Author’s Interview – Steven E. Scribner

We’re back with another interview this week! Two in a row because I was sick last week and ended up off schedule, but next week we should be back on track for any remaining interviews with authors in Iron Walls that haven’t been spotlighted before. I’m hoping for one or two more before the release on October 26th! For today, we have Steven E. Scribner with us. He’s the author of “The Scapekite” in Iron Walls: A Burning Embers Dystopian Anthology. Steven, it’s a delight to have you on. Thank you for doing this! Let’s dive right into the questions.

First, could you tell us a little bit about yourself for readers who aren’t familiar with you?

I’m a high school teacher, amateur musician, part-time blogger and full-time nerd, living in the tree-y suburbs north of Seattle with my wife, Arleen.

That’s great! Sounds like you keep really busy with all of that. High school is a tough one for teaching too, so bravo for taking that on! So, tell us, what kind of dystopian did you write for this anthology, and why did you choose that style or flavor of writing?

My story is about a corporate dystopia; end-stage capitalism gone mad. This is a form of totalitarianism not as frequently seen in literature as world-wide political dystopias are.

Certainly an interesting take! My readers have probably gathered, if they’re reading both my blogs, that I’m extremely pro-capitalist, but I think we can all agree there comes a point where morals fail to properly restrain people and it can go too far. It’s important to remind people that no system is ever perfect or can fully restrain people’s behavior if they want to act badly. It’s definitely not the usual in dystopian tales though, so it’s great to see that so many of the authors in this group took on unique themes! Moving on from the type of dystopia for the anthology, let’s talk about genres in general. What genres do you read, and do you write the same ones?

I don’t have any particular genre that I choose to read; I like sci-fi, fantasy, “magical realist” fiction, realistic fiction, historical fiction, experimental fiction, and nonfiction about science, history, music and art. I mostly write fantasy and sci-fi because I find it fun to make up the worlds I write about.

Wow, that’s quite a range! I myself enjoy many of those genres, so it’s always nice to find fellow fantasy authors who enjoy reading a broad range of material. I think reading a broad array of writing actually enriches our writing regardless of what genre we choose, but I definitely find it helps when creating worlds for fantasy and sci-fi. Sounds like you’ve got a lot to pull from with what you enjoy reading. Now, besides writing, which some of us may find therapeutic and the rest of us wish we did… What are some of the things you like to do to relax?

Besides writing (really, I write for relaxation), I enjoy cooking, watching movies (sci-fi, drama, foreign films, animation, documentaries) and listening to music (classical, jazz, experimental, and musics from Asia, the Middle East, and Africa). I also like to go for long walks.

Ah, so someone who does find writing relaxing! That’s great. Music is at the top of my list for things to relax too! So going back to the writing stuff, can you tell us about your current work-in-progress?

Currently I’m working on the fifth book in my fantasy “Tond” series. The continent of Tond is located on earth but one has to go through a tesseract to get there. It’s been enjoyable inventing all the peoples, cultures, histories, languages, literature, music, and food of Tond. The first four books followed a large story arc; this fifth begins a new story with some new characters and a new (and maybe more subtle) villain.

That sounds really interesting. It also sounds like you’ve done a lot of work on the worldbuilding, which of course is a hallmark of a lot of fantasy and science fantasy! So obviously you’ve gone through the publishing process already, so I won’t ask what this experience is like if it’s your first! But could you share a bit about which publishing route you’ve gone and the pluses and minuses of that route?

My “Tond” series and one other novel are self-published. This has its plusses and minuses: I didn’t have to wait and re-submit over and over (authors often complain about the number of rejections), but it’s lacking in any kind of promotion so very few potential readers have heard of my books.

I’ve found the same myself. It’s definitely better in the sense that you have more control, but it’s certainly not easier with the lack of promotion to get your books out there! This next one’s probably one of my favorite interview questions. I absolutely love finding out where people started with writing and what got them hooked on it. So, tell us, what were your inspirations for writing?

I had written a few stories in school, but then one day in eighth grade, when I was walking in the hallway between classes, I started thinking about The Lord of the Rings (which I was reading for the first time). Out of nowhere, I said to myself, “I should write something like that someday.” I started writing fantasy. I finished the first version of the first “Tond” story a year later (I was in ninth grade). Over the years, my writing has changed quite a bit, but there are still threads from those early versions.

