Work-In-Progress Wednesdays #41

This selection comes from When All Else Fails, once again, since it’s all I’m really working on right now besides some short fiction pieces that I’m not really focusing on too heavily at the moment. So, without further ado, this week’s WIP selection!

~~~

VIV HURRIED ALONG the street to her house. If only she could’ve stayed to listen to Seb and Mr. H. But the two had been talking about Seb’s questions and God for at least two hours, and she’d needed to get home before they noticed she was missing. She really needed to move out. At twenty-two, it was more than time, and unlike the previous year, she wasn’t close to her family. She loved them, of course, but they didn’t understand her anymore, and she was forbidden to talk about anything that questioned the Supremacy.

She eased the door open with a heavy sigh. Yes, it was time to move on before she landed herself in any more trouble or made relations any more strained than they already were. She slipped inside and shut the door.

“Vivian.” Dane’s voice startled her. “Where are you coming from so early?”

Why was he up this early? She froze, her hand on the door knob still. “I went for a walk. I’m usually back before anyone wakes up. What are you doing up?” She turned to face him with a tight smile.

“You don’t take walks on Saturdays because you sleep in. The door’s system logs also don’t show any regular trips on Saturdays.” His jaw clenched. “But you know what they do show?”

He’d totally ignored her question. Clearly she couldn’t have a variation in her routine, but the same standard didn’t apply to him. She swallowed hard and shrugged. Why? Why was he snooping? He’d always been overprotective and a little too concerned with her for her comfort, but this? Had Mom and Dad put him up to it?

“You go out during quiet hours on Sunday mornings. Everyone, even law enforcement, spends those hours doing what good citizens do. Two hours of reading the Codex. Everyone but you, anyway. You get back just in time to avoid being caught.” Dane narrowed his eyes. “Whatever you’re up to stops now, Vivian. Before it’s too late.”

He knew, and he was furious. He never called her by her full name unless she’d really messed up. And as for his anger? That was written all over his face. He knew more than just that she wasn’t behaving like a good citizen. How though? Well, it didn’t matter. That he knew was all that did. Now she had to find a way out of this without lying to his face. “For real, Dane?” She rolled her eyes, but her heart thumped wildly against her breast. Dear God, please, let him drop it. “What do you think I am? Some sort of spy? I’m not up to anything.”

“Don’t dig the hole deeper. Don’t make me do something with what I know,” he murmured softly.

She shivered at the menacing tone and shoved her hands into her pockets. “You mean what you think you know.” Had he noticed her trembling? “I haven’t done anything.”

Dane chuckled and shook his head. “You’re not a good liar, and you’re not fooling me. Come. You should see something.”

She stared at him. “Since when did you decide I was a liar?”

And since when did her little brother act like this? He’d always been a little cool toward Seb, and she could see him doing this sort of thing with her best friend, but that was different. Dane didn’t like Seb because… She frowned. Because why? She’d always assumed it was because Dane didn’t like hearing things  that contradicted the Supremacy. But with everything that had happened the last few days, could she really believe that? What if there was more to it?

He crossed his arms. “According to sub-section fifty-five of the Codex, humanity is selfish and acts in its own best interests, which is why we have the Codex and the Supremacy to keep us in line so we do not succumb to the evil inherent in us all. We have no basis for truth unless it suits us.” He stopped quoting the Codex with a frown. “You’ve proven that really well lately too.” He inclined his head toward his bedroom down the hall. “Now, are you going to come with me or do I need to make you?”

Maybe if she played the older sister card? “You want me to tell Mom and Dad you need to see a shrink, Dane? You’re acting crazier than normal, and if you don’t stop it, I’ll–“

“You won’t say anything. Mom and Dad are out of the house because they know I needed to talk to you about things. They’re not going to be here, so just quit acting like a five year old threatening to tattle. Acting like you’re not a mature adult isn’t going to get you out of anything.”

Her stomach roiled. So much for that ploy. Well, she hadn’t really expected it to work. Dane knew better. He knew her too well, and he always had. “Okay, fine… I’m not going to say anything to them. You already knew I wouldn’t though or you wouldn’t have been so rude at the door earlier.”

“Mom and Dad won’t shelter you from everything. Keep that in mind before you tick me off.”

She blinked. What? He acted like their parents would side with him over her. In what universe had that ever happened? She was their heir, and as such, they gave her more responsibility and trusted her way more than they did her irresponsible younger brother. “Hold on. Shelter me? Mom and Dad do not shelter me.” 

Dane turned his back on her and headed for his room. 

“Dane, wait! Explain.”

He didn’t answer her, and he didn’t turn to look at her, so she followed, her heart in her throat. Somehow, the sense of dread just grew with each step toward the bedroom until her heart was in her throat and her stomach had dropped to her toes. What could he possibly mean? Had he found her notes? Bile surged in her throat. She’d hidden them. No one should be able to find them.

They reached his room, and he held the door open for her. She shuffled over the threshold. The door clicked shut, and she stared at the bed where all her notes and files lay in neat piles. No. No, he couldn’t have these! How? She tensed and had to keep herself from turning to run. If she did that, Dane would stop her anyway.

His hands came to rest on her upper arms, holding her in place. As if she could’ve moved to start. She was frozen in indecision now, no longer fully functioning. “Now, Vivian,” he murmured gently against her temple. “I’m a lot of things, but stupid isn’t one of them. Maybe quit pretending you’re the stupid one, and we can talk this out as equals?”

She swallowed back tears. “I…” She couldn’t even get the words out past the lump in her throat. “I don’t know…”

“Shh… Shh…” His grip tightened on her arms. “Think very, very carefully before you lie to me, little girl. One slip that you’re one of the Diexebels, and poof. You end up in some freak accident or you vanish with a note that you couldn’t handle the pressure anymore. We wouldn’t want that, would we?”

Her parents would never, ever allow that. He had to be kidding. Her baby brother wouldn’t dare rat on her, would he? Was he really that brainwashed? Could she still deny this? No, probably not. “Come on, Dane. You wouldn’t really give me up to the Supremacy’s lackeys, would you? You’ve always said you value family more than anything.”

Dane spun her to face him and forced her to back up until her calves hit the bed. Then he pushed her down to sit between the stacks of papers with a tight smile. “I do, but that situation doesn’t apply here.”

