp her son’s view of women and teach him to treat her and the rest of her sex as if they were worthless. That part she hated. But what could she do? Cal had the right to raise any child of theirs how he saw fit. That was the law in this commune, and it wasn’t as if she could take the baby and run. With the woods on every side, she would never make it. Not without help, and no one here would help.

She pushed again with a breathless wail of pain.

If it was a girl, though, she couldn’t be sure how Caladhor would take it. He’d probably knock their daughter around once she was older too. Gods only knew who he’d sell her off to once she was of marriagable age. But he’d promised her that they’d keep her children, whether they were boys or girls. Caladhor kept his promises, though he made very few of them.

There was one last cramping pain that shuddered through her, and then with a final push, she felt the baby leave her body to enter the world for the first time since conception. She lifted her head with a groan. “Is it a girl or a boy, Ardhia?”

“A boy.” Ardhia hurried to a tiny basin of water and began washing the tiny, wrinkled figure off.

The baby let loose a loud scream and began to cry. Anne slumped back against the pillows with a smile. “Well, he sounds healthy, at least.”

“Caladhor will be pleased, I’m sure. Your firstborn, and it was a son. Ishtral certainly smiled on you both.” Ardhia bustled over and placed a swaddled bundle in her arms. “There, see? He’s healthy as can be. Bright red hair just like his mama, too.”

Anne laughed and brushed her fingertips through the baby’s thatch of thin hair. “Maybe he’ll take after me in other ways too.”

“Who knows?” Ardhia winked. “Pray hard enough, and he might. Spoil him a bit when Caladhor isn’t paying attention.  Make sure his father’s rod and harsh voice isn’t all he ever hears. Then maybe there’s hope yet.” The old woman’s tone was light, but her eyes carried a heavy weight.

Anne stared down at the sleepy baby with his bright, blue-green eyes. They reminded her of a tranquil ocean. She smiled at the baby and was rewarded with a coo and a gurgling laugh. Maybe, just maybe, she would be able to change things. Maybe this baby would grow up into a man she could be proud of despite the environment. She pressed a soft kiss to the baby’s wrinkly forehead.

“What’s his name going to be?”

“Leorithdhil.”

“That’s a mouthful. What’s it mean?”

“In my people’s tongue, it means Defiance from the Shadows. I’ll call him Leo for short.” Her tiny smile grew. “Because I hope that’s what he’ll be in this dark place. A bit of defiance from the shadow that covers this commune.”