That’s great! Lord of the Rings was one of my absolute favorites as a kid. I probably read it six or seven times before my parents decided I needed to put my energy into reading new stuff and took the books away for a while! It’s definitely a great starting point for writers getting a handle on fantasy or those interested in the genre. So besides the inspiration Tolkien brought, who got you into writing when you first started?

I have to mention my high school creative writing teacher, and a professor in college, both who encouraged me to continue working on the “Tond” material.

It’s always wonderful to hear about teachers who encouraged writers to keep going. Sometimes that little push and a “well done” at the right moment is all we need to keep going. In light of that, writing can be hard, especially at first. It doesn’t necessarily become easier in every way, but what advice would you give to aspiring authors and writers just starting on the writing journey to help them out?

In the “Tond” books I make the metaphor: the universe is a song; add your own harmony. In the case of writing: it’s a story. Add your own chapter. This is more of a philosophy than concrete advice, but maybe someone needs encouragement to start writing.

Hey, sometimes the philosophy is the best starting point. Many of my favorite authors have given advice that has more to do with your mindset than the concrete aspects of the craft. You can learn the concrete stuff; your mindset is the one thing that will make you or break you early on, especially. I think it’s great advice. So one more question related to beginning authors and writers… What is one thing you wish someone had told you before you started writing?

Editing is a continuous process.

Absolutely! That’s probably up there on the list of things beginners need to be told. That and “you’re never going to get it perfect” are some of the most frustrating bits of advice to writers, but I think they’re the most needed ones. Now, moving away from the writing, let’s talk about you as a reader for a minute. Can you tell us what your favorite book is, and who is your favorite literary character? Why?

I have a lot of favorite books. The Lord of the Rings and C.S. Lewis’ “Space Trilogy” are two that I’ve enjoyed reading several times over the years. Other authors I like are Nnedi Okorafor, Arthur C. Clarke, Ursula K. Le Guin, and YA author Jerry Spinelli. I also like Julian Barnes’ biography of Shostakovich (“The Noise of Time”), Richard Fortey’s ruminations on natural history, and experimental fiction like Italo Calvino and James Joyce.

Concerning favorite characters, I always enjoy the archetypal “wise fool”. Sam Gamgee from LOTR fits in this category, as does Jerry Spinelli’s Stargirl, though otherwise they are very different characters. I suppose I like them because no matter how stupid I feel (don’t we all, sometimes?) I see that there’s still some wisdom to be gleaned from the situation.

Well, there are a few names on that list that I haven’t heard of, but they all sound interesting! Ursula K. Le Guin is one author I really enjoy when I have spare time to read. She’s an excellent author. So you’re hearing it from two fantasy writers and readers, everyone! Le Guin is another one of those solid fantasy authors worth checking out if you’re just starting to take a foray into fantasy. As for the characters, those are some great choices too. I’m not familiar with Spinelli’s Stargirl, but I loved Sam’s character in Lord of the Rings for the same reason you noted: he’s not the flashiest character, but he definitely has some of the wisest advice to offer. He’s probably the most underrated character in the book!

All right, everyone! That’s it for today. Thank you again for taking the time to do this interview, Steven! It was wonderful to have you on the blog, and I wish you the best of luck with your upcoming writing endeavors. Readers, you can check Steven’s work out on Amazon, and of course, if you haven’t already pre-ordered a copy of Iron Walls, you can pick up your copy here. There will be a paperback version for those who prefer a hard copy, but we’re currently going back and forth with Amazon over formatting issues, so the release is taking longer than anticipated. It may not be out until the release date of the ebook or after, depending on how long it takes to resolve the issues to Amazon’s satisfaction. In the meantime, the ebook goes live on the 26th of this month! All proceeds will go to Voice of the Martyrs.

New Ebook on Writing – Input from You All

Hey, everyone! As I mentioned before, I’m putting together an ebook about the craft of writing. I’ve placed the table of contents (currently) below so you can see the topics I’ll be covering. I’ve already gotten one suggestion from an author on something they thought would be useful, and I’d love to have more! I might end up having to split the book up and do a second volume if I get too many new topics, but that’s not a bad problem to have. So, please give your input. What would you find useful for you as a writer that isn’t on here?

Current Table of Contents

What I put above is what I’ve got right now in the order I’m discussing it. Feel free to email ideas or just comment on this post with them!