~~~

Well, that’s it from me this week! What do you guys think? And what are all of you up to lately? If you want to, feel free to share in the comments below. I love hearing what everyone’s been working on or reading lately.

Sunday and Monday’s Blog Tour Stops

Ariel Paiement

The last few days have been quite busy, so I didn’t have a chance to update you guys on the blog tour stops for them! Sunday, I was with Peter Younghusband on his blog Perspective by Peter talking about the themes in On Twilight’s Wings and how they reflect the overall themes of the rest of the series. You can find that here.

Yesterday, I did a video interview with Allen Steadham. This one’s more of a general author’s interview, so I answer questions about all kinds of things. Check it out on his blog or on his Youtube channel.

Today’s will be up once I have the link, but I’ll be on James Quinlan Meservy’s blog with another video interview, this time answering a different set of questions about me and the book. It was a ton of fun to do this interview with James, particularly since we recorded it with both of us talking back and forth. Allen’s was fun too, but that one was me just answering the questions he sent over. Overall, I’ve had a ton of fun with this blog tour so far, and I’m excited to share the last few stops through Saturday.

In case you guys don’t know, there’s a giveaway going on right now in celebration of the launch, and it’ll be running until March 7th. We don’t have many people signed up, so your chances of winning are high. We’ve got two possible winners. One will get an ebook bundle (which includes both the book I just released and Bane of Ashkarith in addition to six or seven other authors’ books), and the other will get a paperback copy of Cassandra Clare’s City of Bones (Mortal Instruments series that the ShadowHunters TV series was based on). The paperback is US only just because of shipping. You can check the giveaway out here, and no purchase is necessary to enter.

Sunday Stories: How Big is Your God?