Ardhia patted her shoulder and began to clean up the birthing room. “Just you keep hoping. One day, maybe, he’ll live up to that name.”

~~~

That’s it for this week, everyone! If you’ve got a suggestion for what you’d like to see in future Flash Fiction Fridays, feel free to drop me a comment here or shoot me an email! I’m always open to suggestions.

Sunday Sub-Genres: Arcanepunk Fantasy

Introduction

Arcanepunk is one of those sub-genres of fantasy that mixes multiple aspects of different genres together. This can make it an interesting genre to work with if you enjoy mixing parts from different genres or sub-genres together. If you aren’t fond of doing that and prefer something that’s very cut-and-dry, however, this may not be the genre for you. That said, let’s take a look!

Defining Arcanepunk Fantasy

Arcanepunk fantasy is an intriguing mix of science and magic. Often, the world may feel very old fashioned and can borrow from steampunk or other fantasy genres that have a more archaic feel to them. However, the technology itself is typically 19th century or higher in its advancement, and the people generally have access to it. Not everyone will be studied in it like a wizard or scientist might be, but they have a general knowledge that can be utilized in daily life.

The other interesting point that arcanepunk focuses on is the way magic and science have developed together. This is the genre where you’ll see crystal power sources replacing coal or glyphs replacing electricity in a device. This makes for quite an interesting combination of magic and science in the devices people use on a daily basis.

Writing Arcanepunk Fantasy

When it comes to writing arcanepunk, authors are faced with a few unique challenges. Let’s take a look at a few.

Magic and Tech Development

The first challenge facing writers is the unique combination of magic and technology. To begin with, anyone writing arcanepunk has to choose what level of magic and tech their world will possess. But in doing so, they also have to remember that magic and technology developed together. So, they have to determine how magic will be interwoven with the technology that people use on a daily basis. This may involve replacement of power sources with magical powerhouses or spells to power sections of an otherwise technological device. Or perhaps the entire device needs magic to operate but is built entirely with machinery and technology?

This is what an author of arcanepunk has to think about. It’s similar to steampunk in that sense since steampunk also requires a writer to determine how to weave two systems that otherwise wouldn’t coexist together. But this can also make arcanepunk a lot of fun to work with because it provides boundless opportunities for invention and creation to go on while building the world. 

Worlds

Unlike steampunk, which is limited to Victorian-style settings, arcanepunk can be used in almost any type of setting. The genre often does take on an old-fashioned feel, as I mentioned earlier, but it doesn’t have to and it isn’t limited to only Victorian-style settings. This leaves you quite a bit of leeway to create your world in an arcanepunk fantasy novel.

Those who don’t like being restricted by the setting requirements of steampunk but still prefer an old-fashioned feel with magic and science intertwined may like arcanepunk for precisely the freedom this allows. The sub-genre may be more obscure, but it’s definitely more broad with more freedom to experiment and explore. Additionally, for those of you who love sci-fi and fantasy, this is a nice in-between since it blends the two. So, there is that.

Institutions and Governments

Since your society is one that possesses both tech and magic on a level that makes it easy for the average Joe to use it, it makes sense that there would be governments to regulate the use of it. Governments would be more concerned about regulating how the tech and magic is used to avoid mass weaponizing of inventions.

On the other hand, if your society has all this stuff, someone has to build it, and they had to learn somewhere. So institutions for learning magic and technology are also frequent features in arcanepunk. These institutions are the drivers behind the world’s leading scientists and magicians because they trained those people. Not only that, they may do a lot of research themselves since they have so many smart people gathered in one place to teach society’s brightest students. 

The impact of governmental and institutional rule will vary depending on the arcanepunk story and its focus, but this is a factor that can heavily impact the world and how it develops, so take some time to consider it. Even if the government or institution doesn’t factor in directly, it can have a long-reaching arm that impacts the story indirectly.

Conclusion

That’s it on arcanepunk, everybody! Next time, we’ll be taking a look at weird fantasy, a sub-genre that heads an entirely different direction. But for now, as usual, I have a list of further reading materials for interested parties! If you have a question or a suggestion for me regarding Sunday Sub-Genres, feel free to leave a comment below. I’m always open for questions and suggestions.

Further Reading and Resources

**Randall Garrett’s Too Many Magicians

Terry Prachett’s Discworld series (Suitable for mid-to-older teens. Not meant for younger children, really, though individual books may be alright.)

**Margaret Weis and Tracy Hickman’s Darksword Trilogy

Jonathan Stroud’s Bartimaeus Trilogy (Children’s fantasy)

Work-In-Progress Wednesdays #15

This week, on Work-In-Progress Wednesdays, I have an excerpt from Pathway of the Moon. In this selection, Leo arrives at the Ishtralian camp with Alrian and Deira in tow, and he’s greeted by his nemesis, Ishtralian leader Kiarhsu Kashal.

~~~

LEO stared at Kiarhsu Kashal for a long moment. How long had it been since he’d last seen the man? Not long enough. Eternity wouldn’t be long enough. His magic snarled inside og him. Reacting to the other man’s presence, no doubt. Even after all this time, it still did that.

“You got my message.” Kiarhsu glanced at Amadeira and Alrian with a snaky smile. “And who are these lovely women? I don’t recall asking you to bring a tribute in return for your pardon and welcome home.”

As if he’d have brought one even if Kiarhsu had demanded it. His hands clenched tighter on the reins. “My ward and my wife. Not a tribute, I’m afraid.”

“I didn’t realize you’d taken a wife. Or a ward.”

“There are many things you don’t know, Kashal.”

“True.” Kiarhsu waved to a boy nearby. “Kestrel will feed and water your mounts. You and I have some catching up to do. Bring your women.”

Alrian made a low noise somewhere between a snarl and a hiss. Leo shot her a warning look. She’d dragged him into this mess. She could play by his rules now so they wouldn’t be executed outright for being spies. She gave him a mulish frown, but she didn’t say anything or act out.

“She objects to being called your woman?”

Leo looked back to Kiarhsu to find him staring at Alrian with a bemused smile. Not good. He’d seen that look before. It just meant Kiarhsu was mulling over the newest bit of information for a way to use it. “My ward isn’t accustomed to our lifestyle. She’s still learning. I had to give her more freedom than I usually would in Kier. You know how the chapter there is.”

Kiarhsu’s upper lip curled. “Yes. Soft.”