A New Ebook

I’m working on a new ebook for you guys that takes all of the topics I’ve discussed on Thursday Technicalities so far and places them into a streamlined, step-by-step ebook that covers the major topics every fiction writer should understand. Once I’ve got it ready, it’ll go up for sale on the store here. I’ll also be working on getting a print version online with Amazon so that you can order print copies if you prefer them.

However, here’s what I want to know. What is an ebook with all the content I usually discuss worth to you? I’m considering including templates for some of the things I walk you guys through, as well. Would those be helpful to you? What kind of content would you like to see added to expand on topics I’ve already talked about here? The point of the ebook isn’t just to generate sales, though, of course, let’s be real… This is a business I’m trying to grow. Of course I want sales. But the reason I do this isn’t mainly because I want the money. I do it because I love it and I love helping you guys learn from all of the things I’ve spent several hundred dollars on learning in the course of my writing career. Some of it you get for free just because I share about it on the blog. Some of it will be in this ebook or in the course content I’m working on developing.

So my question to those of you who are writers is this. What would it be worth to you to go through an ebook/paperback that would cover all of the main topics you need to not only become a better writer but to also make sure you’ve covered all your bases and are doing the things that will make you successful? What do you need to do better as a writer that I can discuss in order to make this book as useful as possible?

Pirated Content

Hey, guys! So… I recently discovered, thanks to a friend on Facebook, that a site called Bookinistika.com is pirating authors’ ebooks and selling them for a higher price, which obviously means that all the money goes to them with no royalties to you. My books were on there. They removed Bane of Ashkarith, but they have yet to remove the anthology I’m in that I also found on the site.

I am beyond angry about this because I know how much work has gone into the anthology, and I definitely know how much effort and creative work went into Bane of Ashkarith. Please, if you are an author, go check to make sure your stuff isn’t up here. Search all book titles in addition to your author’s name as their search engine is, intentionally perhaps, not well-designed and won’t pull up everything by author’s name. If you’re a reader, a word to the wise! If the price is way higher or lower than Amazon, Kobo, or Barnes and Noble (or any other well-known retailer) or you don’t recognize the seller, then they probably are pirating the ebooks. I’m not going to 100% say they are, but you should check with the author if you can to make sure they know their work is up on that third party vendor’s site. Chances are good that indie authors and publishers are not putting their books up for sale on some obscure site that doesn’t have an established name in the market. Don’t buy if you think there’s even a chance that it’s pirated! You’re hurting the author instead of helping.

Usually, you can double check on authors’ sites to see what platforms they are listing the book for sale under. For mine, I always post book information for new releases, and those new release info sheets include the links to all the places I or my publisher have chosen to list it for sale. If a new site is added, I add it to the list. If you don’t see the book listed for that site, then it’s not on that vendor’s site legally, and either you should report it or you should get in touch with the author to let them or their publisher report it. Being an indie author is tough enough without having your work stolen! Help us out and let us know if you see something suspicious. Thanks, guys!

Saturday Setup – Creatures: The Usual Suspects

Introduction

This week, we’re moving from language creation to talking about fantasy creatures. Today, we’re just going to go over some of the typical fantasy creatures and what you ought to be considering for them. Mainly, this week’s post is going to be focusing on bigger creatures like dragons and sea monsters. It won’t be a long post, but I’ll discuss some things I think people overlook a lot when they populate their world with these monolithic creatures.

Problems Presented by Large Creatures

First off, most fantasy novels featuring dragons, giants, sea monsters, and their ilk never take the time to consider some very important factors. Given the size of these creatures, we’ve got a few issues: living space, temperament, and food.

With living space, you’ve got some leeway because if your world is vast and has lots of forests, mountains, and ocean that isn’t being ruined by mankind, then these larger creatures will be fine in this arena. But, it is something to think about. A dragon is by no means a small beast, and it’s going to need lots of room to fly, hunt, and live.

On the temperament side of things, you also have leeway. For creatures similar to humanity in their varied temperaments, such as giants, trolls, or other similar creatures, you may not need a particular environment to satisfy them temperamentally. But if your dragons prefer their privacy and really don’t like humans, you’re going to have a problem if they live near or on human territory. On the flip side, if dragons just adore humans and can’t stand trolls or giants, they might not be so happy living in the mountains or forests away from humans. These sorts of considerations have to be made.