Lightning

This one is going to be a little bit longer this week, everyone. Please just bear with me. I promise there’s a point, but to get there, I have to share some background.

~~~

If someone had told me back when I was ten years old that my mom would have a brain aneurysm and that I would never be the same, I probably would’ve stared at them blankly. I wouldn’t have known what an aneurysm was, and I would probably have laughed at the idea that I would go from a care-free, outgoing ten-year-old to an introverted, hurting, and depressed eleven-year-old in the span of just nine months. But that’s exactly what happened.

I was a week shy of my eleventh birthday when it all started. I can’t remember very much from before I was ten. Not sure why since those memories were most certainly far happier than the ones that came in the years to follow. But for whatever reason, my mind lost those childhood memories and lost more of them than most people would at my age. However, I remember the day my mom got sick vividly. I still remember the leather chairs in the lounge and the water fountains off to the side. I remember the gleaming but scratched gym floor we were roller blading on, and I remember what was said to me. I remember lots of things about that one day when everything turned upside down and I was set on the track I’m on today. It was one of those life changing moments, which I would later learn happen when you most need them but least expect them. Although I didn’t see it then or for many, many years later, God was working on me and working out His plans through me. But that perspective comes much, much later down the road.

When my mother had her aneurysm and ended up in the hospital on both her birthday and mine (Which was the week after hers), life went from unclouded to stormy all in one go. I don’t remember feeling much of anything when my father sat us down at the dining room table and explained that our mother needed surgery and that the doctors didn’t know if she’d make it or not. I remember what I was thinking though when he told us we had to grow up and be tiny adults now if everything was going to go smoothly. I was thinking that it was what it was and that I had no more time for being a child. As the oldest out of six, I viewed it as my responsibility to take care of everyone while Mom was out of commission. I even viewed it as my responsibility to take of my mother once she came home on bed rest until the neurosurgeon could operate in November, nearly five months after she had her first brain bleed.

It was a scary time of stepping into shoes I didn’t know how to fill, feeling abandoned and lost, and pushing aside those feelings every day until they became distant noise in the background that I didn’t notice. The fear was there though. At eleven, I understood more than at least the two or three youngest who ranged from six or seven down to two. I knew there was a chance my mom would die. I knew she shouldn’t have survived the first bleed and that, if she had another one, she would die even if the operation would’ve been successful. With one bleed already on her record, the likelihood of another was pretty high. To say I was terrified would be an understatement. But I didn’t have time to stop and think about it during the day because I was busy taking care of things, worrying about my education, and helping with my siblings. At night, at least up until her surgery got closer and we started figuring out where all of us would go while my dad stayed at the hospital with my mom an hour from home, I don’t really remember thinking about it much. I went to bed and went to sleep.

From end of April when she had her bleed to October or November of the same year when she finally had her surgery, I was, to all intents and purposes, a machine. I felt very little or allowed little of what I felt to touch me, and I moved on autopilot. I did what was logical, what needed to be done, and I cared for everyone else around me as best I could. But I didn’t take care of myself and no one knew I needed more than just the basic attention to my education and physical needs because I myself didn’t recognize a need. While I was needed, everything seemed fine. I’m the kind of person who, generally, in a crisis doesn’t shut down but instead thinks in a very logical fashion. I figure out what needs to be done and then do it with little thought to how scared I am or what’s going on emotionally. That’s all left behind until later. And later is when it really hits. Later was when it finally hit here too.

I was twelve by the time my mother was back on her feet. I’d just live through some of the most harrowing months of my life, and I didn’t even register that. I just knew my mom was back on her feet. I suppose I expected everything to go back to normal, and those expectations were cruelly dashed on the rocks of reality. Nothing went back to the normal I’d known, least of all me.

My mother struggled constantly with the fact that the surgery had left her partially blind in her peripheral vision on one side, with the slow return to her ability to speak, remember things, and do things, and with the inability to drive at first. She struggled with the recovery process and her natural inclination to think she was stupid was only compounded by her newfound lack of ability to do even some of the most basic things, like remembering her own children’s names. I often caught her crying when she thought we weren’t looking or couldn’t see her, and I always seemed to show up at all the awkward times when she stole off to take a moment to break down.

And I was breaking down too. She just didn’t know. Maybe if we’d both admitted it, we could’ve helped the other. We understood how the other felt more than we knew at the time. Instead, as my siblings returned to the normal they’d known before and went back to the happy, care-free kids they’d been, I became more and more depressed and retaliatory. I lashed out at them because they got mad when I wasn’t the same, and I lashed out at my mother because she wanted me to go back to someone I didn’t even know anymore.

The twelve-year-old girl she saw should’ve been the same ten-year-old girl she’d left behind in her mind. But she’d missed an entire year of my life, and I couldn’t forgive her for it. I knew logically that she didn’t choose to leave me alone without the one person I always talked to when I was struggling with emotions. But now that the crisis was over, every negative emotion I’d been feeling and shoved aside all that time came to the forefront in one enormous wave, knocking me down and drowning me in the pain. I couldn’t cope, and so I fought with everyone. I built walls. I shielded myself from any more pain, or I thought I did. Instead, I just refused to be vulnerable, and so, as a result, no one could help me.

The years following her surgery and recovery were some of the worst in my life. I spiraled out of control. Living in a Christian home and being a believer myself, I could never justify certain methods of dealing with the problem such as suicide. I was firmly convinced my life was God’s, and as such, no matter how miserable He allowed it to get, I wasn’t going to take what wasn’t mine to take.

But even as I cried out to Him begging for it to end, I became angry and bitter. I no longer trusted anyone. Not myself, not God, not my family or friends. But with everything spiraling so far out of control, from my perspective anyway, I needed to feel like things were somewhat controlled. No one stepped forward to comfort me and tell me it would be all right. No one took control for me like I so desperately wanted, though I would probably have said at the time that I didn’t want that at all due to the lack of trust in people. So, I took control. I found ways to cope. I wrote, I asked God a lot of questions I didn’t really expect answers for, and I turned to my own head for some sort of comfort.

By the time I was sixteen, no one who knew me when I was ten probably would’ve recognized me. I didn’t care about anyone or anything because my pain was so great that I was blinded to everything. You’re probably wondering now how anything could possibly get better when things were so sad. Well, fortunately for me and everyone else putting up with me at that point, God didn’t leave me there.

I hit rock bottom at fifteen or sixteen. By then, I was becoming or was already addicted to reading pornographic content in the form of romance novels (I really can’t remember exactly where I was at by then). I didn’t have the mental capacity or presence of mind to skip content that wasn’t appropriate, and I got sucked right in. It offered an escape, and at the time, it let me live for a bit in someone else’s skin without all my baggage and with someone who seemed to care. But in the end, it left me worse off because, afterwards, I knew I shouldn’t have been reading stuff like that and my guilt added to the depression.