“Precisely. I’m sure she’ll fall in line with some time in this place under my strict discipline. A little time on a tight leash will whip her into shape.” His gut twisted even as he said the words. They sounded like something his father would say. He wanted to wash out his mouth, but he knew it wouldn’t wash away the sense that he was dirty.

“I’m sure it will.” Kiarhsu’s sharp gaze landed on him, pierced through him.

Leo dismounted and went to help Amadeira down from her horse. He probably shouldn’t show any public affection toward her, but he couldn’t help it. He needed her near so he could be sure she was safe. He’d hoped she wouldn’t be here at all, but now that she was exposed, the protectiveness welled up so strongly that he had to resist the urge to hide her away behind him until he could lock her in whatever tent they were confined to.

“A little attached, aren’t we? Newly-wed?”

“Yes.”

“No marks?”

“They didn’t end up in an obvious place for us.”

“Ah. Well, marks or no, you know no one will take her without your permission. There’s no need to worry for her safety with the men in camp.”

“I’m well-aware of their respect for the property of others, and that doesn’t worry me.” It did, but he wasn’t about to let Kiarhsu know that. Bad enough that the man knew any of his weaknesses without giving him another.

Kiarhsu smirked. “Then why are you attached at the hip in public like this? Makes you seem weak. No self-respecting Ishtralian man clings to his wife’s skirts.”

Amadeira’s grip on him tightened, and Alrian’s hand went to her hip where her sword had hung. But he had that packed away now. If they were attacked, his powers were the only ones likely to keep them all alive. Kiarhsu noted both movements with a wry smile. “You give your ward weapons, I see. But not your wife. Interesting.”

Leo gritted his teeth. “Can we please go inside? I’d like to sit down and talk in private.”

“I’m sure you would. The trip was tiring, I take it?”

“Very.”

“Well, this way, then.” Kiarhsu gestured for him to go first.

“After you. It’s been a while.”

“Surely not so long that you’ve forgotten the way to your family’s cabin?”

Leo eyed him. He wouldn’t forget the way to that place for as long as he lived. And the glint in Kiarhsu’s eye told him the other man knew it too. He shouldered his pack with a smile. “Of course not. Is that where we’re staying?”

“I thought it would be best if you did. It hasn’t been occupied since you left. A pity your mother couldn’t come too. Is she too frail for commune life?”

