Work-In-Progress Wednesdays #37

This week, I finished up chapter fifty-nine of Pathway of the Moon. One more to go, and then it’s done and off to my list of works to edit (which currently consists of only that one piece and part of another, so it’s a short list of books for my own work, at least). I’m extremely excited about this (as I know I’ve said before), and this week’s work-in-progress comes from the most recent chapter.

~~~

Alrian glanced up at the Numahi. “Is this what we need to activate?”

She nodded. “It should be touch-activated. The one on our world was accessible to anyone in Sedra’s circle, but we couldn’t open it. She made sure of that.”

Brennan frowned. “You’re sure this is it? Is it even functional?”

“It is the record system. I’m sure of that, at least. But I don’t know if it will be functional or not. If it isn’t, the written records abandoned here should be enough. It’s written in an older dialect than what you use now, however.”

“Neither of us can read the dialect that far back.” Alrian leaned over and pressed her palm against the dark surface of the orb. “So, let’s hope this thing turns on and translates for us too.”

Just after she touched it, the orb began emitting a pale glow, which grew brighter until it became a piercing beam that scanned over her. What was it doing? Hopefully it wouldn’t kill her. She squeezed her eyes shut and stood still. If it was going to hurt her, it was too late to get out of the way. If she froze, maybe it wouldn’t hurt her? A tiny trill emitted from the glass orb, and she peeked at it. The beam dimmed back to a tolerable glow, and she opened her eyes fully. 

“Records activated,” a robotic female voice chirped. “Please request an option from the navigation menu.”

She glanced at Brennan then back to the orb. “What are the options?”

Something whirred, and then the voice came back. “Review log files. View recordings. Enter a new log file. Record a new video file.” The voice spouted off a few more things she didn’t understand then said, “Please request an option from the navigation menu.”

Brennan’s brow wrinkled in confusion. “Umm… View recordings?” He glanced over at her. “What is a recording, anyway?”

The Numahi laughed. “A recording is simply a record that contains audio and sometimes visual that was taken down in the moment it happened. You can communicate using those devices that are programmed to one another, yes?”

She nodded.

“Well, this device is more sophisticated. It can capture that communication and save it.”

Alrian shifted from foot to foot. A device that could capture their words and faces? Didn’t really sound like it led anywhere good, but maybe it could be useful. After all, without that, they wouldn’t be able to activate this old thing and find out what was really going on. She sighed and crossed her arms as the device whirred once more and projected an image onto the table. She squinted down at it with a frown. 

Brennan looked equally confused. He poked his finger through the glowing stretch, but the image only moved over his finger too. “What is this?”

The Numahi snickered. “I forget that your communications are primitive here. It’s what we call a holo.”

“How does it work? Magic?”

“No, not magic. Technology. But never mind how it works. You need to tell the device which video to play. If it’s like the ones back home, you can choose based on the dates on the bottom left corner of each still  image. If you don’t see something interesting, you can tell the orb to scroll to the next set.”

Brennan looked over at her. “You ready?”

She sucked in a deep breath and nodded. “Let’s just start at the beginning.”

Brennan turned back to the video display. “Show us all the videos starting with Entry One, Year 0.”

The screen changed, and sound poured out into the room. What she heard in that first video made her stomach clench, and sweat beaded her forehead. The creature hadn’t been lying. Maybe it had lied about other things. Who knew? But it hadn’t been lying about this, and even minutes into the first video, she was ready to shut this whole thing down and run. Still, she couldn’t move, couldn’t flee. This had to be heard. The threat was still out there, and who knew what might happen if it found out they still existed? They could all end up in dire danger if the organization backing the odd experiment Sedra was describing on the recording had the power to help her create life itself. This organization played the part of a god, and they had no problem with doing even the profane. If they found Alcardia, everything would be lost.

~~~

That’s it for this week, everyone! Next week, I may have something from the final chapter to share. Then that’s it. No more excerpts from Pathway of the Moon for Work-In-Progress Wednesdays because it’ll be done. I’ll be moving on to new things.

Speaking of new things, I’m participating in Wattpad’s Open Novella Contest this year! I did this last year too, and Bane of Ashkarith was the result. (So everyone who has really like the book, you have that contest to thank. 🙂 They’ve got some pretty good prompts.) This year, my piece is shaping up to have more of a sci-fi feel, but I’m basing it around the prompt “If all else fails, throw a little magic at it.” I’m liking it so far, so you may be seeing some of that on this section of the blog through until April when the novella has to be finished.