I think things might have kept going like that if not for God. But isn’t that how it usually goes? I shared the things above so you can understand just where I was because if you don’t understand that, then you might have a pale view of just how powerful God is. I was a mess in every since of the word. Suicidal but not able to take that last step because of my beliefs, disconnected from everyone, and tormented in spirit and soul. I didn’t deserve God’s grace, and if I had been honest with myself, a large part of me felt betrayed if not a little angry because He hadn’t taken away the suffering when I’d asked. I had a wrong view of God and a wrong view of myself in so many ways, and I had to hit rock bottom before I was ready to admit that I couldn’t go on as I was, that I couldn’t take control or do it on my own because when I tried, I failed every time. I wasn’t ready to hand the reins over to God, but I wanted someone to bring some clarity and some control to a time in my life that was severely lacking in both of those and in the self-discipline necessary to pull me out of the mess I’d created.

That’s when God finally stepped in. It started when my parents pulled us out of the home-school group at the YMCA so that we could do riding lessons as a family on a horse rescue farm where we could work for lessons. At that point, I had no friends. I’d made one friend per year we’d been there (two for the first two years), and when the third year rolled around, the only two friends I’d made had moved on. I had no one, and I didn’t really care what we did. My best friend had moved away roughly two or three years before when I was thirteen or fourteen, and I had nothing left I really cared about. Horseback riding was, however, something I’d always been interested in, so I had something to be excited about for the first time in years.

Turns out that horseback riding was one of the pivotal pieces in His plan to bring me to where I am now. While I was there, I didn’t initially connect well. I liked riding, but it was mostly just something to do. I didn’t ride with anyone who wasn’t family, and besides my instructor and her kids, who were younger than me, I rarely interacted with anyone else. I acted like it didn’t bother me, but being away from my usual routine where I was used to the pain of being lonely actually made the loneliness more acute.

Then, on one of the days where I was working in the barn cleaning stalls with my instructor and helping to groom horses while everyone else gardened in the co-op garden she ran, I happened to spot a red-gold mustang in one of the stalls. I don’t know why, but for some reason, I was immediately drawn to the high-spirited horse, and my riding instructor shared the horse’s story with me. He’d been rescued from a paddock where he’d been left loose with one other mare, who had died while he was out there. The owners severely neglected him, so when he first came to my instructor’s farm, he was starved and could barely walk due to overgrown hooves. Immediately, I connected. Silly, I know. He was just a horse. He couldn’t understand, and he couldn’t talk to me like I talked to him. But I didn’t care. This horse had trust issues just like I did, and this horse was lonely like I was.

No one else would ride him besides the teacher because he was so uncooperative and stubborn. I didn’t care. I wanted to ride him, and I pushed to get to a level where I could. For the first time in years, I made a strong, real connection and I cared about something besides myself or the difficulties I was facing. I practically lived for the one day a week when I got to see that horse. And when we moved just half a year to a year after we’d started there, I was broken-hearted. I didn’t have anything left there that I cared about except that horse, and I spent a lot of nights crying myself to sleep because I missed working with him, grooming him, and just spending time with him.

But that connection, as much as losing it hurt, brought something in me back to life. And God began to slowly work on me as He brought new friends into my life and taught me more and more about how to live life again and how to do it while trusting Him. Now, I’m at a point where I don’t struggle with depression all the time. I still do, but not as often. My addiction is under control even though it too remains a struggle because of my sinful decisions in handling my depression as a child and a teen. And I now have a friend that has remained my closest friend for almost three years now, something I never thought I’d have again after my childhood best friend moved. I still struggle to trust people, and things I’ve been through since have made that even harder in a lot of ways. But you know what? God’s constantly using new things to teach me to trust Him, even if I don’t have the ability to trust others or even myself. He’s mended my relationship with both my parents as well and has helped me to mend relationships with my siblings, even if not all of them are great all the time.

If you’d told me back when I was ten that I’d live through all of that and come out of the darkness into the light on the other side, I would’ve laughed. My God back then was not big enough to do all that. My God now? Let’s just say He looks a lot more like the God of the Bible who could take on anything and win.

Choosing Themes or Themes Choosing Me: The first stop in On Twilight’s Wings’ Blog Tour

Hi, everyone! We’re kicking off On Twilight’s Wings’ blog tour on Joanna White’s blog tonight with a guest post on choosing themes or, rather, God choosing them and them gravitating to me. Check the post out on her blog here! Tomorrow’s stop will be on Peter Younghusband’s blog, Perspective by Peter. When I have the link for that, I’ll post it here with a quick summary of what the post is about. Until tomorrow, I hope you enjoy tonight’s guest post and then come back for the rest of the days!

Saturday Setups: Habitats

Introduction

Today, we’re going to focus on habitats. If you’re creating your own creatures, you need to take habitats into consideration. What an animal or creature is equipped with will vary depending on what they need to survive. A desert animal is going to have very different features than a jungle animal, for instance. This stuff should be pretty obvious, but we’ll go over some general stuff to think about. The specifics are too varied to cover here, but once you know what kind of habitat your animal is going to live in, you can tweak your design or build it with that in mind and do the necessary research.

Considerations

Let’s chat about what you need to consider about your creature and the habitat.

To start off, the most important thing about your creature is what it eats and how it gets to its water source. If the animal lives in the desert, it doesn’t have many options for these two things most of the time, so you’ll have to plan accordingly. But if it lives in the middle of the woods, this might be considerably easier to manage.

Second, how big is your animal? The bigger they are, the more food they’re probably going to need. Muscles need fuel, and that fuel comes from food. The more muscles you have, therefore, the more you’ll need to consume. A mouse doesn’t eat the same amount as a black bear before hibernation, for example.

Next, what kinds of resources are available to your creature and what sort of creature do you have? Rodents, for example, such as mice or gerbils need things to gnaw on because their teeth never stop growing. As a result, they need an environment that provides hard foods or things to chew on. A dog, on the other hand, doesn’t have that problem. They, instead, have the issue of needing plenty of meat to sustain them, so they need an environment that has plenty of prey to catch. The kinds of resources available in your environment might limit what kind of animal you have or, as is often the case with Earth’s incredible creatures, your animals may need to have special features that allow them to live in their environment.

Finally, the other thing I think is really important to consider is whether or not your creatures share their habitat and territory with humans or humanoid beings. If they do, you’ll have to take their interactions into consideration. Do the humans or their equivalent get along well with these creatures? Or are they constantly at odds? Have the humans destroyed these animals’ habitats or have they managed to coexist without doing that?

Conclusion

I’ve only covered some of the considerations, but the ones I covered are the ones I’ve found to be the most important for thinking through your creatures. At the least, it will give you a solid launching point for your own creations.

Flash Fiction Friday: Different than You Remembered

This week’s flash fiction is based on my most recent writing prompt on Pinterest. It was pretty popular over there, so I thought I’d write my spin on the story. To set the stage, the prompt is the featured picture for this post, and if you guys want to see more like it, you can check out my writing prompts board on Pinterest. There’s a little bit of everything over there, pretty much!

