urbanfantasy – The Fantasy Nook

Some Monsters Never Die: Bringing Fantasy To Life

Introduction

I recently finished reading Some Monsters Never Die by E.A. Comiskey, and let me say, I was impressed. More on that in a few. To start with, E.A. Comiskey is an author that I already know fairly well from working with her in our critique group. She’s awesome to work with, and when I put out the word that I was looking for fantasy books to review for The Fantasy Nook, she asked if I’d be interested in her book, Some Monsters Never Die. Boy, am I ever glad I chose to take her up on the offer.

Some Monsters Never Die: Reader’s Review

E.A. Comiskey really brought fantasy to life with this book. First off, it’s set in the real world in real (or fairly realistic) places, and that alone makes this piece seem more real than some. I loved the humor, magic, and larger than life events that moved the story along. The characters themselves were masterfully written. They’re also the most unlikely heroes and heroines. I mean, the female lead maybe works, aside from being a bookworm. But two old guys from a retirement home hunting demons and the unnatural?

Let’s just say it makes for quite the ride, and more importantly, it opens up all kinds of opportunities to grow on the parts of all the main characters. They set off on a quest all together and end it all together but as better, stronger people than they started out. Definitely worth the read!

Writer’s Review

Some books I’ve reviewed, like the Vine Witch, have done an excellent job of weaving magic into the world. Others have done a phenomenal job of world-building. But in this book, E.A Comiskey has managed to bring fantasy to life. Granted, most of the fantasy stuff she brought to life is the horrifying, monster side. The kind you never want to meet, right?

But, if it’s any consolation, her main characters are two old men and one bookworm woman. Not exactly the kinds of people you’d think would be able to handle things that belong in fantasy books as the antagonists coming to life, but hey. They manage.

And that’s part of what makes this book such a great piece. Comiskey took characters that seem so unlikely to succeed or even cope, with the exception maybe of the old guy who’s a hunter, and she threw them into a world where the horrors of a fantasy tale are all real. Skinwalkers? Check. Giant worm-like things that burrow in the ground and try to eat people? Also check. Dragons? Well… Stanley killed the last one a while ago, but beside the point.

Comiskey uses humor, unexpected heroes, and larger than life threats to really bring fantasy to life in this book. I’d label it as paranormal or maybe urban fantasy, but it’s by far one of the most unique takes on both genres that I’ve read in quite some time.

The Takeaway?

There’s lots to learn from and glean from reading this book, but for today’s focus, I have just one takeaway. Focus on how she weaves the monsters and their magic into every day life and then apply those techniques and principles to your own work. You may not be writing something that’s meant to be even a little bit funny. You may not intend to focus mostly on supernatural monsters and magic spells to kill them.

But if you’re writing fantasy, then there’s going to be some fantastical element you need to make real to your audience. And if you want to bring fantasy to life, especially if you want to do it in our world, Comiskey’s book will show you one way how, and it will do it well.

Don’t waste the opportunity!

The Vine Witch: Integration of Magic

Featured Ariel Paiement3 Comments

I recently finished listening to The Vine Witch on Audible. It was a great listen and a wonderfully written fantasy novel. This is the first fantasy novel I’ve reviewed on here that wasn’t by request too, actually. As always, I’ll start with the reader’s review and then go into the writer’s review. Don’t read the writer’s review if you want to avoid spoilers!

The Vine Witch – Reader’s Review

This book was a great listen! I got it from Audible and wasn’t at all disappointed. The characterization, imagination, and craft behind the story creates quite a bewitching tale. The only fault I had with it was that I didn’t like the way they brought actual words in for the spells here and there. They didn’t always do so, but I’m not fond of magic systems that use spoken incantations. While I don’t necessarily get too upset over being told a character chanted an incantation or spell, I dislike when actual words are used since I have no way to know what’s actually being said if it’s in a foreign language, which it sometimes was here.

The author clearly did her research on the darker side of the arcane arts, but I was pleased that she kept it clear that blood magic, demonic activity, and arcane/dark magic were considered evil and not to be meddled with. Whatever problems I had with the way she handled spells, this clear delineation between a magic that allows for things like crafting superb wine or creating pastries that allow one to realize the validity of love towards another and magic that kills, consorts with demons, and delves into darkness was something I greatly appreciated.