Finally, food! This is the biggest one that nearly every fantasy novel with these creatures ignores. They have to eat something. They’re not going to survive on air, not with those big frames. So what are they going to eat? If they can’t get enough food from hunting big game, then they’re going to spend all their time hunting. A few measly deer from the woods or even a nice cow or two from the local village won’t sustain these creatures. They’re simply too large biologically for this to work, so you’ll have to find a way this can work if you want these guys in your world. Without that, it just isn’t going to make much sense. Granted, readers have been taught to just accept their existence, so you may get away with it on some level, but laziness doesn’t pay, and some subset of avid fantasy readers will notice.

Considerations

Now that you understand the problems, you should be able to figure out where to start for considerations. Take those three main problem areas and start asking yourself how you’ll solve them. Start thinking about what kind of personality your different large creatures have. It’s important that you don’t just throw generic fantasy creatures into your world to give it the flavor of fantasy. Doing that will end with your world feeling flat and unmemorable. So have fun with it. What makes your fantasy creatures unique, and how does that play into considering their needs in the environment around them?

Conclusion

That’s it for this week, everyone! I did promise it would be short. Next time, we’re going to talk a little bit about creating your own creatures. This can be a ton of fun, so I hope you’ll join me for it. See you there!

Blog Tour – An Inside Look at My Writing Process

A few people have asked either in interviews or privately about my writing process. They’ve wanted to know about how I handled planning and writing Bane of Ashkarith. Some people were surprised by what I shared, and I thought it might be interesting to give my readers a behind-the-scenes on what I do when I’m working on a book. So let’s get started!

Setup

I’m a bit of a neat freak and have strong OCD tendencies when it comes to getting ready to write. I can’t stand working in a messy space. Things have to be organized. I can’t write until they are. I’ll just stare at the screen and the mess around me without writing anything at all.

So my first step is usually to tidy up wherever I’m writing. I need to clear at least enough space to work. So if I’m sitting on my bed, I have to have the covers straightened out even if I’m huddling under them on a cold day. If I’m at my desk, things are more cramped and cluttered because I don’t have much space for things, but stuff still has to be ordered and neat. It’s even more important at the desk because there’s more to distract me.

The last thing I always do when I’m getting ready to write is pull up the spreadsheet where I keep track of the times I’m writing and how many words I got in a session. Yes, I do this. It helps me understand what my best writing hours are and, on average, how long a writing session should be to really start rolling out word count. Besides, it’s a nice feeling to be able to look back at what I’ve accomplished in a given week.

This was the log from a few weeks ago.

Writing Log

The empty slots, by the way, are days where I wasn’t able to do any writing on my current fiction projects.

Maybe now it won’t surprise everyone as much that I was an accounting major.

Planning

So, if the writing log and weird requirements for my writing space weren’t enough to tip everyone off, I’m big on organization and planning. My books are no different. I’m a plotter all the way.

I used to be a seat-of-the-pants type of writer. I just winged it with no plan at all and hoped it worked out well. (It never did.) The method just stressed me out because I never knew anything before I started, and it sucked up so much time to edit it that I quickly realized I enjoyed the process more if I planned first. It’s not for everyone, but it is absolutely for me.

If you haven’t tried plotting before, I would highly recommend you do. I’ll explain in a second what I did for Bane of Ashkarith and what I do now for every book I write, but let me say that plotting doesn’t have to suck all the joy out of everything. There’s room for breathing. You can plot just the bare bones if that’s all you need, or you can go all out.

But not plotting leads to a lot more revisions, rough drafts, and plot holes. So if you haven’t already done so, at least give it a try.

Anyway, for Bane of Ashkarith, I employed a method I hadn’t really used much before. Like I mentioned earlier, I’m big on plotting. But I’d never really bothered plotting past a general idea of the content for each chapter. I knew the big events, but none of the details were really solid in between the events. Writing took a lot longer because I had to think about all of that as I wrote.

With Bane of Ashkarith, I chose to plot out the basic highlights of each chapter and then, in the revision stage, I took it a step further and plotted out the individual scenes in each chapter. The result was that I wrote more words in the same amount of time because I didn’t have to hem and haw about what would happen.

I did all of this on pieces of line paper while in different classes when professors weren’t looking at what I was doing (don’t follow my example, by the way. Paying attention in class is usually a good idea.). As a result, I don’t have the scenes from Bane of Ashkarith. But I’ve done it with other novels, so I’ll share the ones I did for On Anarchy’s Wings, my current work-in-progress.