~~~

The girls hurried along the sidewalk past the alleys and storefronts. Jen listened to the chatter, but her mind wasn’t on it. Anna and Rianna didn’t seem to notice since they just kept talking. The streets became more and more familiar as they got closer to the restaurant, and she shivered. She pulled her cloak closer with a sigh. Last time she’d been here, she’d almost ended up being the victim of some guy looking for a little more than just a wad of cash, though he’d taken the cash and run in the end. The man who’d scared him off before he could truly do her any harm still lingered in the back of her mind.

Well, maybe man wasn’t quite the right word. He’d been young, and he certainly hadn’t seemed human. She wasn’t sure exactly what had scared the other guy off since she hadn’t actually seen her savior until after her attacker had gone, but for someone who was practically a boy to scare of an armed, grown man? She wasn’t sure she wanted to know.

“Earth to Jen!” Anna waved a hand in front of her face. “You’re, like, a million miles away, girl. What’s going on in that head of yours?”

She winced. Anna didn’t know. Neither of the girls did. They hadn’t known her back then, and she’d agreed to come here because she wanted to move on. In fact, she’d been the one to suggest this location. “Sorry, guys. I’m just… My head’s somewhere else, is all. It’s been a long time since I’ve been here. Brings back memories, I guess.”

“Ooo… Memories. What kind?” Rianna grinned. “You have a fling with some really hot guy here?”

“She doesn’t do that kind of thing, Ri.” Anna scowled at their bubbly friend. “You’re the incorrigible flirt, remember? The rest of us aren’t guy crazy, and you’re well aware how Jen feels about guys.”

“Look, it’s not important. The memories aren’t that kind of memory, Ri.” Jen hugged herself and scuffed a shoe along the sidewalk. The street sign up ahead read Elmswood. She’d been attacked there and dragged into the alley in the dark. Was it really a good idea to come here? It was dark now. Would they be attacked like she had been all that time ago?

“Jeez, Jen. I’m sorry…” Ri cleared her throat. “That bad?”