“Afraid so.” Leo took Amadeira’s hand in his and tugged her forward. “Well, let’s go then.” Might as well get this over with sooner rather than later.

~~~

That’s it for this week, everyone. Have something you’d like to share? Feel free to leave it in the comments below! I’d love to hear about whatever you’re currently working on too.

Sunday Sub-genres: Contemporary Fantasy

This week, on Sunday Sub-Genres, we’re looking at Contemporary Fantasy. We actually already discussed one of the sub-genres of Contemporary Fantasy in this article on Urban Fantasy. But this week, let’s look at the sub-genre that started Urban Fantasy.

Defining Contemporary Fantasy

Contemporary fantasy is fantasy that’s set in the time period of the writer. For those of us writing today, it would be present time. For those who wrote contemporary fantasy in the past, it would’ve been whatever was modern day for them.

The key with contemporary fantasy, much like with urban fantasy, is that the magical elements and creatures are very rarely seen or understood as such. They live hidden in the shadows of our world or spill into our world from alternate worlds not known to the general populace. This distinctive take on magic is the hallmark of contemporary and urban fantasy both, which is easy to understand since urban fantasy branched off from contemporary fantasy in the first place.

Of note is the fact that the setting for contemporary fantasy does not have to be in a city or the outskirts of one like urban fantasy does. In fact, often the only thing that makes something urban fantasy instead of contemporary is a city setting instead of a place that isn’t city or suburb.

Writing Urban Fantasy

Secret Worlds

One of the tricks with contemporary (also known as modern) fantasy is that the world of the fantastical is a secret. Somehow, it has managed to operate under the radar so that few, if any, humans know about it. How this works is something that each individual author must determine. But there must be an explanation, otherwise our suspense of belief or our willingness to accept things that we wouldn’t otherwise accept will be severely challenged.

There are many ways authors go about achieving this. You have methods like Cassandra Clare’s Immortal Instruments where the creatures disguise themselves as human or are able to cloak themselves from human eyes altogether. Other authors have utilized alternate worlds.

I myself am a fan of mixing the two and using both the element of disguise and the idea of travel between different realms to keep the mortal humans in novels from discovering the world of the fantastical.

These are all valid options, and what you choose to do is up to you and the story you want to tell. But before you do anything else, you should decide how this very key element of your story will work. Everything else hinges on this.

Systems of Magic

At some point, I’ll have an entire article that goes into this subject because it’s detailed and has many caveats to it. But for now, let’s just say that there are plenty of options available to choose from for your system. What you do is, once again, entirely up to you. But what you choose will also depend on the first element you discussed because how you keep things hushed up when funny, magical stuff happens will define, to some extent, what sort of magic you can have.

After all, it’s kind of hard to cover up two giants in the sky throwing lightning bolts at each other if a bunch of people see it and take pictures. Unless you have some explanation for how no one would see that or understand what was going on, this sort of possibility in your magic system just won’t fly.

So spend some time working out how magic works. Even if it’s hidden, it’s still going to be an undercurrent, or even a pivotal piece, in how your world operates. Just because it’s under the radar doesn’t mean it isn’t important.

Creatures and Mythology

Inevitably, modern or contemporary fantasy authors seem to want to include werewolves, vampires, and the rest of that crew. While there’s nothing wrong with this, if your story is going to feature them, you need to define them. I think, after seeing the myriad of supernatural shows and books that cropped up both before and after Twilight, we all understand that no one has exactly the same take on vampires, werewolves, or really any supernatural creature. So make sure you’re clear about what your creatures are and are not up front.

Along with this, the idea of including gods and mythology in contemporary fantasy has become more and more popular over the years. There’s not something that’s necessarily wrong with this, but it does raise a few questions. If they’re there for name recognition only, it’s probably not a big deal. But if they’re going to be a main part of the story, you have to start asking yourself if they really need to be there and, if they do, why they don’t just solve all the problems. If you’re going to include them, you’d better answer these two questions. Otherwise, you may run into some serious problems with these types of characters.

Conclusion

Contemporary or modern fantasy can be a lot of fun for writers. It allows them to bring fantasy into a setting they know best: the modern world all around them. Often, it also allows them to use places or settings that are near and dear to their hearts, making the locations in the book that much more real and vivid.

I’ve given you just a few of the things you need to think about when starting into contemporary fantasy, but it’s just the tip of the iceberg of what you could go into when planning or working on modern fantasy. I encourage you to keep exploring. Read some of the books listed below to get a better grasp on the genre and what’s possible with it, and spend some time looking into how to write it if you’re just starting out.

Whatever you do, don’t be afraid to give it a try! It might be exactly the thing for you. And if not, that’s okay. You learned something new about yourself.

If you have suggestions for contemporary fantasy novels, please feel free to leave it in the comments! If it isn’t clean or YA-appropriate, please mark it as such so younger readers or parents looking for books for their children know to steer clear.

Have another tip for writing contemporary fantasy that I didn’t cover? Share that in the comments too! I’d love to see what those of you who frequently (or even not-so-frequently) have learned about writing in this sub-genre.

Further Reading and Resources