The other thing that I’ll note is that it’s fairly clean. No sex scenes, barely any heated kissing, and little that would cause me to say the book wouldn’t be okay for a younger audience. The only thing that might cause some parents to prevent their children from reading it would be the dealings with the darker, Satanic type of magic. I wouldn’t recommend the book for young children because of it, but it’s probably okay for thirteen and up.

The Vine Witch – Writer’s Review

As the sub-title of this post notes, we’re going to be looking at the integration of magic into the world within The Vine Witch. We’ve talked about magic in previous posts on Saturday Setups, with the most recent being on the consequences of it. Weaving it into the world can be difficult. However, Smith did a good job, and we can learn a lot from her techniques. So what were her techniques?

Spoken Spells

As I mentioned in the reader’s review, I didn’t like the use of spoken spells. Smith didn’t use them every time you turned around, which was good, but it still bothered me. That said, it did lend a certain sense of realism to the piece. Why do I say that? Well, not every type of magic that Smith had used spoken spells. Some did, but often, the spells used by the vine witches in the vineyards had more to do with remedies and unspoken communication with nature than it did spoken words.

Still, other kinds of witches, especially those dealing in hexes or curses, do use spoken spells. One interesting thing about how Smith chose to weave this into the story is that she uses rhymes. While some of the words used to activate spells weren’t English (And who knows what language they were. They didn’t sound familiar to me.), many of them were actually rhymes.

That part was quite interesting. Many of the spells the main character used were nursery rhymes she’d learned as a child. That isn’t something I’ve seen done much, but it gave the magic a unique flavor and served to blend it into the world more clearly.

Making Magic Indispensable

Worth noting is that this book is set in the real world somewhere in France (I believe). So while Smith didn’t have to create a new world, she did have to find a way to spin a tale where magic could fit in. In the case of The Vine Witch, people are actually quite open about the use of witches.

Everyone in the Chateau valley where the vine witches work knows about the witches who work the vineyards. In fact, the witches are revered because no one makes good wine without them. In this way, Smith makes magic an indispensable part of life. Usually, magic used on an Earth setting for a book tends to be less relied upon. Smith didn’t choose that path. She wove a tale where magic and life couldn’t be separated.

In fact, that was proved many times over in The Vine Witch because when the male lead tried to force the use of magic out of his vineyard, the vineyard constantly failed. He didn’t make good wine, and everything kept going downhill until he was willing to open up to a world he couldn’t see.

Differing Views on Magic

The other thing that Smith uses to bring the world to life is the difference in views on magic. Some view it as purely evil while others have a more complicated view of it. Even the witches themselves have areas of magic that they believe are absolutely foul and should never be touched (such as blood magic). The main character initially falls into the camp that magic is superstition at best and evil at worst.

He finally is able to reconcile magic with reason when one of the monks at the local church talks to him about it. The monk tells him that once upon a time, the ideas of bacteria, pasteurization, and cars would have all seemed like magic too.

Why? Because they were beyond the realm of human imagination and senses at the time. The monk notes that the vine witches are able to see a part of the world that normal human senses can’t but that being able to do so doesn’t necessarily make them evil. Magic, like any other tool, can be used for good or for evil.

I don’t necessarily condone that perspective of things as some of the magic used in the book is undeniably evil. The author doesn’t try to make it seem good either, but in moments like this, there is cause to question whether she really believes it’s evil in every case.

As a Christian speculative fiction author, I prefer more clarity here. However, each author and reader has to make that choice for themselves. My personal convictions won’t match everyone’s, and that’s fine. As I said earlier, there were things that bothered me about the book. However, it was a good read overall with a lot that authors can take away from it.

Conclusion

As both a reader and a writer, I found The Vine Witch to be an engaging and interesting read. I was pulled in to the story and kept enthralled until the very end. It had twists and turns I didn’t expect and characters I could relate to and bond with emotionally. I’d recommend this book to anyone who loves fantasy with the caution that if you’re staunchly against any kind of spell-based or spoken-word magic, you may want to steer clear.