Flash Fiction Fridays – Guardian

This week’s Flash Fiction Friday is another one based on a prompt I found on Pinterest. This one is built on the premise that everyone but you has a guardian angel. Instead, you have a guardian demon who deals with things in more violent but much more efficient fashion. It sounded interesting, so let’s see where this goes.

~~~

“Did you really have to do that?” I pointed to the corpse with his burned-out eyes and open mouth, which had, just seconds ago, been releasing a lot of noise. A lot of hot air too. Seriously, he should have known no one could reason with a demon. I’d figured it out ages ago. Hadn’t taken me more than a few hours after he showed up.

“He was a danger to you.”

“Azariel, he just wanted my wallet.”

“I know humans and their dark intentions, little girl. I’ve been around a few times. Seen things you couldn’t even imagine.” Azariel examined his sharp, curving claws with a sniff. “He would’ve done much worse than steal your wallet.”

“Thanks for that image.” I gagged and turned away from the corpse. “But you can’t murder everyone who comes after me!”

“Why not? I’m not an angel, pet. I’m a demon, and demons create havoc, destroy things, and lead humans astray.”

I groaned and shook my head. “Remind me again why you’re here? I never asked for a guardian—angel or demon—but I certainly would’ve chosen anything but you.”

“Such bratty behavior for someone who would’ve died if I hadn’t stepped in.” Azariel smiled at me and flicked my wayward bangs out of my eyes. “Really, Ash, would it kill you to be grateful? I know I’m supposed to encourage greed and all other banal, wicked attitudes in humans, but I have feelings too. I’d appreciate a little bit of thankfulness for saving your life.”

“Azariel,” I drawled. “You have been leaving a trail of corpses behind you since we met a month ago. I’m going to end up in jail as a serial killer, and my life will basically be over anyway. Can you pleasejust let me handle things and, I don’t know, buzz off?”

“That would be boring.”

“You’re thousands of years old. You don’t need me to amuse you. Find some other human to toy with. I don’t need the devil’s protection.”

Azariel pursed his lips. “Well, it’s all you’ve got right now.”

“And I’m telling you, I don’t want it. I know the cost associated with it way too well.” I grimaced, hating that I couldn’t get him off my back. Really, I’d seen what contracting with demons resulted in, and I didn’t want any part. Maybe I might not have a guardian angel, but I could live with that. God could decide when I went, guardian angel, demon, or whatever. Not like anything was going to stop Him, and I didn’t want anything to do with this demon since it seriously increased my chances of ending up dead.

Azariel had been silent for too long. He looked like he was in pain, but then the expression flashed away, replaced with the usual smugness he projected. “What if I said I’d stop being your guardian demon?”

“On what conditions? My immortal soul?” I crossed my arms. “Come on, Azariel, what do you take me for? A fool?”

“Well… You did almost let that man—”

I raised a hand. “Enough. I get the idea. What will I have to give you in return for getting rid of you? Hmm? My firstborn child?”

Azariel shivered in disgust. “Good gods, no. What would I do with a baby? Eat it?”

I gagged. “Seriously? That’s the first thing you come up with?”

He shrugged with an innocent smile. “I’m a demon? Generally, my first idea is the most violent one.”

Unbelievable. “What. Do. You. Want?”

“Well, I’m not going to leave. But I’ll stop being your guardian demon.”

I face-palmed. “That doesn’t get rid of you.”

“Nope. But it does exonerate you of the price you’d have to pay for my guardianship.”

I stalked off down the alley. “Stupid demons. I’m going to snap his neck like a twig one of these days, I swear.”

“I heard that.”

Well, good. He was supposed to.

~~~

Well, that’s it for this week’s Flash Fiction Friday. Hope you enjoyed it. As always, if you have something you’d like to see here, feel free to reach out in the comments or by email!

Flash Fiction Fridays – Thuriel’s Dagger

This week’s flash fiction is about the forging of the dagger from Revelar’s Queen. Enjoy!

~~~

Thuriel bent close over the glowing silver in its crucible. Bubbles formed and popped on the surface. It was almost time. Soon he would forge the blade that would protect his descendants, the blade that would destroy her. The Seelie Queen who had taken everything from him. His soulmate, his throne, and his people. This dagger would take it all back and inflict the same pain on her. With each descendant who held it, it would grow in strength, in the thirst for revenge. His descendants would ruin her even if he couldn’t.

He plunged his hand into the boiling silver, wrapping his hand in a cocoon of magic and blending the magic into the silver. When it glowed and sparked with his power, he removed his hand and let the silver bubble in its crucible over the fire a little longer. Then he removed it and brought it over to cast the dagger. 

Each movement was precise, and he took each with care as if he were crafting the subtlest of masterpieces. He whistled to himself as he worked, continued to imbue it with his power throughout the entire process and ended the process with a final blow of the hammer. The dagger lay on the anvil, gleaming under the light, and he placed one last piece into it. Heating up the handle, he warmed the metal until it would give under his hammer. Then he embedded a single uncut ruby into it. This was the tricky part. He reached deep inside, grabbed a part of his soul and tore it away from the rest forcefully.

His body convulsed, and he screamed in agony, but he gritted his teeth and continued. This had to be done if the dagger was to guide his descendants. He directed the piece of his soul into the ruby and bound it there. Finished at last, he sagged to his knees on the ground and rested his head against the table. It was finished.

~~~

That’s it for this week, everyone! Have something you’d like to see on Flash Fiction Fridays? Feel free to leave the suggestion in the comments!