As always, I mark things that aren’t appropriate for younger audiences with a note on the age level (if it isn’t 18+) and one star. If I haven’t read it yet, I mark it with two stars so everyone knows I’m not necessarily recommending the content for younger readers.

J.K. Rowling’s Harry Potter series

**Neil Gaiman’s American Gods

**Jim Butcher’s The Dresden Files

Ransom Riggs’ Miss Peregrine’s Home for Peculiar Children (There’s a movie adaptation of this now, I believe, and it was pretty good. Suitable for pre-teens and teens. As far as I know, the book is also good. It’s YA.)

Rick Riordan’s Percy Jackson and the Olympians series

Cassandra Clare’s City of Bones (This is also considered urban fantasy since it takes place in New York and Brooklyn.)

Maurice Sendak’s Where the Wild Things Are (This is one that’s actually suitable for little kids. It’s a kids’ picture book.)

C.S. Lewis’s The Lion, the Witch, and the Wardrobe

Madeline L’Engle’s A Wrinkle in Time

Eoin Colfer’s Artemis Fowl series (If your younger readers like adventure and genius kids, this is a great series for them. It was, and honestly still is, one of my favorite children’s and juvenile fiction series.)

Sunday Sub-genres: Fantasy of Manners

This week, we’re taking a look at a unique sub-genre of fantasy: fantasy of manners. This genre can be a lot of fun to write, particularly if you’re looking for a niche to write in. So let’s take a look!

Defining Fantasy of Manners

This genre is a combination of fantasy and comedy of errors. The fantasy isn’t necessarily comedic, though it can be at times. The one major thing it always contains is a witty, wry tone. This and the fact that the enemy isn’t some bigger-than-life figure or villain makes this genre significantly different than most.

This is one of the more unusual fantasy sub-genres because it downplays magic, fantastical races, and legendary creatures in favor of a focus on the intricate societal structures, wit, and intrigue of the novel. Usually, these novels also contain a strong romance storyline that all of this goes with.

Some of the influences on the genre were Jane Austen’s social novels, the drawing room comedies written by P.G. Wodehouse, and Charles Dickens. Others have also influenced the sub-genre, but these are some of the major names that had a part in influencing the sub-genre.

Writing Fantasy of Manners

Setting

The first important thing about writing fantasy of manners is the setting. These usually tend to be elaborate, intricate societal settings since the story’s antagonist often comes from internal conflict within a society or from one’s own neighbors. More on that in a moment.

Because the focus is on the tensions between people, and not on facing some enormous outside threat that may appear in other fantasy sub-genres, the setting becomes very important. Since the genre often downplays magic, fantastical beasts, and extraordinary races or even gets rid of them all together, the setting is not what you’d find in high fantasy.

Instead, it tends to be urban and strongly hierarchical. How this hierarchy works depends on the person writing the novel, but it has been said that, if not for the entirely fictional characters and settings, the fantasy of manners sub-genre might be considered historical fiction. Undeniably, authors often draw from history to create these societies rife with intrigue. The Victorian society is a popular place to start.

The last note about setting is that fantasy of manners usually doesn’t have advanced technology of any sort. That stays fairly primitive, but the society itself is extremely sophisticated, allowing for all the intrigue it contains.

The Antagonist

When it comes to an antagonist in fantasy of manners, it won’t be fantastical beasts, an evil warlock from the outside, or pillaging armies. Instead, it will be the neighbors and peers of characters that present the problem. It will be society itself that poses a problem for the character, though sometimes this takes the form of a specific character or characters within that society.

Plot Complexity

This is extremely high in fantasy of manners. The plot complexity may be the most difficult part of the genre because the writer must sustain that wry, witty tone all while creating twists and turns at every point where the reader might have become comfortable. Usually, writers employ a large cast of characters in order to accomplish this difficult task.

Characterization

Characterization in fantasy of manners isn’t necessarily the most unique. However, the characters, despite their lack of originality in some cases, have a high level of engagement to them. They’re not going to bore or tire the reader.

One key note about characterization in fantasy of manners is that the society itself becomes like a character. It is central to the novel in every way and affects the characters as tangibly as another person might.

Conclusion

While writing fantasy of manners is extremely complex and requires a person with wit and dedication, it isn’t impossible. The sub-genre may have started out being something derided by the writing community, but it has established for itself a firm platform and has taken a life of its own even in the name that was initially meant to scorn it. If you’re interested in writing this genre, do some reading from the writers in the genre and then go for it.

Be prepared for a difficult, work-filled genre, but don’t let that scare you. If you’re the kind of person who enjoys writing with a witty, wry tone and complex plot-lines, this may be just the genre of fantasy for you.

Further Reading

Same ranking system as usual

One asterisk = Not appropriate for children and teens under 17

Two asterisks = Haven’t read, unsure of level

*Neil Gaiman’s Stardust (I recommend the movie version for kids that are old enough for PG rated stuff. It’s still fantasy of manners, I feel, but it leaves out the stuff that makes the book entirely inappropriate for children.)

**E.R Eddison’s Mistress of Mistresses

**Paula Volsky’s Illusion (This one has slightly more tech involved than would normally be scene in fantasy of manners, but it is still considered in that genre. I’ve heard the theme and book can get quite dark, so I’m not sure it’s good for children. Use caution with this.)

Work-In-Progress Wednesdays #11

For this week’s work-in-progress Wednesday, I have an excerpt from Pathway of the Moon. In this excerpt, Alrian is once again butting heads with our favorite assassin, and she strikes a little too close to home for comfort.