She shrugged. “I’m fine. Really. Let’s just get to the restaurant and have a good time, okay?”

Anna linked her arm through Jen’s with a smile. “We’re going to make sure you have the night of your life, okay? You’ll have new, better memories of this place after tonight.”

A siren wailed nearby, cutting off her remark. People streaming past paused to watch the cop car rush past, followed by an ambulance. Someone slammed into her from the right, and she sucked in a breath to snap at them just as the stranger stopped and put a steadying hand on her arm. “Sorry. So sorry. Are you okay?”

She frowned and lifted her head to gaze up at the tall stranger. Dressed all in black, the man cut an imposing figure. But she recognized him immediately. The boyishness was gone, and whatever gentleness had lurked in his dark gaze back then had also fled to be replaced with sharp observation and a sly twinkle. He raised a brow at her, a glint of recognition lighting in his deep blue eyes. “Jen Ashton?”

She swallowed past a now dry throat. “D-do I know you?”

A smile lit up his face. “Maybe not. You might not remember.”

“Jen, who is this weirdo?” Anna tugged at her arm. “Just tell him to shove off and let’s go eat.”

Tall-dark-and-mysterious frowned. “Do you always address everyone so disrespectfully? One of these days, it might come back to haunt you. You never know who you’re speaking to.”

Ri laughed in that bubbly, light-hearted way she always did. “Are you the President or something? Because if not, I’m not that worried. If Jen won’t tell you to shove off, then I’ll tell you–“

Why did Ri just cut off? Unlike her. Jen frowned and turned to look at her friend. Ri stood frozen in mid-sentence, her mouth open, and everyone around them had frozen too. Her heart thudded loudly in her ears, and she stared until strong, warm fingers wrapped around her wrist and pulled her out of her daze.

“Now… With them temporarily indisposed, where were we?” His grin faded. “I know you remember me.”

She swallowed the lump in her throat. “I… Yeah, I do. I never got the chance to thank you.”

“Oh, don’t thank me yet, darling.” He gave her a wry grin. “I’m not here to catch up, and I didn’t bump into you by accident. You’re coming with me.”

She tugged her wrist out of his grip. “No, I’m not! Unfreeze my friends and leave us alone. Otherwise I’ll call the cops.”

“They won’t come. The whole city’s suspended in this state, and no one will get to you soon enough.” He crossed his arms. “You are coming with me. I need your help, and unfortunately, I don’t have time for the nice way. I’m sorry. Truly, I am. But this is how it has to be.” He reached out and smoothed her hair out of her face.