Flash Fiction Fridays – Ansiel’s Quest

November 15, 2019 Ariel Paiement1 Comment

This week’s flash fiction is about a new character, Ansiel. This particular character features in a short story on the Fae Queen of the London Fae Court. If you haven’t gotten your free copy of Revelar’s Queen and read through it, then I’ll let you know now that the Fae Queen in my short story, Unseen, is the same one who was in charge of the London Fae Court during the events of Revelar’s Queen. With that note out of the way, let’s dive right in!

~~~

Ansiel leaned on the railing of his balcony with a sigh. A quest to scout out a bride for his king was quite a weight. And while he felt honored that his master had seen fit to send his personal bodyguard to do the scouting, he wished it didn’t have to be him. He wasn’t cut out for all of the diplomatic nonsense and courtly fawning required of ambassadors. It wasn’t even in his job description. Or it wouldn’t be if he’d had a job description. But, he couldn’t tell Faread no. So, here he was on the night of his departure, moping.

Soft footfalls alerted him to an intruder, and he spun on his heel. A slender figure stepped from the shadows, and he sighed. Then he shook his head with a soft smile. “Still at it, Ceili? When will you accept that you can’t sneak up on me?”

“Never.” Ceili matched his grin with one of her own. “So, what is this I hear about my brother becoming a diplomat?”

He put his hands on his hips. “Where did you hear that?”

“‘Read may have let it slip.”

Ansiel crossed his arms. “Nicknames, now, eh? Have you moved from mistress to prospective bride?”

She snorted. “Really, Ansi. Is it necessary to be that way? When are you going to accept that your baby sister is old enough to make her own choices? If I choose to warm my mate’s bed, that’s my own decision. Given what we went through over my career choice, I assumed you’d learned I was an adult.”

“That’s hardly fair! I’m your older brother. It’s my job to protect you, and I can’t do that if you give your heart to a man planning to wed another and risk your life protecting his kingdom from the threats he sees in every shadow.”

“He’s my mate.” She crossed her arms. “What do you want me to do? Abandon him?”

“He’s abandoning you.”

“Mates only happen once for us. You know that. And there’s only a fifty percent chance that you will.”

“I know that too,” he noted.

She shook her head with a huff. “And as for my career choice, I like what I do.”

“You enjoy killing people and living in the shadows. Never thought I’d hear that coming out of your mouth. A year ago, before he finally noticed you, you hated it.”

“Well…” Ceili groaned. “Well, I guess I still hate some aspects.”

He laughed and turned his back on her to watch the moon rise over the Irish countryside. “Ceili, he’ll be the death of you. Marry a man who can love you. A man who won’t make the woman he should cherish into a glorified prostitute.”

She didn’t answer him, but her soft intake of breath spoke volumes. A rustle of cloth filled the silence that stretched between them. When he finally turned, she’d already gone. He dragged his fingers through his hair with a groan. He shouldn’t have said that. Even if it was the truth, he didn’t like that it separated them and caused anger between them. And he really didn’t like that it meant leaving her with a bad taste in her mouth while he traipsed off to the Fae Court in England. Unfortunately, the words had been said, and she was already long gone. Probably headed off to cry in Faread’s arms. The man would console her like he always did, give him an earful about hurting his sister’s feelings, and then move on without a care in the world.

Ansiel gritted his teeth and stomped over to his four-postered bed. As if that wasn’t bad enough, the man wanted to marry a woman besides Ceili. The king wanted to make a ruined woman out of his baby sister, and she seemed determined he should. That alone was enough to make him want to kill the man. But he always bit his tongue and held back his true feelings towards the king. Admitting his hatred would be the best way to his job and his head. And when it all fell apart, Ceili needed someone to be there. He was all she had. He slid into bed and yanked the covers up over his head. For her sake, he would continue suffering this charade of a child in a man’s body and pretend that it didn’t make him sick. For her sake, he would turn a blind eye. And for her sake, he would pick up the pieces when it all shattered.

~~~

That’s it for this week! What did you all think? Have something you’d like to see in future Flash Fiction Fridays? Share your thoughts and comments in the comments below!