Work-In-Progress Wednesdays #32

This week, I have a scene from Pathway of the Moon’s most recent chapter. I’ve got ten chapters to go in this monolith of a book! Super excited to have the end in sight. This has been my most rigorous project yet, and the sequel promises to be even more complex in its plot and the execution of that plot. Lots of threads are going to be woven into the story’s tapestry, and it’ll be interesting to pull them all together as things continue on through the story. Hopefully I have the skill to pull it off. But only time will tell!

~~~

ALRIAN and Brennan stared down at the blackened, charred path through the grain field. She couldn’t believe the amount of destruction this one creature was capable of. Of course, they had some destructive animals on Alcardia, but most of them were shy or reclusive, and they rarely caused much trouble even if they were capable of it.

Brennan put his hands on her hips with a groan. “This thing is certainly determined to leave a trail behind it.”

“It’s almost as if the creature wants us to find it.” Alrian leaned back into his chest. “Do you think it hurt any villagers this time?”

He raised an arm and pointed to the village nestled in all of the fields. “I don’t think so. The village is still in one piece, and it shows all the usual signs of life.”

She watched the smoke trail up from chimneys and nodded. Her Bond was probably right. He usually was. She craned her neck to look up at him. “You know, I’m very glad I don’t have to track this thing alone.”

“You would find it just fine on your own, especially if this thing were to continue leaving a trail this conspicuous.”

She turned her gaze back to the charred path through the fields with a sigh. “Why would it leave such an obvious path, Brennan? What do you think it wants?”

“No way of knowing.” He ran his fingers through her hair and turned her to face him. “But I think we’re going to find out. Together, as usual.”

She grinned. “Yes, yes, we are. That thing is going to wish it never stepped through that Pathway.”

“Don’t be hasty, love. Besides terrifying some villagers and terrorizing the local livestock population, it hasn’t actually hurt anything.”

“You’re forgetting the field.”

He snorted. “It didn’t burn the whole thing down. Just a small portion of it. Doesn’t really count.”

She smacked his shoulder. “Brennan! That’s someone’s livelihood.”

“You’re right, you’re right.” He raised his hands in mock surrender. “Don’t hurt me over it!” 

“Well, alright. This once, I’ll let it go, Captain.” She grinned up at him, not wanting to miss a chance to give him a hard time now that he was running the Imperial Knights.

He dipped his head until his lips almost brushed hers. Almost. But he didn’t close the last little bit of distance, the tease. She whined, but he only laughed. “Isn’t it High Imperial Knight now?”

“Why, sir, I didn’t know you were such a stickler for formality.” She smirked, her hands inching up his back to rest against his shoulders. She had to stand on her toes to reach, but he put his hands on her waist and steadied her, making the task easier.

“You’re the one who’s using formalities and titles.” His breath fanned over her face, and a shiver slipped down her spine. “Although, I’m not objecting.”

She bit her lip and lowered her gaze. “So, you’d accept any nickname I came up with, husband?”

“It would depend. But I haven’t heard one I didn’t like yet.” He finally dipped his head and claimed her lips for a breathless moment. “And I don’t think I will. Not if you give it with affection.”

She tried to hold back her smile and her laughter, but in the end it bubbled out. She dropped back to a flat-footed position and rested her forehead against his chest. Brennan always knew just what to say. He was always there, supporting and listening. He’d even kept her secret for her when he could’ve chosen to turn her in. After finding out she’d lied to him, he would’ve had every right. But instead, he’d loved her as much as her false identity allowed and kept the rest of his love to himself. Until now. She wrapped her arms around his waist and hugged him tight. “Thank you.”

He held her close too. “For what?”

“For caring.” She lifted her head. “For being you. For everything you do for me.”

He stroked her cheek with one large hand. “Anything for you, my love. Now, let’s get going. We have a creature to catch, and it isn’t waiting around. The sooner we catch it, the sooner we get to return to a warm bed and something besides hard tack.”

She pulled away and flipped her braid over her shoulder. “You love hard tack. It’s the best on-the-road food there is. Your words, not mine.”

He groaned. “I never said that. And why would you think I love hard tack?”

“You always ate my share and yours in our army days.”

“Only because you gave it to me. I was doing you a service.”

“A service?”

“The sergeant used to check up on everyone to make sure they ate their share. Do you know how many men got in trouble for not sticking to ration or for wasting their ration? I risked a good caning for you.”

“How come he never checked my share?”

Brennan gave her a sheepish grin. “Well, I may have told him I was taking your portion when you weren’t hungry.”

“You told Sergeant Croops that?” She stopped and stared at him.

“Yes.”

“And he didn’t turn your back black and blue?”

“No. But he told me if I didn’t finish both portions, I’d get two canings for taking an extra share and wasting it.”

“I can’t believe you did that!” She shook her head with a laugh. “So you didn’t really like hard tack?”

“No. I hated the stuff, to be honest.”

She chortled, wiping tears from her eyes. “I never knew.”

“Don’t laugh about my pain, woman! That was three years of misery while we were deployed out in the middle of nowhere.”

She dropped back to walk beside him, leaning into his side with a smile. “I won’t, I won’t. Thank you for eating double your share to save me from Sergeant Croops’ wrath.”

“You’re welcome. Glad to know you appreciate it. Later, you’d better show me just how much you appreciate it too. A massage and a hot meal sound nice.”

Her lips curved up in a smile. When they got to a village that had an inn to stay in for the night, she’d make sure they acquired a hot meal and the nicest bed she could find. And she’d pay for it out of her salary. If he wanted that and a massage, he’d have it. It was the least she could do for him. He’d given her so much, and she wanted him to know how much that meant. “You’ve got it.”