A cool tingling spread over her forehead, and the world around her spun then tilted crazily. Everything went black, and she lost her balance, dizziness washing over her. His arms wrapped around her, and a feeling of calm and safety swept her off into oblivion before she had time to register just how terrified she should’ve felt.

~~~

What do you think happens to her? Why does he need her? Well, I’ll let you guys go wild coming up with your own endings. But that’s it for this week! I hope you guys enjoyed this, and I’ll see you next week for another flash fiction Friday.

A New Ebook

I’m working on a new ebook for you guys that takes all of the topics I’ve discussed on Thursday Technicalities so far and places them into a streamlined, step-by-step ebook that covers the major topics every fiction writer should understand. Once I’ve got it ready, it’ll go up for sale on the store here. I’ll also be working on getting a print version online with Amazon so that you can order print copies if you prefer them.

However, here’s what I want to know. What is an ebook with all the content I usually discuss worth to you? I’m considering including templates for some of the things I walk you guys through, as well. Would those be helpful to you? What kind of content would you like to see added to expand on topics I’ve already talked about here? The point of the ebook isn’t just to generate sales, though, of course, let’s be real… This is a business I’m trying to grow. Of course I want sales. But the reason I do this isn’t mainly because I want the money. I do it because I love it and I love helping you guys learn from all of the things I’ve spent several hundred dollars on learning in the course of my writing career. Some of it you get for free just because I share about it on the blog. Some of it will be in this ebook or in the course content I’m working on developing.

So my question to those of you who are writers is this. What would it be worth to you to go through an ebook/paperback that would cover all of the main topics you need to not only become a better writer but to also make sure you’ve covered all your bases and are doing the things that will make you successful? What do you need to do better as a writer that I can discuss in order to make this book as useful as possible?

Thursday Technicalities: Interacting with Your Beta-Reader

Introduction

This week, we’re still talking about beta-readers and critique partners, but we’re going to take a look at the writer’s side of the partnership. We’ve already discussed how to find these valuable partners, why we need them, and what traits to look for. But how can we make the partnership one that’s rewarding and enjoyable for them too?

Defensiveness is a No

The first way to interact with a mindset for success is to do so without defensiveness. So often, I’ve worked with people who get defensive about my critiques or my commentary, and I can tell you that nothing ruins a beta-reading experience faster than an upset or disgruntled author.

Many times, you can get people to beta-read for free, so don’t make their lives a nightmare because you can’t take criticism. This goes back to one reason why beta-readers are a good thing. They can help you grow a thicker skin in the area of criticism toward your work. But that only works if you don’t chase them off by being nasty about what they said in the first place.

Always be polite. If you have to, bite your tongue when you feel the urge to argue! If you don’t think the change they suggested or the comment they made is valid after you’ve calmed down and thought about it, that’s fine.

Beta-readers know you won’t take every suggestion they make. But they do anticipate that you’ll be respectful of their suggestions and opinions by at least considering it before you let them know that you think it’s best to leave it as is.

Ask Questions

While defensiveness is going to cripple you in the area of beta-readers, asking questions won’t. If you don’t understand why the beta-reader said what they did or suggested you change something, ask. Believe me, we’re not going to get upset by a legitimate question. Sometimes, we might not know the exact answer and will have to think about it, but we’re not upset when you want us to give you clarification.

Just remember to be respectful. Don’t use questions as a way to disguise argumentative or defensive behavior. It is obvious, and it is really obnoxious. Just don’t do it.

Show Appreciation

Particularly if you aren’t paying the beta-reader, appreciation gives them a very warm feeling. Nothing is much worse than being asked to beta-read, giving your feedback, and then getting nothing more than a brief, cold thank you.

Take the time to let your beta-reader know that whether you take every suggestion or not you really do appreciate the time they put in. If it’s possible, maybe even surprise them with a copy of the book (if they liked it) or some other small gift as a way of telling them they’re valued and their time reading meant a lot to you.

It isn’t a requirement, but it is a really nice thing to do, and they’re more likely to want to work with you again in the future if you show this kind of kindness. It’s definitely unexpected too since most beta-readers doing so for free weren’t anticipating anything in return.

Conclusion

The biggest thing you should take away from this is the need to be polite and kind. Your beta-reader is a person too, and they should be treated with respect, especially since they’re giving up valuable time to help you.

Respect them and their opinion when they give it, even if you end up discarding the opinion or suggestion at the end of the day. A good beta-reader wouldn’t give it if they didn’t really feel the change would be a good one. By acknowledging that and giving their ideas full consideration, you’re going to be well on your way to making the experience much better for both of you!

Thursday Technicalities: What to Look for in Beta-Readers and Critiquers

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Introduction

By now, we’ve gone over where to find beta-readers or critique partners, and we’ve discussed their importance. Those are important, but now there’s the overwhelming process of selecting a beta-reader or critique partner. If you haven’t had much experience with this, you might be asking how you’re even supposed to know what a good one looks like. That’s what we’ll cover in today’s post.

Traits of a Good Beta-Reader

We’ll start off with the beta-readers. For a beta-reader, you’re going to want someone who isn’t afraid to tell you the truth. They need to be able to tell you where you lost their attention or interest, and they need to be able to do it without reservation.

But you also want someone who’s going to try to help you. Plenty of people would line up for a chance to criticize your work, but not many of them would actually want to help you or give constructive feedback. That’s what your beta-reader needs to be willing to do. Kind but frank feedback is essential to your growth. The truth might hurt sometimes, but a friend will tell you anyway because you need to know.

Beta-readers should also be familiar with your genre. It doesn’t help much to have a beta-reader who’s used to hard-core science fiction reading your horror story. They’re not going to give very good feedback, and they’re not your target audience anyway. It might be gratifying to hear back from them if they liked it, but it doesn’t do you any good. Pick someone who has high comfortability and familiarity with the genre you’re asking them to beta-read.