Scene Planning

I apologize for the low quality of the image. I wasn’t able to get a better picture because I wrote with pencil here. I did enhance it so the text would be darker though. The basics of each scene include: listing the viewpoint character, numbering the scenes, and listing down what happens in the scene.

This might sound like a ton of work. I guess it is a little bit overwhelming if you try to do a bunch at once. But I found that I could spend maybe ten or fifteen minutes sitting down before a writing session and jotting down the highlights of every scene in the chapter or two chapters I was going to write without a problem. It didn’t take that much time, and my writing was much more focused.

Writing

Now the part most people would say is the fun part. I think all the parts of writing are fun, but I recognize that I’m not the norm. Regardless, my writing process is pretty simple. I usually pick either an amount of time or a certain length in the novel to write. With Bane of Ashkarith, I usually opted for sitting down and writing until I had finished a chapter, however long that was. But if I’m limited on time or need to work on other projects too, I’ll pick a specific time frame to write, and I’ll work until that time is up.

I’m pretty easily distracted by my phone at the beginning of a writing period or when the scenes are a struggle to write for one reason or another, so I have to keep it away from me while I write so I don’t waste time on YouTube or Facebook. Yeah, I procrastinate just like most other authors I know. I’m normal that way, if nothing else. It’s not really a point I’m proud of since it involves wasting time, but it is what it is.

Editing

With the last part of the writing process, I usually write and re-write for a set time period. Otherwise, I have a tendency to lose track of time and just keep going so I can finish just one more chapter.

Editing is something that I really love. I know… It’s weird. But, nonetheless, I do love it. I can’t decide if I like writing or editing better. When it comes to my editing habits, I go through the work once looking for places where the characters’ voices need to come through more clearly for deep point of view and places where things just seem to drag. If it doesn’t interest me, it’s a safe bet it probably isn’t going to interest the readers. After all, I should be the one most invested in my own work. So if I’m not, why would anyone else be?

After I finish cutting and tightening, adding and re-writing, then cutting and tightening again, I move on to editing for consistency, grammar, and all those little parts of a novel that slip through the cracks sometimes on us when we’re writing. If I didn’t catch it before, my goal is to catch it at this point.

Once I’ve done all that, the last thing I check for is readability and flow. I just go through and make sure everything is said in the best way possible to get the point across. Preferably without being wordy.

Conclusion

This was a bit of a lengthy post, but I hope that it’s been interesting and, even more importantly, helpful to you guys. Writers are always learning, growing, and adapting. I’m no different, and my writing process now has definitely matured from where it was even a year ago. But I’ve found a method that works well for me, so I stick with it and just tweak it to improve the process where it might still be bumpy.

So what about you guys? Do you have anything you have to do before you’re able to focus on writing? What about your writing process? Anything you do that you think others might benefit from? If so, leave a comment and tell the rest of us about it! We’d love to hear about how other writers handle the writing process.

Sunday Sub-Genres: Mythic Fantasy

Introduction

This week on Sunday Sub-Genres, we’re taking a look at mythic fantasy. This is the sub-genre of fantasy that most pulls on fantasy’s mythological origins, though it isn’t always in the way that people would expect. The genre is as likely to use obvious mythological origins like Robin Hood or King Arthur as it is to create something completely new. The sub-genre has a lot going for it if you like works with strong magical elements and lots of mythical creatures. So, let’s take a look!

Defining Mythic Fantasy

Mythic fantasy is defined as fantasy that deals with the same themes as traditional myths but with (potentially) different names and powers of gods or mythological creatures that differ in some way from their traditional counterparts.

That’s a bit of a mouthful, I know. Basically, the extent to which mythic fantasy veers away from traditional mythology is up to the author, but it almost always contains some clash of the gods with the fate of the world in the balance. How this works out is also subject to a lot of interpretation. Some authors choose to pit gods from two differing cultures against each other, while others may choose to have gods from the same culture clash. Heroes may even line up behind the warring factions to add to the chaos further.

Writing Mythic Fantasy

Writing mythic fantasy gives individuals a large degree of space to build their world and setting in a variety of ways. If you like to create cultures that are built entirely around a deity or pantheon, this is a great option because mythic fantasy definitely requires that.

Let’s take a look at some of the unique parts of writing mythic fantasy.

Magic

The level of magic in mythic fantasy is very high. If the character isn’t human, it will have magic or some other fantastical trait. It just will. This means that if you aren’t going to use the traditional mythological creatures, you’ve got some serious world-building ahead of you.