~~~

That’s it for this week’s WIP Wednesday. What are you guys working on? Feel free to share in the comments!

Sunday Sub-Genres: Flintlock Fantasy

Introduction

Most of us know what steampunk and Victorian fantasy is, but I’m guessing most of us haven’t heard of flintlock fantasy. To be honest, I myself hadn’t prior to researching different fantasy genres to discuss for Sunday Sub-Genres. It isn’t one of the more commonly known or widely spread genres in fantasy, but that doesn’t mean it isn’t a style of fantasy that appeals to readers and writers alike, so we’d be amiss if we skipped it. Let’s get started!

Defining Flintlock Fantasy

Simply put, flintlock fantasy is fantasy written in a setting with all of the bells and whistles of the early stages of the Industrial Revolution. It received its name because the firearms’ advancement level is usually right around the flintlock stage of gun development. A creative name? Maybe not. But it does serve its purpose. Politically speaking, the scene is more attuned with Napoleonic-era Europe than you see in most fantasy stories, which typically use a more Middle Ages-style structure. So you’re going to see a rise of industry and industrial buildings as well as more technology. This makes things interesting, as you’ll see when you read through the next section of the post.

Writing Flintlock Fantasy

Now we get to the interesting part. We mostly know what to write and expect in typical fantasy genres, but flintlock fantasy is a whole different beast from what we’ve tackled in previous posts on fantasy sub-genres. Still, it makes for some fun combinations in story-telling, so let’s get into it!

Magic

We’re going to start here because this part is pretty unique to flintlock fantasy or any fantasy book that has a more developed society. Magic use can be all over the place in these books. Some have very high magic use while others really don’t. Some may keep the magic hidden away from general society while others may allow it out in the open. But here’s the thing. When you can easily gun down the mage with no magic of your own, things tend to shift in the power balance here. People with magic are no longer the only ones with an edge. They may use the magic to do many things, but if technology can do those same thing or do them more efficiently, then that leaves magic-users with an option: adapt or die in obscurity. Keep in mind that one of the most interesting things in flintlock fantasy is the way the authors end up combining magic and gunpowder. That can create some very interesting combinations and effects. So if you’re writing this genre, you’re going to do some serious thinking about magic and how you want to include it because this is one of the hardest decisions you’ll probably make regarding this type of fantasy.

Society

Here’s a critical one. Flintlock fantasy is set in a society on the cusp of some amazing inventions and changes, as well as some not so great ones. One way of life is slowly dying to give way for another, and depending on how you choose to tell the story, your tale will reflect that. It won’t have much of a choice because of the nature of flintlock fantasy. This opens the door for remarking, through the use of fiction, on the horrors of trends in society as technology began to really barrel forward. It allows writers a chance to make a commentary on history and on what may happen to us in the future because of it. 

Steam Power

Okay, this is a little of a weird one to include, but it’s also really important. You might be tempted to think at this point that this isn’t much different from steampunk besides maybe focusing more on flintlock innovations and what not. But that’s actually very far from the truth. While an argument could be made that these two are closely-related cousins, flintlock fantasy is not steampunk fantasy. So no steam-powered machines of gears and cogs that can do wild things. If it was an actual invention during the time period flintlock is based on, it’s probably fine. This isn’t to say that you shouldn’t have anything steam-powered, but it shouldn’t be prominent or the focus because then you’d be writing steampunk, not flintlock fantasy.

Change and Military Might

Remember how I said your society is on the cusp of change? Well, it’s not just technology that changes. When technology changes, everything does. Your warfare tactics have to adapt. Your society alters to adapt to the new amenities and struggles. Most of us probably don’t even realize just how wide-spread the influence of technology is in our lives, and even though the technology in this case will just be gaining the first bit of momentum in a flintlock fantasy’s society, it’s going to create ripples. Nothing is going to be able to remain as it was, especially when it comes to guns and new weapons.

This means that flintlock fantasy often focuses on themes of change or military.