Along the same lines as the last point, a good beta-reader will know the basic elements that make a story good. They might not always know how to fix what’s wrong with your story, and that’s not really their job. But they will know what isn’t working and what elements are missing so they can tell you. This knowledge could be acquired either by extensive reading or because they’ve studied a little on the basics of storytelling. But however they acquired it, they’re going to be the most helpful if they understand how a story should work.

Traits of a Good Critiquer

For a good critique partner, honesty is again a must. If they can’t be honest but constructive in their critique, it won’t do you any good. So do yourself a favor and make sure to find someone who isn’t afraid to point out that the manuscript is bleeding so you can fix it up.

For a critique partner, it’s even more important that they understand the basics of writing and story than it is for a beta-reader. A beta-reader is basically a preliminary audience much like the one you’re going to be selling to. A critique partner should be much more. They may represent a portion of your audience, but they’re there to help you with the story. They can’t help you fix what’s wrong if they don’t understand it themselves.

Another thing that’s good but not necessarily essential is creativity. The better they are with brainstorming sessions and finding creative ways to help you work around plot or character issues, the better they’ll be when you go to them to bounce around ideas. You want them to be a true critique partner, and part of that means being around to act as a sounding board when possible.

One last thing that I would personally recommend is looking for someone with a solid grasp on grammar and the mechanics of writing. Particularly if you struggle with this, the critique partner will be better equipped to come alongside and help you catch mistakes while also explaining why it was a mistake.

Conclusion

My closing note is this. Find someone who is patient and whose personality meshes well with yours. You want this to be a rewarding experience for both of you, and it won’t be if you can’t work together because you’re constantly at odds. Find someone who is willing to discuss things and doesn’t always need to be right. They’re more likely to make your life easier instead of harder.

Have your own tips for what makes someone a good beta-reader or critique partner? Leave them in the comments below! I’d love to hear them, and I’m sure others would too.

Thursday Technicalities: Finding Beta-Readers and Critiquers

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Introduction

Alright, everyone. Last week we talked about our first topic on beta-readers and critiquers: why we need them. This week, we’re looking at how to find them. So, let’s take a look.

Beta-reader and Critiquer Problems

Finding yourself beta-readers and critiquers can be tricky. But you definitely need them because they’re the ones who will take your story for a trial run. So, now you’re stuck with the sticky situation of needing one but not knowing where to start.

To make matters worse, it’s really easy to get beta-readers or critiquers who don’t know what they’re doing, aren’t helpful, or are just straight up cruel. Most of us, if we’ve ever put our work out there on the internet anywhere, have had someone who comments and all they seem to do is shred the work. But they also don’t seem to know what the story is about or it’s just personal preference, not an actual issue with your story.

When people do that in comments, they’re considered trolls. Unfortunately, some of those kinds of people could be the ones you get stuck with beta-readers or critiquers. They’re the ones who rip your writing to shreds but don’t ever improve anything.

Though I sincerely hope that hasn’t been your experience, it’s possible that it has been. If it hasn’t, then great! You can start off with a clean slate and a clear idea of what you should look for. If it has, you may feel that a beta-reader or critiquer is useless or even harmful. To you, my recommendation is to go over the information in these posts about beta-readers and critiquers and give it another chance. Get the right kinds of people, and you’re going to be much better as a writer for it.

Finding Beta-readers and Critiquers

The good news is that it’s entirely possible to find the right kinds of people for these positions. The bad news? It’s going to take some research and searching on your part.

Other Authors in Your Circle

If you’re lucky enough to have a wide circle of other like-minded individuals who love writing and are seeking to improve, you’ve already got a good pool to work with. These people, most likely, understand that they aren’t perfect writers and neither are you. They’re more likely to share the knowledge they have in areas where you’re weak in ways that are palatable and constructive.

But not everyone has that. So, if you don’t, where can you start? If you’re on writing sites like Inkitt and Wattpad, you can often find others in the community who can help you out on this front.

Online Writing Sites

Just be wary as you search because, while there are plenty of nice, well-meaning people, there will also be a large number of people who enjoy reading (and might even enjoy your novel) but don’t have a clue how to help you make it better. Remember, we’re looking for beta-readers and critiquers, not a fan base.

So, if you’re searching for people to help you out with these two roles on a writing site that isn’t dedicated to quality review services specifically, you should do some research. Go look at their writing if they have any available. Chat with them a bit and try to understand what their strengths and weaknesses are.

Chances are, if they’re only telling you how great they’ll do and they don’t admit to areas where they can’t help much, they’re not going to be a good fit. Some might be, but most won’t because they have a view of their abilities that is inflated above what it really is. Similarly, if their writing is of poor quality, don’t expect them to offer you much help.

This doesn’t mean you should toss someone out just because they don’t immediately explain the pros and cons of working with them or because their writing is weak in an area. You have to way the benefits against the costs to see if it’s going to be worth it.

If they’re bragging and act arrogant about their own ability, it’s probably not a good fit. But if you ask more questions and they’ll happily admit that there’s a weakness in some area you asked about, it might be fine. On the writing end, they may be very good at the aspects that you’re struggling with. If they are, they might still be a good fit even if another area is weak. But if they’re weak in the same areas where you’re looking for help, move on. This is particularly true for critiquers.

Beta-readers have a little more slack because they’re supposed to read it like a reader would and comment on the overall story. Critiquers need to be able to deal with the story in a manner that’s somewhere between an editor and a beta-reader. They have to pick up on more things than a beta-reader would, but they’re not responsible for fixing every little grammatical error in the manuscript either.

Conclusion

This is just the beginning of the journey that working with critiquers and beta-readers presents. Finding the right one can be difficult, but once you do, be prepared for an experience that offers plenty of opportunity for growth.

Do you have any tips to share for where to look for beta-readers and critiquers? If you do, share it in the comments below!

Next time on Thursday Technicalities, we’ll take a look at some other things you need to know about beta-readers and critiquers. See you next time!