This sounds fun to some people, but I know at least a few who read this are cringing. If you don’t like world-building, you can make your life easier on this front by using the traditional mythological creatures. But you won’t entirely get out of world-building because there’s your pantheon to consider if you choose to use new gods or goddesses.

Character Complexity

This is an area where things really can swing to some extremes. No matter what you do, characters will be complex. The question is just which ones will be. In mythic fantasy, there’s two options. Either the gods are highly complex, fleshed-out characters and the humans are basically non-complex pawns… Or the humans are so complex that they can drive the movements of the gods themselves. How you play it is really up to you and how you want to tell the story. Either leads to some interesting results.

Plot Complexity

If you’re looking for something that’s easy or middle-of-the-road, mythic fantasy isn’t your cup of tea. Plot lines in mythic fantasy can often be obscure or extremely tangled right up to the end, and like the myths they hark back to, every thread of the plot contains meaning.

Those who really enjoy mythology are the ones most likely to enjoy this genre both as readers and writers, though others who like complexity in plot may also like this type of fantasy. If you don’t like any of these things, chances are pretty high that mythic fantasy won’t be your thing.

Violence

This is a fairly significant point because mythic fantasy is different from a lot of other fantasy sub-genres. The violence here isn’t going to be overly gory or descriptive in most cases. You’re going to get some drownings at sea and a few lightning bolts tossed, but it won’t be cutthroat. It’ll be like the myths are. Sure, there’s violence. But it’s not described in gory detail.

Conclusion

Those are the key points of writing mythic fantasy. This can be a really fun genre to write if you enjoy complexity and world-building. If you enjoy neither, you probably won’t have much fun reading or writing this sub-genre. I’ve included some examples of mythic fantasy below. As always, I’ve marked books I haven’t read with two stars if I’m unsure of the reading level and one star if it isn’t appropriate for children and younger teens.

Further Reading

Rick Riordan’s The Red Pyramid and The Lost Hero

J.R.R. Tolkien’s The Silmarillion

**Marion Zimmer Bradley’s Mists of Avalon

*Brandon Sanderson’s Mistborn Trilogy (best for ages 13+)

*Terry Brooks’ Magic Kingdom for Sale/Sold (ages 13+)

*Tad Williams’ Shadowmarch

Richard Adams’ Watership Down

Sunday Sub-Genres: Superhero Fantasy

This week, we’re back with another fantasy sub-genre post! As a quick update, the plan is to move posts on this topic to Sundays as part of a new Sunday Sub-genres blog section. The posts will be every other week, just as they had been when they were on Fridays. This post is the first in that set of posts.

As I build up content, there will be some other new blog sections as well that will be posted on other days of the week. So, keep an eye out for those.

With that announcement out of the way, this week’s fantasy sub-genre is Superhero Fantasy. Most people might not think that superhero stories are fantasy, but given the elements they possess, almost all superhero stories are considered fantasy. Let’s take a look at the sub-genre.

Defining Superhero Fantasy

As mentioned earlier, most superhero stories are fantasy. However, let’s discuss a little more of what this sub-genre’s definition entails. Superhero fantasy usually involves a main character with some sort of super human ability, a strong sense of morality, and a hidden identity. Usually, the genre centers on fighting crime because, after all, that is what a superhero does.

Typically, superhero fantasy also involves villains that are unforgivably flawed. They must be stopped at all costs because they won’t stop unless someone makes them. There is no redeeming quality about the villains of superhero fantasy. Often, the villains also have a super human quality to them in superhero fantasy. Whether or not it’s an actual superpower may depend on the story.

Now, that’s all well and good, but what makes a superhero story truly a superhero fantasy? Well, the biggest thing that makes it fantasy is the presence of strong fantastical elements. Does the superhero have their abilities because they come from another planet like Superman? Or do they gain the abilities because of some strange, mystical (and definitely non-scientific) circumstance? If they do, chances are your superhero story is considered fantasy.

On the other hand, if your story has superheros with powers because of special suits or science experiments gone wrong, it’s more likely that your superhero story would be closer to the sci-fi side than fantasy. And if that’s the sort of story you’re writing, that’s okay. It’s just not the focus of this post. (Though some of the elements for writing it may end up being the same regardless.)

Writing Superhero Fantasy

With the definition of superhero fantasy clear in our minds, let’s take a look at writing it. These elements can actually be used to write any superhero story. The way you use them is what will determine whether it’s fantasy or sci-fi.