Plot

Flintlock fantasy is one of those sub-genres that has very high plot complexity. Because it draws on readers’ understanding of history, the time spent setting up the world is not as heavy as it would be for other types of fantasy. As such, more time is then devoted to the plot and making it full of action and battle. Since military is often a theme in flintlock fantasy, it’s quite usual to find that flintlock fantasy is more focused on a linear plot surrounding soldiers or military characters of some sort. Things are still changing in this genre, but one of the best ways to explain the plot is to say it’s high-powered. Lots of momentum, lots of forward movement. That’s going to be important if you want to write in this genre. There’s room for you to make it your own, of course, but these are some guidelines generally used for the genre.

Conclusion

Flintlock fantasy can be a lot of fun for the right writers. But it’s also specific in its requirements. If you want to have dwarves facing off against elves with bows, arrows, and swords, well… That’s not going to work in a flintlock fantasy for obvious reasons. They’re going to die because they’ll be up against guns, not bows and arrows, when they face off against the enemy. If you want to write this genre, I cannot stress enough how important it is to read books in the genre! These books can be pretty high violence and can get dark depending on the theme of change that’s focused on or what type of military themes are brought in. But if this is what you want to write, you absolutely must read it! I’ve included some recommendations below.

Brent Weeks’ works in particular are ones I’ve read some of, and I feel he’s a good author to learn from. Reviews are mixed, and there were certainly some things that weren’t the best about some of his earlier work, but he had a good grasp on how to write flintlock style fantasy. His societies are definitely ones on the cusp of change, and the one book I read through entirely (first in the Night Angel Trilogy) had very strong political and military themes. You don’t see as much of the guns side of things, but you definitely get an industrial revolution feel from it.

Sanderson is another very good author to learn from. I personally have learned a great deal from dissecting his work to learn from it, and I highly recommend you read his work, regardless of what sub-genre of fantasy you want to write. He’s a must-read fantasy author in my opinion, and you rob yourself of some seriously useful learning opportunities if you don’t take the time to read his work and digest it. His Mistborn series, Elantris, or Warbreaker are great places to start.

If you’re more of the epic fantasy sort, I can’t recommend his Stormlight Archives more highly. You’ll learn more about writing fantasy, phenomenal world-building, and superb characterization from reading his work and looking at what he does than you will from a lot of writing guides. Almost everything I know and nearly every technique I utilize for world-building in my novels came from what I learned reading the Stormlight Archives. I’ve since added to that knowledge, of course, but I haven’t seen a more valuable example of how to use extensive world-building well than I have in his work.

Further Resources and Reading

Brent Weeks’ Night Angel and Lightbringer series (Two separate series. Based on what I’ve read from Weeks, I don’t recommend this for kids. It would be best if readers are fifteen or sixteen at least because it gets pretty violent and has language.)

Brandon Sanderson’s Alloy of the Law (Sanderson is a phenomenal fantasy author to learn from! If you only read one book on the list here, read his. His books are generally suitable for those fourteen and up.)

*Bradley P. Beaulieu’s Lays of Anuskaya

*Susanna Clarke’s Jonathan Strange and Mr. Norrell

*Michael A. Stackpole’s At the Queen’s Command

Flash Fiction Fridays – The Goal

This week’s flash fiction is from the universe of Aurelai. Hopefully you all find it interesting!

~~~

He tapped his long, bony fingers against the stone arm-rest of his throne. His bulbous eyes focused in on the connection he was maintaining between himself and his denizen. The creature had found the ruins in that other place, had found the source of power, and was waiting for the pursuit to catch up. It wasn’t the smartest of his subordinates, but it was the only one who wouldn’t appear too threatening to the beings of that other planet.

Non-threatening was key here if they were to deliver their message to these humanoid creatures. And it had been ingrained in them that they were to bring the son of shadows here. He didn’t know who that was, but this seemed like the best start on it. Up until recently, they’d been unable to make any headway at all. They had fought with Aurelai’s surface dwellers for a place in this world, for a way to access the Gate that would lead them to the son of shadows. But he hadn’t been able to use it. 

The way to that other place and the coordinates given had been useless. The Gate let the surface dwellers go other places, but it never admitted him or his men when those numbers were entered. He knew the Gate worked. He could feel the hum of energy right up until he fed the coordinates in his mind into the machine. And then the magic sputtered to a stop and the gears inside ground to a halt. 

But after centuries of surviving against all odds, they finally had broken through. The Gate had flashed and sent out a beacon with those coordinates, and he’d sent someone through. Now, he just had to wait.

Waiting was the hardest part, of course. He reached out with his mind, breaking the link with his subordinate. Nothing special going on over there. Until the Gate brought someone else to this world besides returning surface-dwellers and their goods, he didn’t care too much about what his liaison did. The runt was always a bit on the dull side, but it knew how to communicate well enough, so it served a purpose.

Heaving himself out of his chair, he clopped across the hall on his hind legs before dropping to all fours. Walking like the surface-dwellers became easier every day. Maybe if he kept working at it, he could finally gain freedom from this wretched prison. But until he looked like them, they would never accept him. And while his projection allowed him to appear human enough to them, he couldn’t hide a strange gait or awkward speech. But someday. Someday, he would be free to mingle up there. Free to find out what all the fuss was about in that cloud city. And he would find out himself. Maybe if he could understand them and their culture, the senseless killing of his people could stop. They were different, but that didn’t mean they were inhumane. It wasn’t their fault their creator made them with a goal that overrode any sense of humanity in them. But the goal didn’t control everything, and someday, once the son of shadows came, it would be gone. He would be free.