~~~

THE cell door slammed open. Leo bolted upright, instinct kicking. He reached for his obsidian blades, but his fingers only brushed against the loops of his pants where they should’ve hung.

“Relax. It’s just me.” A familiar voice snapped him out of his sleep-fogged state.

Leo slumped back against the wall. “Next time, knock or something.”

“I didn’t realize that was standard procedure with prisoners.” Alrian crossed her arms and leaned against the wall.

He eyed the open door then dropped his head back against the wall and shut his eyes. Escaping was pointless. Even if he hadn’t been literally shackled by the collar, he was just as shackled by those who would suffer if he left. Honor-bound to remain for their sake, he forced himself to ignore the instinct to fight free of the cell.

“Glad to see you aren’t going to run first chance you get.” Alrian kicked the door shut and went to sit on the windowsill. “If you had, you wouldn’t be going anywhere until we left.”

Leo refused to let her see that her words had grabbed his attention. He remained still and silent.

“Aren’t you the least bit curious about what I came to offer?” Her voice held an edge now.

Good. He’d gotten under her skin. A small victory, all things considered, but it was a measure of control in an out-of-control situation. He still didn’t respond.

She shifted, her uniform rustling. “Fine. Be that way.” The door opened again.

He opened his eyes, her question nagging at him. She’d come to offer something? That was outside the normal way things went around here. Normally, she was in here to demand something. He sighed. “Wait.”

Alrian turned back to face him, arms crossed. “So, you are interested. You’re just too much of a Rith-cursed jerk to let me have the satisfaction of knowing right away.” Her jaw clenched.

She’d pegged him. His cheeks heated, and he looked away. “Can you blame me for trying to find some control in this situation?”

She heaved a sigh and slammed the door shut again. Striding over to him, she settled cross-legged on the floor. Just out of reach, he noted. “Are you going to live your entire life trying to be in control? That’s a miserable existence.”

He raised a brow.

“If you’re always trying to control things, you’re constantly going to be frustrated when things invariably end up out of your control.” She shrugged. “It’s one of the few useful things I learned from my worthless father.”

Leo cleared his throat. “I don’t have to control everything.”

“Really?” She snorted. “You absolutely do. Even if it means losing your life, you refuse to cooperate with others unless it fits with what you’ve already chosen to do.”

He stared down at the floor. She was right again. Though, lately, nothing had seemed under control. Since he’d gone off script and rescued Deira, everything had been a jumbled mess. “Not anymore.”

“Then what was with the childish behavior earlier?”

He wished she’d quit making good points. Maybe then he could argue with it. “Things haven’t been under my control for quite some time, Lord Alrian.”

She crossed her arms. “And that means you have to behave like a mule?”