Superhero

It goes without saying that a superhero fantasy needs a superhero. The trouble is that superhero fantasy and heroic fantasy can get their lines crossed a bit here, so some discussion of what a main character should and should not be in a superhero fantasy is needed.

First off, a heroic fantasy usually involves one or more heroes, and those heroes may or may not have special abilities. That’s pretty straightforward, mostly. If they don’t have powers or it’s not one main character with the powers, chances are, you’re not writing about a superhero.

The more subtle difference in superhero fantasy versus heroic fantasy is in the character of the characters. Heroic fantasy’s characters are almost always going to be flawed. Sometimes even fatally so. Morality can be a bit of a gray area for these characters.

Not so with superhero fantasy. If you watch even a little bit of the superhero genre on TV or read comics, you’ll quickly notice that the main characters of these stories don’t have any gray areas with their morality (for the most part). They know right is right and wrong is wrong.

The bad guys aren’t going to get away on their watch if they have anything to say about it. Don’t bother trying to bribe these guys or throw them off the scent because they’re not going to give up until the villain is behind bars (or subjected to some form of justice).

This is an important part of crafting a superhero. The powers have to go hand-in-hand with a strong moral compass and unwillingness to compromise with evil, whatever that may be in a given story.

Despite their high moral code and strict adherence to it, superheros still have struggles. Often, superhero fantasy will go into the psychological struggles of the characters and will show why they ultimately choose good over evil. Or don’t if the goal of the story is to have a superhero gone bad.

Either way, superhero fantasy is going to explore who the superheros really are and what made them that way. The genre is heavy on characterization, so good characterization absolutely cannot be ignored.

Supervillains

This was mentioned earlier, but one of the defining traits of the antagonist for a superhero fantasy is that they’re a supervillain. Like the superhero, they have some sort of special power, but they’re using it for evil. Whatever their motivations, they won’t stop until the superhero puts an end to it.

Also mentioned above was the note that the supervillains have no redeeming traits. This is the biggest difference between heroic fantasy and superhero fantasy. Heroic fantasy might afford the villain some quarter by way of a redeeming quality or saving grace. Superhero fantasy doesn’t. After all, you have to balance out the unflinching, morally pure hero somehow. And what better way to do that than to have an utterly despicable antagonist?

But just because the supervillains are entirely evil doesn’t mean they’re flat. Superhero fantasy thrives on deep characterization, so if you’re going to write this genre, your readers are going to expect you to get deep into the psychological and emotional aspects of the villain. Why are they doing this? What’s their intention? What drove them to do what they are? All of those questions are ones superhero fantasy often explores.

Crime

Usually, superhero fantasy deals with crime. The superhero needs somewhere to turn his mind when he has such a hatred for evil. This comes out in fighting crime.

Fighting crime could occur in a number of ways. First, the character may be a vigilante, working without sanction or help from the local authorities. Arrow and his gang are a good example of this. Second, they might be working independently of law enforcement but with full support from the local authorities despite that. This would include heroes like Superman.

The final category is the superhero that works with law enforcement, even if law enforcement may not know about their two identities. For example, Barry Allen works for the police department in Central City, but he’s also the Flash. Not many of the cops he works with know this, but even as the Flash, he has the goodwill (if not the support) of the police department. A twist on this one that does seem more popular is to have superheros who worked with the government or in the military at some point or another. Quite a few popular superheros have done this, with Captain America being one of the better known heroes.

Conclusion

These are only the main things that make superhero fantasy what it is. There’s certainly more that can be learned about the genre. This should help you as you get your feet wet in the genre, but it should only be the starting point. I’ve added some additional resources and some examples of superhero fantasy below to help you as you do further research.

If you enjoy reading in the superhero fantasy sub-genre, what books do you recommend? You can put them in the comments. Just please ensure that you make a note in your comment if the book isn’t clean and appropriate for children since I do have some younger readers who may be reading through the comments too.

Further Reading and Resources:

Blogs:

Best Fantasy Books (This blog has a bit about the genre, but it also has a fair number of suggestions for books in the genre.)

Writer’s Digest

Books:

*= Not for children

**= Unsure of reading level; exercise caution

Brandon Sanderson’s Steelheart

Jeremy Kraatz’s The Cloak Society

**Tracy Hickman’s Wayne of Gotham

**Marissa Meyer’s Renegades