~~~

And there you have it! That’s it for this week. Have something you’d like to see in this section of the blog? Feel free to leave your suggestion in the comments below!

The Mage’s Apprentice Is Live!

Hi everyone! This is the update I promised for The Mage’s Apprentice. It was released on Friday, but we had to wait to announce the buy links until the book was in the right categories and properly set up on Amazon. Now it is, and I’ve got everything to share with you all, including a press release on the book from Port & Key!

We would really like to make this anthology another #1 Bestseller on Amazon, just like we did with the previous one, so if you’re looking for a Christmas gift for a loved one who’s a bookworm, this might be just what you’re looking for. Pricing is pretty affordable for both Kindle and print, so please consider purchasing a copy.

You can view the press release here.

The Amazon print book is available here. And the ebook version is available here.

Howling at the Moon – The Surprise Ending

Introduction

To start off with, let me say that Howling at the Moon is a short story, not a book. So my review on the writers’ end of things will be a little bit shorter than it would normally be since there wasn’t as much in the book to dig into. But we’ll still go over that section, so let’s just dive right in!

Reader’s Review

Amber offered me a copy of this story when I mentioned I did book reviews on The Fantasy Nook and was looking to build up the content in that area. This was an already published work she had out, and I’m so glad I took her up on the offer of a free copy to review! This short story was over way too fast. I loved it, and I was really sad to see it end. The story drew me in from the start and held my attention through to the finish. The ending is a little bit unexpected, or, at least, it was for me, so I was a bit surprised by it. I had mixed emotions as a reader on the ending side of things. A part of me was glad that things worked out how they did, but another part was worried it might end nowhere good for the characters in the future. But, hey, it’s a short story, so the beauty of the ending is that we don’t know either way what happens as a result. All in all, I would definitely recommend reading the story. You can get a copy through Port & Key’s website or use the Amazon and Kobo links posted there to grab a copy.

Writer’s Review

Okay, those of you who are still with me are probably here looking to see what you can learn. If you’re just interested in reading the story or, at the very least, want to read it before I spoil it, please don’t read any further! There will be discussion on the story’s techniques and specific details, so please take the time to read the short story if you don’t want it spoiled. Then come back here.

Still here? Okay, let’s get started then!

The main thing I saw that was done extremely well was the twist ending Amber gave the story. At the beginning of the story, we have our protagonist, a witch who bakes cakes and cupcakes, and a woman who comes into the shop. The woman ends up having a tarot reading done by our protagonist, claiming she wants to know if her husband is cheating on her.

At this point in the story, I’m assuming that the main character might somehow help this poor woman or, since I didn’t realize it wasn’t a full-length novel, that the woman was just part of scenes to set up the main story. I couldn’t have been more wrong. Turned out the guy our protagonist was dating was married to the woman who came in for a reading, and they’d split, so the woman was trying to kill him. Now, I’m not entirely sure if she did it because she wanted to make sure that if she couldn’t have him nobody would or if she just did it out of spite and anger. Who knows. But I wasn’t expecting her to actually kill him, using the spelled cake made by the protagonist to fulfill the woman’s wish. The protagonist’s sympathy was misplaced, apparently.

None of this was anything I expected, but I really didn’t expect the finale. The protagonist tries to bring her lover back from the dead, and Circe, the goddess of magic the witches are bound to in this story, agrees upon the condition that our protagonist becomes immortal and acts as her hand to remind the other covens who is really in control. Yup. She ends the story with a shade for a lover, whom she can only see during witching hour, and immortality for herself. Not at all what I was expecting to happen.

But, it worked really well. Amber set it up beautifully, and even though I never saw it coming, it made sense later after I’d finished the story. For those of us trying to achieve a similar effect with our endings, this is a good lesson in doing so. Set up the clues, make them subtle but still there, and then surprise the reader with the ending those clues led to. After you do that, you’ll have the certainty that most readers will understand why the ending was what it was, even if they didn’t expect it at first. 