“No.” He ground his teeth. “I suppose it doesn’t.”

~~~

That’s it for this week’s Work-In-Progress Wednesday. Have a piece you’re working on and want to share? Feel free to leave it in the comments below. And as always, keep any feedback you choose to give respectful and constructive!

Blog Tour – An Inside Look at My Writing Process

A few people have asked either in interviews or privately about my writing process. They’ve wanted to know about how I handled planning and writing Bane of Ashkarith. Some people were surprised by what I shared, and I thought it might be interesting to give my readers a behind-the-scenes on what I do when I’m working on a book. So let’s get started!

Setup

I’m a bit of a neat freak and have strong OCD tendencies when it comes to getting ready to write. I can’t stand working in a messy space. Things have to be organized. I can’t write until they are. I’ll just stare at the screen and the mess around me without writing anything at all.

So my first step is usually to tidy up wherever I’m writing. I need to clear at least enough space to work. So if I’m sitting on my bed, I have to have the covers straightened out even if I’m huddling under them on a cold day. If I’m at my desk, things are more cramped and cluttered because I don’t have much space for things, but stuff still has to be ordered and neat. It’s even more important at the desk because there’s more to distract me.

The last thing I always do when I’m getting ready to write is pull up the spreadsheet where I keep track of the times I’m writing and how many words I got in a session. Yes, I do this. It helps me understand what my best writing hours are and, on average, how long a writing session should be to really start rolling out word count. Besides, it’s a nice feeling to be able to look back at what I’ve accomplished in a given week.

This was the log from a few weeks ago.

Writing Log

The empty slots, by the way, are days where I wasn’t able to do any writing on my current fiction projects.

Maybe now it won’t surprise everyone as much that I was an accounting major.

Planning

So, if the writing log and weird requirements for my writing space weren’t enough to tip everyone off, I’m big on organization and planning. My books are no different. I’m a plotter all the way.

I used to be a seat-of-the-pants type of writer. I just winged it with no plan at all and hoped it worked out well. (It never did.) The method just stressed me out because I never knew anything before I started, and it sucked up so much time to edit it that I quickly realized I enjoyed the process more if I planned first. It’s not for everyone, but it is absolutely for me.

If you haven’t tried plotting before, I would highly recommend you do. I’ll explain in a second what I did for Bane of Ashkarith and what I do now for every book I write, but let me say that plotting doesn’t have to suck all the joy out of everything. There’s room for breathing. You can plot just the bare bones if that’s all you need, or you can go all out.

But not plotting leads to a lot more revisions, rough drafts, and plot holes. So if you haven’t already done so, at least give it a try.

Anyway, for Bane of Ashkarith, I employed a method I hadn’t really used much before. Like I mentioned earlier, I’m big on plotting. But I’d never really bothered plotting past a general idea of the content for each chapter. I knew the big events, but none of the details were really solid in between the events. Writing took a lot longer because I had to think about all of that as I wrote.

With Bane of Ashkarith, I chose to plot out the basic highlights of each chapter and then, in the revision stage, I took it a step further and plotted out the individual scenes in each chapter. The result was that I wrote more words in the same amount of time because I didn’t have to hem and haw about what would happen.

I did all of this on pieces of line paper while in different classes when professors weren’t looking at what I was doing (don’t follow my example, by the way. Paying attention in class is usually a good idea.). As a result, I don’t have the scenes from Bane of Ashkarith. But I’ve done it with other novels, so I’ll share the ones I did for On Anarchy’s Wings, my current work-in-progress.

Scene Planning

I apologize for the low quality of the image. I wasn’t able to get a better picture because I wrote with pencil here. I did enhance it so the text would be darker though. The basics of each scene include: listing the viewpoint character, numbering the scenes, and listing down what happens in the scene.

This might sound like a ton of work. I guess it is a little bit overwhelming if you try to do a bunch at once. But I found that I could spend maybe ten or fifteen minutes sitting down before a writing session and jotting down the highlights of every scene in the chapter or two chapters I was going to write without a problem. It didn’t take that much time, and my writing was much more focused.

Writing

Now the part most people would say is the fun part. I think all the parts of writing are fun, but I recognize that I’m not the norm. Regardless, my writing process is pretty simple. I usually pick either an amount of time or a certain length in the novel to write. With Bane of Ashkarith, I usually opted for sitting down and writing until I had finished a chapter, however long that was. But if I’m limited on time or need to work on other projects too, I’ll pick a specific time frame to write, and I’ll work until that time is up.

I’m pretty easily distracted by my phone at the beginning of a writing period or when the scenes are a struggle to write for one reason or another, so I have to keep it away from me while I write so I don’t waste time on YouTube or Facebook. Yeah, I procrastinate just like most other authors I know. I’m normal that way, if nothing else. It’s not really a point I’m proud of since it involves wasting time, but it is what it is.

Editing

With the last part of the writing process, I usually write and re-write for a set time period. Otherwise, I have a tendency to lose track of time and just keep going so I can finish just one more chapter.

Editing is something that I really love. I know… It’s weird. But, nonetheless, I do love it. I can’t decide if I like writing or editing better. When it comes to my editing habits, I go through the work once looking for places where the characters’ voices need to come through more clearly for deep point of view and places where things just seem to drag. If it doesn’t interest me, it’s a safe bet it probably isn’t going to interest the readers. After all, I should be the one most invested in my own work. So if I’m not, why would anyone else be?

After I finish cutting and tightening, adding and re-writing, then cutting and tightening again, I move on to editing for consistency, grammar, and all those little parts of a novel that slip through the cracks sometimes on us when we’re writing. If I didn’t catch it before, my goal is to catch it at this point.

Once I’ve done all that, the last thing I check for is readability and flow. I just go through and make sure everything is said in the best way possible to get the point across. Preferably without being wordy.

Conclusion

This was a bit of a lengthy post, but I hope that it’s been interesting and, even more importantly, helpful to you guys. Writers are always learning, growing, and adapting. I’m no different, and my writing process now has definitely matured from where it was even a year ago. But I’ve found a method that works well for me, so I stick with it and just tweak it to improve the process where it might still be bumpy.

So what about you guys? Do you have anything you have to do before you’re able to focus on writing? What about your writing process? Anything you do that you think others might benefit from? If so, leave a comment and tell the rest of us about it! We’d love to hear about how other writers handle the writing process.