Work-In-Progress Wednesdays #30

This week’s main work-in-progress has been Pathway of the Moon. With eleven chapters left to a total of sixty chapters, this books has been a major undertaking. It’s the longest project I’ve ever worked on, and it’s hard to believe that, a little more than a year after I started it, it’ll be finished, at least in its rough draft form. I’m really excited! This week’s WIP section comes from the last chapter I completed.

~~~

LEO rubbed his eyes and stared at the pages in front of him. They’d come no closer to answers with their night of studying than they were the day before. Books and scrolls donated to their work by the scholars from the Argos Records Library and their new friends among the Disciples of Rith lay scattered everywhere. Amadeira had fallen asleep at some point, her head resting atop one of the smaller tomes they’d received. He sighed and set aside the diary.

He’d learned a great deal more about the things he was, supposedly, capable of, but in all that searching, nothing to explain the problems with the Pathway. His blood should have opened it. And it had, but now the Pathway was broken, allowing no further travel to and from their world. He’d discovered only one thing in all his searching. 

Pages were missing from the diary. Who knew what they’d contained or where they’d gone. Maybe they were another prophecy. Maybe another explanation to help him, the Son of Shadows, find his true path. But so far, he just felt like his head might explode, and he wanted to throw the book across the room.

He stood and rubbed his temples. Maybe fresh air would help. He glanced over at Amadeira. Still asleep. She shivered slightly in the draft coming from the window. He walked over and latched it shut before snatching a blanket from the seat beneath it. Then he returned to Amadeira and settled the warm, scratchy wool over her sleeping frame. She whimpered but didn’t wake up.

Satisfied with that, he left her to sleep and meandered out into the halls. His aimless walk led him to the gardens, the still crisp air of early morning washing over him. He settled onto a bench with a sigh. All the things he’d learned about himself and the frustratingly elusive solution he needed permeated his mind, refused to let him relax. Two days of searching for nothing. Leo buried his head in his hands with a groan. What good did it do him to know he could use the shadows to teleport or that he could quite literally touch another person’s soul with them if he was unable to solve the issue they most needed to solve?

“You look restless.”

He glanced up to find his mother staring at him with arms crossed. “What are you doing up so early?”

“I’ve been an early riser for quite some time.” She settled beside him. “But you were too busy dispensing justice to others to notice.”

He frowned. “What?”

She fixed him with a stern gaze. “Did you think I had no idea what you were doing? What you were trained to do?”

His frown deepened. “You mean you knew the whole time?”

“Suspected at least. And when you went traipsing off on some secret mission, I guessed the rest. They’re saying you defeated Kiarhsu while you were away. The least you could have done was tell me the truth.”

He sighed. “I couldn’t. They wouldn’t allow it.”

“Before that, you could’ve.”

“I didn’t want you involved.”

She smiled and took his hands in hers. “I know you didn’t. I just wish you hadn’t gone through everything alone. I heard from Amadeira that the king’s making you his liaison with the nobility.”

He nodded. 

“So what has you so down?”

“Honestly?” He sighed. “Too many things.”

“Very well.” His mother squeezed his hands and stood. “Walk with me, and tell me what you can about it.”

He complied with a worn out smile. “Where to start?”

“How about with the trip? I’m certain that’s where some of these troubles are stemming from.”

He laughed sadly. “Yes, some of them. Actually, most of them.”

“What’s troubling you most?”

“The Pathway. We found it, and I opened it because I wasn’t given a choice.”

“Weren’t given a choice?”

“Well, when it’s between letting the one who owns your heart die and saving them by sacrificing yourself to open a Pathway… What would you do?”

She smiled. “You love that girl a great deal. A very large change from when you first met her.”

“I was just trying to protect her back then.”

His mother snorted. “You just didn’t want to pull anyone else into your fight. You were afraid of getting attached and losing her.”

He pinched the bridge of his nose. “Fine. That was part of it. But that’s beside the point. The point is, I couldn’t let her die just to avoid opening that Path. So I let it happen. We barely made it out alive, and this time, she saved me. But ever since I went undercover out there, I’ve been finding more and more things that unsettle me.”

“Like what?”

“Well, first of all, I’m the object of numerous prophecies written by Queen Bane of Ashkarith. Did you know that?”

She raised a brow. “Is that accusation I hear in your voice?”

He glared at her. “Mother, for the love of Albrith! Did you or not? I’m having an existential crisis here. I don’t need to add to it.”

She patted his arm with a sweet smile. “I didn’t know anything about it, no. Your father suspected your potential back when you returned from the woods that night at six. But he never confirmed those suspicions.”

“He confirmed them,” Leo muttered.

“The night you killed him?”

“You knew about that too? Why am I not surprised?”

“I know more about you and your life than you realize. So, you opened the Path?”

“And now it doesn’t work. I’m supposed to figure out why using the diary and books given to me by the Disciples of Rith and the king’s scholars. But I can’t find anything. All I’ve done is uncover the ways my power can be used and all the ways it can go wrong.”

“Go wrong?”

“Plainly put, I need a tether of some sort. I need to be grounded the same way the strongest of those with Controdene abilities do. Even though mine isn’t a mental power, it could still consume me if I’m not careful, and my tether pulls me back from the edge of insanity.”

“That tether is Deira.”

He swallowed and scuffed a foot through the gravel of the path before lifting his head to watch the rising sun. “I think so. I can’t be sure, but she was able to bring me back from the edge of death back in Dubarin. My powers were consuming me and my mind, and she followed me into the dreamscape I was in.”

“Does she know what her part in this is?”

He shook his head and shoved his hands into his pockets. He still hadn’t brought it up with her. Didn’t know how to, if he was honest. How would he tell her that she was in the prophecies right alongside him? That she would be the difference between his salvation or damnation of himself and all of Alcardia.

~~~

Hope you all enjoyed! What have you all been working on? Did anyone finish out their NaNoWriMo projects? I did, though I didn’t manage to finish all of the things I was working on when I started. However, the important thing is that I met my goal of writing at least 50,000 words in November!

As always, feel free to share bits of whatever you’ve been working on or to offer feedback to others here. Just remember to keep everything polite and friendly.

Sunday Sub-Genres: Dying Earth Fantasy

Introduction

Alright, everyone! We’re back this week with another sub-genre to examine. This time, we’ll be looking at dying earth fantasy. This one’s fun if you like apocalyptic fiction with a dash of fantasy or science-fiction. Obviously, the focus here is on fantasy, but science-fiction also has a firm hold on this sub-genre, so that’s a nice crossover if you like both genres.

Defining Dying Earth Fantasy

Dying earth fantasy mainly has to do with the idea of a far-future, apocalyptic world where everything, including the natural laws governing the universe, fails or is failing. It all falls apart in these kinds of novels, and it comes as no surprise to find our heros and heroines struggling to survive in these tales. One important note here, though. Dying earth fantasy is not the same as apocalyptic fiction in that, rather than having some catastrophic disaster occur to cause the dystopian, apocalyptic world, dying earth fantasy has the earth’s depletion as the center driver for everything going wrong in the world. It is the result of long periods of disuse and abuse of a planet, not some unforseen catastrophe like a deadly virus or alien invasions.

Writing Dying Earth Fantasy

Whether you’re writing dying earth fantasy or science fiction, there are some common elements and themes you should consider and include when writing this sub-genre. It isn’t a feel-good type of genre at all, so given that, you have to provide the readers with another reason, some other value to gain, from reading your work. These elements are commonly used to do that and to make dying earth fantasy/sci-fi what it is.

Characterization

With dying-earth fantasy, unlike other sub-genres, characterization doesn’t run extremely deep. The story’s focus is on the dying planet and the struggles faced because of it, not on any one or two characters. The timeline for these books can also end up being quite expansive, so characters can easily come and go, leaving readers with only a bare impression of them. 

This isn’t to say you shouldn’t spend time developing characters at all. Obviously, characterization and development is still important, but it won’t be your main focus, so if it’s a little more general than it would be with other sub-genres, that’s alright.

Plot and Timeline

Remember what I said about long stretches of time in the previous point? Well, it holds true with your plot and timeline both. Most dying earth fantasies will have broad plots that cover large amounts of time. We’re watching as a planet dies, so we don’t expect to find that the time is small. This is part of what separates this sub-genre from apocalyptic fantasy. A catastrophe can cause these same difficulties and more for characters in a much shorter span of time. It takes a lot longer for a planet to die.

Lofty Ideas or Social Implications

Okay, so this sub-genre is huge on this area. Dying earth fantasy almost wouldn’t be dying earth fantasy if it didn’t contain grand ideas and social implications. We’re talking messages about Earth’s future and the way we’re headed or reflection on our past and what it has done to our future. Really, anything within those realms goes, but dying earth fantasy isn’t itself without a theme on one of these areas. So if you’re looking to write this, you better believe you’re going to need a social impact topic that you’re passionate about and can relate to the story of how the world dies. Maybe the book is reflecting on several of those topics, even. But the book will have to reflect on and remark upon the human state and human history in order to extrapolate out to the grand ideas of our future and why it has become as it has. You’ve got a lot of room to work here though because dying earth fantasy usually happens so far in the future that you aren’t restricted to what we have now or what we know now. Whatever your choices in this area, your goal will be to make the reader think about life and human history as well as where it may lead.

Science

I know, I know. We’re talking fantasy here, not sci-fi. But science often plays a role in even the fantasy stories, so we can’t really leave it out of the discussion. Usually, for this sub-genre, science isn’t really hard science. If you’re not a huge science nerd, this is good news. Pretty much, the tech and science that shows up in dying-earth fantasy is going to be forgotten technology or science that is a novelty or seems magical to those now discovering it. So for those of you who aren’t so fond of hard science, this genre is still accessible to you!

Conclusion

Hopefully this has helped you to understand more about how to write this sub-genre. If you’re the type that enjoys really provoking thought in your audience, particularly on social themes and issues, this sub-genre might be a good fit for you. Try your hand at it. You never know where you might end up! As always, if you have questions, feel free to comment below! The list of further reading is below, as usual.

Further Reading and Resources

**Disclaimer: I haven’t read any of these, and as such, I am unsure of the appropriateness for children. Please exercise good judgment and common sense before giving them to or recommending them for children.**

Jack Vance’s Tales of the Dying Earth

George R.R. Martin’s Songs of the Dying Earth

Wilbur Smith’s Dark is the Dying Sun

M. John Harrison’s Virconium